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    <title><![CDATA[
    Ed Driscoll
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    PJ Media is a leading news site covering culture, politics, faith, homeland security, and more. Our reporters and columnists provide original, in-depth analysis from a variety of perspectives.
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        <title><![CDATA[
        ‘Ford V. Ferrari:’ Male Bonding, ‘Fast and Furious’ Style, in the ‘Mad Men’ Era
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/ford-versus-ferrari/</link>
        <description><![CDATA[
        After attending the PJ Media reunion in Orange County last week, Nina and I flew up to San Jose, both for Nina to visit her longtime legal clients, and for us to revisit our old Saturday night stomping grounds, the mixed-developed <a href="https://pjmedia.com/lifestyle/2011/10/14/san-joses-santana-row-the-future-of-shopping/">Santana Row</a>. There, we saw <em><a href="https://www.imdb.com/title/tt1950186/">Ford V. Ferrari</a>, </em>which as veteran film critic John Nolte of Breitbart.com <a href="https://www.breitbart.com/entertainment/2019/11/15/ford-v-ferrari-review-exhilarating-touching-only-in-america-story/amp/?__twitter_impression=true">wrote in his review last week</a>, is a brilliant exercise in male bonding through massively souped-up American race cars:
        ]]></description>
        <pubDate>Fri, 22 Nov 2019 16:33:45 +0000</pubDate>
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        <title><![CDATA[
        Close Encounters With the Fatherland: 'The Man in the High Castle' Concludes
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/the-man-in-the-high-castle-concludes/</link>
        <description><![CDATA[
        <em>The Man in the High Castle,</em> which concludes on <a href="https://amzn.to/2D569oM">Amazon Prime Video</a> after four seasons, has always been a puzzle-box show, as befits a series executive-produced by Ridley Scott, and based on the book <a href="https://amzn.to/349zwSG">of the same name</a>, the first title written by sci-fi author <a href="https://en.wikipedia.org/wiki/Philip_K._Dick">Philip K. Dick</a> (1928-1952).
        ]]></description>
        <pubDate>Thu, 21 Nov 2019 17:02:28 +0000</pubDate>
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        <title><![CDATA[
        Megyn Kelly Releases Interview with Fired Staffer at Center of ABC's Epstein Cover-Up [Video]
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/megyn-kelly-ashley-bianco-interview/</link>
        <description><![CDATA[
        At <em>NewsBusters,</em> <a href="https://www.newsbusters.org/blogs/nb/curtis-houck/2019/11/08/breaking-megyn-kelly-releases-interview-fired-staffer-center">Curtis Houck writes</a>, "On Friday afternoon, Megyn Kelly continued her return to the news business in a bombshell interview with Ashley Bianco, the former ABC News producer who <a href="https://www.newsbusters.org/blogs/nb/scott-whitlock/2019/11/07/update-epstein-video-source-targeted-abc-fired-new-job">was fired</a> after only four days at CBS News for allegedly being behind the tape of ABC’s Amy Robach admitting that the network quashed her reporting about alleged serial pedophile Jeffrey Epstein."
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        <pubDate>Sat, 09 Nov 2019 00:03:50 +0000</pubDate>
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        <title><![CDATA[
        The House of Stephanopoulos Airbrushes Jeffrey Epstein Down the Memory Hole
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/abc-airbrushes-jeffrey-epstein/</link>
        <description><![CDATA[
        This morning, RedState's "Sister Toldjah" wrote that “<a href="https://www.redstate.com/sister-toldjah/2019/11/06/brian-stelters-hot-take-abcepstein-story-everything-wrong-journalism-media-firefighters-today/">Brian Stelter’s Hot Take On ABC/Epstein Story Is Everything Wrong With Journalism And Media ‘Firefighters’ Today</a>:” “Tuesday’s video clip caused widespread outrage, particularly on the right, with many commentators using it to stoke hatred of the media writ large,” Stelter wrote in his newsletter last night.
        ]]></description>
        <pubDate>Thu, 07 Nov 2019 01:07:10 +0000</pubDate>
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        <title><![CDATA[
        The Liner Notes of the Gods: 'Led Zeppelin: The Oral History of the World’s Greatest Rock Band'
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/led-zeppelin-the-oral-history/</link>
        <description><![CDATA[
        In 1964, the Beatles conquered America through the mass medium of television, via their breakthrough performance on Ed Sullivan’s CBS variety show (backed up by <a href="https://pjmedia.com/eddriscoll/2015/5/18/mad-men-blessedly-comes-to-a-conclusion/">a whole lot of marketing by Capitol Records</a>).
