@purisubzi is a collection of writings on
life, travel and other ephemera.

730

The Leica Q will teach you the art of walking. Good walking shoes is the first important feature of any photographer.

That’s how a beautiful, meditative piece on the Leica Q starts. It is comprehensive in its coverage — both technical and the emotional.

I can’t own an Leica and probably never will, but I have shot a few frames with it and can attest to the deep, mystical connection it engenders the second you hold the gorgeous, machined, smooth body.

But this isn’t about a Leica or a Pentax or a Hasselblad, it is about what happens when you hold a camera, any camera in your hand.

In my case, it has been a phone — a Nokia Lumia 730. I am not kidding when I say that it has been the best camera I’ve ever owned. That oft-repeated adage, “The best camera is the one in your hand right now” has never been truer.

Taking photos requires a sense of elevated seeing — you must have your eyes set on a combination of elements in a frame at one particular point in time that will almost never be repeated. Filter out the noise, preternaturally will the brain into reducing the things it is processing.

Click.

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The 730 makes that possible. That zen moment of calm and immediacy. That rush of seeing something that has been framed and saved for posterity.

I don’t claim for a second that there aren’t other phones that take even better pictures. They do and they are beautiful.

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But the 730 is all I’ve got. And a pair of good walking shoes.

Kofta

It’s been a longish day, unusually hot for Bangalore. Mother is at home, fussing over some piece of furniture that hasn’t been cleaned properly when I enter. This is how the routine goes when she’s staying over and I return from work: Hi how was your day was it ok are you tired do you want juice what do you want for dinner will you be cooking or should I? On most days, I end up picking the knife and ladle but today, she sees my disinterest and volunteers to fix us something.

The heat has me sapped and confused so I head to the balcony to catch some breeze.

“We’ll make koftas. I have lauki at home”, is what I think I hear over the wind. “Did you just say we’ll make koftas?” “Yes, you don’t want?” “No, no, just the extra effort is what I am thinking” “It’s ok, I’ll make most of it.” Which means I’ll be involved in it a lot more than I bargained for.

This is a thing we have, the both of us. My father and I have words and egos to throw at each other. Mother and I have cooking time. It is a time where both of us are more relaxed than usual and we talk and trade stories. Often the same ones. Us storytellers practising our craft.

“Oh, I forgot to tell you, the photo guys finally sent the courier. They’ve restored it very well, am really impressed. Thank you!” I had sent a few pictures my father had taken in the early and late 70s to clean up dust and get fresh prints.

“Anyway, you want to help me out a bit? I’ll manage the rest.”

She points out the photograph in my hand. “He was being such a baby on that trip. Always complaining about something and never enjoying much of it. See his face.” It appears so. My father, who usually has a smile that is either a centimetre wide or lips scrunched together in disinterest (his son takes after this), seems angry. My mother on the other hand is all smiles. “It’s the Arc de Triomphe in the background, the least he could do was pretend to be interested”, she adds. “Am telling you, for all his intelligence and resourcefulness, he’s a baby, like most men.”

The onion chopping duty falls to me. Two large ones that need to be diced as finely as possible, almost a puree, but not quite. I’ve always been proud of my knife skills and today doubly so, because the onions induce many more tears than usual. “Oh, stop crying. You always have cried too much.”, she almost hisses. This has always been her lament. That I let go of myself far too much for her liking.

The onions are put to the side as I turn towards the tomatoes. 3 medium sized ones need to be blanched and pureed, but first the skin is scored so that it can be peeled off easily. After about 30 sec in hot water, I take them out to cool. She’s peeling 6 cloves of garlic which she smashes into a rough paste. A small cube of ginger is also given the same treatment. The holy quartet of a gravy — onions, tomatoes, ginger and garlic — the ones that give the body and heft and strength.