        ]]></description>
        <pubDate>Wed, 23 Oct 2019 02:04:31 +0000</pubDate>
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        <title><![CDATA[
        The Third Season of ‘Star Trek:’ Into the Black Hole
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/star-treks-third-season/</link>
        <description><![CDATA[
        Last week we discussed <a href="https://pjmedia.com/eddriscoll/star-treks-second-season/">the second season of <em>Star Trek</em></a>, when show creator and executive producer Gene Roddenberry assembled his best team of producers to rewrite and polish the scripts the show was receiving from freelance writers, but then sacked co-producer (and the show's best dialogue writer) Gene Coon after too many formula plots. Only a massive letter campaign, which NBC upper management strongly suspected (and correctly so) was orchestrated by Roddenberry saved the show. Which the network punished by burying it for the third season in the graveyard shift -- Friday night at 10:00 pm,&nbsp;fatal to a show that relied upon teenage viewers who tend to prioritize their social life around Friday night. To which Paramount responded by cutting the show's budget (again). The handwriting for the show's doom was on the wall, and Roddenberry knew it.
        ]]></description>
        <pubDate>Thu, 12 Sep 2019 15:25:34 +0000</pubDate>
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        <title><![CDATA[
        The Second Season of ‘Star Trek’: At the Apogee of the Orbit
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/star-treks-second-season/</link>
        <description><![CDATA[
        Last week, <a href="https://pjmedia.com/eddriscoll/star-trek-history-season-one/">we explored</a> the first season edition of <em><a href="http://www.amazon.com/exec/obidos/ASIN/B00H2RPG8U/eddriscollcom-20">These are the Voyages</a>,</em> Marc Cushman’s well-researched history of the original version of <em>Star Trek,</em> written with input from many of that show's behind the scenes team, and authorized by its producers (both sadly deceased), <a href="https://memory-alpha.fandom.com/wiki/Gene_Roddenberry">Gene Roddenberry</a> and <a href="https://memory-alpha.fandom.com/wiki/Robert_Justman">Robert Justman</a>. This week, we'll look at its second season, when the original <em>Star Trek</em> reached the peak of its success — then began to fall apart.
        ]]></description>
        <pubDate>Fri, 06 Sep 2019 01:46:15 +0000</pubDate>
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        <title><![CDATA[
        Rock Music Is on Life Support. Is Hollywood Next?
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/rock-music-is-on-life-support/</link>
        <description><![CDATA[
        The era of mass media may have ended decades ago, but the hangover is about to hit us all hard. In “<a href="https://theweek.com/articles/861750/coming-death-just-about-every-rock-legend">The coming death of just about every rock legend</a>,” Damon Linker of <em>The Week</em> explores the rock &amp; roll carnage to come:
        ]]></description>
        <pubDate>Tue, 03 Sep 2019 17:32:58 +0000</pubDate>
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        <title><![CDATA[
        A Trilogy of Books Tackles the Tumultuous History of the Original 'Star Trek'
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/star-trek-history-season-one/</link>
        <description><![CDATA[
        There was something in the air in Hollywood in 1966. The three television series most associated with 1960s network television, thanks to their endless reruns in syndication throughout the following decade, premiered that year. First ABC’s POW! ZAP! pop-art-themed <em>Batman,</em> starring Adam West and Burt Ward as the campy crusaders debuted in January, giving the venerable comic book a shot in the arm in sales that kept the franchise alive long enough to lead to Warner Brothers’ movie franchise beginning in 1989 and continuing to this day. That fall, they would be joined by NBC’s <em>The Monkees,</em> Columbia television’s “pre-fab four,” inspired by director Richard Lester’s Beatles movies, and another NBC series with the longest legs of all, <em>Star Trek</em>.
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        <pubDate>Fri, 30 Aug 2019 15:30:33 +0000</pubDate>
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        <title><![CDATA[
        The 60th Anniversary of 'Kind of Blue': Miles Davis' Masterpiece
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/kind-of-blue-miles-davis/</link>
        <description><![CDATA[
        In an article published on Sunday, the British edition of <em>GQ</em> listed <a href="http://www.amazon.com/exec/obidos/ASIN/B00IS4187Y/eddriscollcom-20">Miles Davis' <em>Kind of Blue</em></a> as the number one title on its list of <a href="https://www.gq-magazine.co.uk/culture/article/best-jazz-albums">"The 100 best jazz albums you need in your collection<em>,"</em></a> and noted:<em></em>
        ]]></description>
        <pubDate>Mon, 26 Aug 2019 16:27:31 +0000</pubDate>
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        <title><![CDATA[
        All-Digital Hollywood Actors? Arthur C. Clarke Called It Over 30 Years Ago
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/arthur-c-clarke-predicted-digital-actors/</link>
        <description><![CDATA[
        In a recent article titled <a href="https://www.hollywoodreporter.com/behind-screen/rise-all-digital-actor-1229783">“Will Smith, Robert De Niro and the Rise of the All-Digital Actor</a>,” the <em>Hollywood Reporter</em> spots the latest special effects trend. Old and busted? Digital spaceships. The new hotness? Digital thespians:
        ]]></description>