In the photo pile, I pick out one that I suspect she’ll recognise instantly. “Is that a view of Chakri’s house from our verandah?” “Ya, ma.” She grew up mostly poor under a very hardened, strict mother and a father who wanted to be as hands off with his children as possible, preferring the mute company of ointments and tablets that were nearing expiry in the pharmacy he ran. From her home in Chengalavaryan St, she walked every day to the Lady Wellindgon school, taking the longer route in the morning via Singarachari St and past the Parthasarthy Kovil simply because she liked the smell of the sakkara pongal that is distributed in the mornings. “Evenings, I always came back by TP Kovil street because at that Ganapathy St corner, one old thatha would sit and fry up vadai and appalams. Sometimes I would just watch and he would give me one for free.” She never tires of telling this story. I’ve heard it for more 30 years and yet everytime I hear it, there is something new in it. The way she cocks her head back, a faint smile that sometimes is wider and sometimes narrower. Hopeful and wistful.

The hardest part of making the kofta is grating the lauki. You skin and quarter the vegetable, then take out the box grater and run the quarters through it like no tomorrow. There will be a heap of lauki by time you finish. It is messy and can get watery. Which it does become this time. “What’s with the sloppy work, huh?”, she asks. Her dream of attending college shattered when her father passed away when she was 18. “For me, that moment was when all illusions of what I wanted in my life disappeared. Quaid-E-Milleth went out of the window, a history degree, a few more years of carefree fantasy, all gone.”

With 4 more siblings to feed, shelter and take care and her own mother illiterate and unable to do much, she and her elder brother went off in search of work. The first few months were hard, there was no work to be found for a young girl with halting, hesitant speech and anger and resentment for having being denied choices in life she so desperately wanted to make. With only one sibling making money, she and her brothers and sisters survived on one meal a day. Sometimes a few relatives would drop by with a kilo of rice and veggies. Sometimes they would come to sneer because her father had unpaid debt. She eventually found work in a stationary shop on Patters Road. “The job didn’t pay well, but it was reasonably fun. I at least had the chance to get out the house. I needed to do that desperately.” To save and give everything back to her mother to run the house, she walked to work everyday. “I think I saved 20 paisa everyday by not taking the bus. I think. It’s been so long that I don’t remember the exact amount, but yeah something like that.”

It’s suddenly become muggy in Bangalore and the prospect of spending time in the kitchen dulls me. She gives me a hardened look. To the grated lauki she adds a few spoons of besan, one finely cut green chilli, a pinch of red chilli powder, a bit of roasted jeera powder, some turmeric powder, some garam masala, teeny bit of asafoetida and salt. She mixes everything well and starts forming small balls of kofta to fry. The trick here is to add as much besan as to keep things a bit dry and to hold the water lauki together. Too much besan and the kofta becomes a shot-putter’s object, too little, it’ll disintegrate.

“Your father basically rescued me and my family, but you know that”, she says. They’d known each other for a while because he’d stayed at her house for a few months completing his M.Sc. They’d grown fond of each other during that time but never making any attempt to take matters further. He got busy with a Ph.D and she carried on selling notebooks. When the time did eventually come, her mother found that the stars and signs did match. He came down from England, in the middle of a post-doc, married and whisked her away.

The oil in the wok is heating up well. She drops the sticky kofta balls into the wok slowly and one by one. “How long do you think we should fry them?” “Oh, I don’t know? 2-3 minutes. I don’t like it when it’s too brown.”

England was hard for her initially. She was 22, with only a few words of English and absolutely no clue about how most things work. “To his credit, your father did help me a lot in those first few days. Showed me the place, practiced English daily, made me write etc. etc.” She started working at a garment factory, initially sewing buttons onto cardigans, moving onto cutting collars and pockets before ending up as a typist/secretary. “The worst part of the whole thing was the train ride in the cold and rain. The skinheads near the station would taunt me daily. I was afraid if I told your father, he’d come and there would be fight and then it’ll get ugly, so I just took it. I was sending back the money I was making. That was the most important thing, so I couldn’t let anything happen to it.” Her brothers and sisters, now managers and school principles and entrepreneurs went to school because she and her husband sent back generously.

I ask her about her generosity in those days and how it seems to have dwindled with her ageing. “Oh, I don’t know. Age and cynicism, I suppose.” Maybe, but not quite. For all her caring, she’s always been a selfish person. She’ll do certain things only for her immediate gain and then abandon it when it no longer suits her. That she always has and still does look for accolades when she’s done a good deed. “Why do you expect it, ma? This thing that people need to acknowledge?” She growls.

“Do you want to make the rest of it? Or will you slink back to your room?” “I’ll do it”, I push back. The koftas are crisp on the outside and soft inside. A beautiful, medium brown. Into another big wok with ghee, I add some jeera, let it splutter and then add the finely chopped onions. After a couple of minutes of browning, half the garlic and half the ginger go in. This now needs to sweat until the onions are soft, but not caramelised. At this point, the rest of the garlic, ginger and tomato puree goes in.

She returned from England to deliver me. My brother followed a few years later and we moved to Bangalore. Bringing up two raucous boys mostly on her own initially must definitely not have been easy, but from this point onwards, the stories and recollections trail off. They have always. Like all storytellers, she’s built a myth and person around the key things in her life that has made her who she is. In her case, the struggles of her early years. These are stories she loves telling. These are the stories that seem to change subtly over the years, often revealing a glint of something new. The later stories, the ones that involve bringing up my brother and I, the ones that involve her struggles with my father’s struggle with his identity and purpose, the ones that involve briefly living in near penury in my teens, these we’ve hardly talked about or heard.

I ask her why this is so. “The onions and tomatoes are good now. Add the masala now, please?” So in go the turmeric powder, coriander powder, chilli powder, a pinch of jeera powder, a few flakes of kasuri methi and a bit of roasted saunf. This needs to be sweated again, until the oil separates from the onion and tomato. “Why are you being so combative today? I thought we would have fun and it would be nice.”

So I do what I have always done when I’ve brought up these questions and she has refused to answer them. Back down. My questions, about how she allowed her husband’s weak shadow to loom oversized above us, about how her dominant, combative personality wilted in that shadow, about how she’s never forgiven the world for taking away her college years, have to wait for another day.

The onion tomato base has browned and reddened beautifully. To this thick, luscious paste, I add a good measure of water and stir everything vigorously so that no clumps are formed and remain. The fried koftas are gently put into this gravy and the whole thing is brought to a gentle boil.

I suppose all of us, especially storytellers, guard our secrets carefully. Never revealing things too early in the tale for that might do grave damage to the arc and plot we want to construct. To hold back until the last possible moment is a good story telling tactic. I am hoping that she is still constructing the one she wants to tell in a few years time. But as her first listener, it seems unfair that I have to wait.

Sprinkle some freshly chopped coriander over the koftas and gravy. Serve hot with rotis.

Photo

And I press the shutter in those moments that move my heart 

— Hideaki Hamada

Arrival

There’s a baby at home.

As of this time, he is just under three weeks old. His voice is clear, loud and has a pitch that could shatter a thin, low quality wine glass. He expresses his voice most fervently when most of the world is asleep. I suspect my neighbours have either installed double glazed windows by now or battle sleep deprivation each day. We of course, are firmly entrenched in the later camp.

The first day he came home, I couldn’t go anywhere near him because I had the flu. I am not the father, yet even my underdeveloped paternal instinct cried out for his touch, his smell. An excruciating 48 hours later, I held and cradled him, carefully balancing his neck, nuzzled his head and gave him a kiss. From the corner of my eye, I could see a couple of tears running down my mother’s cheeks.

Over the next couple days, I held him and walked about the apartment. His tiny eyes straining to focus on various things hanging down from the ceiling. He poo'ed many, many times, often into a good shirt. Yellow poo, slightly orangish poo, sometimes tinged with green, sometimes an off black blue. He peed into my nose, my eyes and once into my ear. That last feeling is quite indescribable.

One night, my sister, exasperated, exhausted, sleep deprived and on the verge of tears, gently knocked on my bedroom door and asked if I could watch over him while she gathered herself with a few steps up and down the cool balcony. So, I snuggled up beside him. He smelled of baby, with a waft of musk and curdled milk. He shifted a bit on his side and with his tiny, tiny hand tried to grab hold of my palm. He found the webbing between index and thumb. Satisfied, he let out a small grunt and settled down. I put my hand on his chest, covered in a yellow t-shirt that said “Waddup, bro” and with the dim night lamp casting a small shadow, watched as it heaved up and down a few centimetres. The first few weeks are full of overwhelming, irrational fear that something might go wrong. This despite everything showing up as normal and the doctor’s stern gaze when asked. So it is an oddly most comforting and reassuring thing to sit, watch and feel a baby breathe.

***

A few nights later, my sister wakes me up again. I go to her room and both of us watch a peaceful, sleeping baby. “I am tired. And I want to be held”, she says. So I hold her. The pregnancy and first few days of motherhood have taken a toll on her. Her once lustrous, thick hair is a lump. Her once shiny, sparkly eyes are blank and exhausted. Her spirit, seemingly escaping from her by the day. She sleeps soundly for an hour until her son’s wail wakes her again. I go fix coffee for both of us. The sharp acidic hit at 2AM is very welcome and we soon are whispering to each other. About how she isn’t suddenly happy anymore, about how that already she hopes that her son doesn’t inherit her (and her husband’s) inadequacies, about what his dreams are full of, about his sudden, mysterious smiles. About why poop is so many colours, about why for boys the wiping is from back to front and for girls the reverse, about the incessant air guitaring with his arms. About how he is as much an object of near continuous curiosity as anything else.

One evening, with the breeze rattling the wind chime, I tell him stories. About his mother, his father, his aunt, his grandfather, his grandmother who would have absolutely pampered him were she alive. I tell him about the stars, the clouds, the moon, the sky. I tell him about flowers and trees and dogs and cats and other animals. I tell him about steam trains and loud hissing noise they used to make. I tell him about how because of the fickle nature of one chromosome, he became a man thus eliminating a huge chunk of hardship his mother and his cousin sisters have faced, are facing and will face. He listens attentively, eyes blinking furiously, until I pause to catch a breath. If I stop for too long, he contorts his face, threatening to cry.

A few hours later, in bed, I wonder if he’s taken in those stories. Does he realise that he was told something? I wonder about how little he knows. What would it be like to not know things at all, yet be conscious of it? What would it be to grow up learning things again yet knowing that you are re-learning them and that you deliberately chose this path?

***

Here’s the thing: In the short while he’s been home, he’s healed me. From not wanting to head home for hours after work, I now count the minutes to dart back. To see him, his ridiculous, I am so full of angst face, to smell him, to have him grip my little finger and not let go. He’s not my son. He’ll soon leave. It breaks my heart.

He’s hungry and screaming. I pick him up, look at him and realise that no matter, there is never going to be a moment when I won’t love him.


If a clown came out of the woods,
a standard-looking clown with oversized
polka-dot clothes, floppy shoes,
a red, bulbous nose, and you saw him
on the edge of your property,
there’d be nothing funny about that,
would there? A bear might be preferable,
especially if black and berry-driven.
And if this clown began waving his hands
with those big white gloves
that clowns wear, and you realized
he wanted your attention, had something
apparently urgent to tell you,
would you pivot and run from him,
or stay put, as my friend did, who seemed
to understand here was a clown
who didn’t know where he was,
a clown without a context?
What could be sadder, my friend thought,
than a clown in need of a context?
If then the clown said to you
that he was on his way to a kid’s
birthday party, his car had broken down,
and he needed a ride, would you give
him one? Or would the connection
between the comic and the appalling,
as it pertained to clowns, be suddenly so clear
that you’d be paralyzed by it?
And if you were the clown, and my friend
hesitated, as he did, would you make
a sad face, and with an enormous finger
wipe away an imaginary tear? How far
would you trust your art? I can tell you
it worked. Most of the guests had gone
when my friend and the clown drove up,
and the family was angry. But the clown
twisted a balloon into the shape of a bird
and gave it to the kid, who smiled,
let it rise to the ceiling. If you were the kid,
the birthday boy, what from then on
would be your relationship with disappointment?
With joy? Whom would you blame or extoll?

— Stephen Dunn, If A Clown