        <pubDate>Thu, 15 Aug 2019 00:08:08 +0000</pubDate>
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        <title><![CDATA[
        Them’s Fightin’ Words: ‘Music in the '80s Sucked’
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/did-music-in-the-80s-suck/</link>
        <description><![CDATA[
        “<a href="https://www.amgreatness.com/2019/07/12/music-in-the-80s-sucked/">Music in the 80s Sucked</a>,” Erik Root, chair of Economic Philosophy at West Liberty University, writes at the <em>American Greatness</em>&nbsp;website:
        ]]></description>
        <pubDate>Mon, 22 Jul 2019 16:41:30 +0000</pubDate>
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        <title><![CDATA[
        With Attack on U.S. Flag, Colin Kaepernick‏ Shifts the Goalposts
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/kaepernick-and-nike-attack-us-flag/</link>
        <description><![CDATA[
        Hey, remember when Hillary “declared <a href="https://nypost.com/2019/07/07/2020-dems-must-change-course-now-before-they-fall-off-left-wing-cliff/">those kneeling during the anthem were ‘not against our anthem or our flag.’ Whoops,”</a> Karol Markowicz writes in the <em>New York Post: </em>
        ]]></description>
        <pubDate>Mon, 08 Jul 2019 23:29:33 +0000</pubDate>
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        <title><![CDATA[
        ‘Seinfeld:’ The Ultimate ‘Show About Nothing’ at 30
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/seinfeld-at-30/</link>
        <description><![CDATA[
        In “<a href="https://www.nationalreview.com/2019/07/seinfeld-30th-anniversary-show-about-nothing-still-relevant/">Seinfeld’s 30th Anniversary: A ‘Show about Nothing’ Remains as Relevant as Ever</a>,” Alec Dent writes at NRO:
        ]]></description>
        <pubDate>Mon, 08 Jul 2019 00:26:21 +0000</pubDate>
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        <title><![CDATA[
        Season Three of Amazon's 'Grand Tour' Concludes
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/grand-tour-season-3-concludes/</link>
        <description><![CDATA[
        On April 12, Amazon aired the last episode of the third season of the <em>Grand Tour,</em> its car show hosted by the original hosts of the BBC’s <em>Top Gear,</em> where they starred from 2002 until 2015, when show creator Jeremy Clarkson was sacked by the BBC for his boozy punch-out of a producer. As I wrote about the <em>Grand Tour</em> <a href="https://pjmedia.com/eddriscoll/amazons-grand-tour/">for PJM in January</a> when the third season debuted, I figured I’d write up some thoughts on the season’s final episode, since it’s a farewell to the show’s old format. But as I was assembling this piece, Will Lloyd of the American edition of the London <em>Spectator</em> asked, <a href="https://spectator.us/game-of-thrones-critics-think/">“What do Game of Thrones critics think they’re watching?”</a>
        ]]></description>
        <pubDate>Fri, 03 May 2019 15:59:43 +0000</pubDate>
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        <title><![CDATA[
        The King of MAGA Country
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/the-king-of-maga-country/</link>
        <description><![CDATA[
        <em>“Tomorrow, you'll know I wasn't kidding, and you'll all think I'm crazy. But, look, I figure it this way: better to be king for a night, than schmuck for a lifetime.”</em>
        ]]></description>
        <pubDate>Mon, 25 Feb 2019 21:39:08 +0000</pubDate>
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        <title><![CDATA[
        From Bauhaus to Jerry Jones’ House
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/dallas-cowboys-star-frisco-tx/</link>
        <description><![CDATA[
        Last week, I visited <a href="https://www.thestarinfrisco.com/">The Star</a>, the Dallas Cowboys’ training and practice facility, which opened in 2017 in Frisco, TX, about an hour west of their stadium in Arlington. Dubbed <a href="https://www.dallasnews.com/arts/architecture/2018/07/20/star-frisco-dallas-cowboys-build-football-oz">a "Football Oz"</a> last year by the<em> Dallas Morning News,</em> The Star is certainly impressively looking, filled with Cowboys memorabilia, ranging from reproductions of their uniforms throughout the years, to their five Super Bowl trophies. It also has two side-by-side practice fields (with space to park <a href="https://www.star-telegram.com/sports/nfl/dallas-cowboys/article209863249.html">Jerry Jones’ helicopter</a> between them) -- one with grass, the other with artificial turf. Back inside, there's a film room so big, you expect George C. Scott in Cinerama as General Patton to come bounding out to give a speech at the podium, not the Cowboys’ unassuming head coach Jason Garrett.
        ]]></description>
        <pubDate>Fri, 01 Feb 2019 00:59:41 +0000</pubDate>
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        <title><![CDATA[
        The 'Grand Tour' Returns to Amazon Prime Video
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/amazons-grand-tour/</link>
        <description><![CDATA[
        I may be one of the very few people who never watched a single episode of <em>Top Gear</em> before watching the <em>Grand Tour</em>. I think I may have seen the name clicking through the DirecTV guide on BBC America in the mid-naughts, and if so, I had assumed it would be a very stiff magazine-format series on the newest British cars*. Deucedly boring to an American whose late father owned a Chevrolet dealership, old chap! It was only when I read Charles C.W. Cooke’s article in <em>National Review</em> on Jeremy Clarkson’s firing by the BBC in 2015 <a href="https://www.telegraph.co.uk/motoring/top-gear/11472112/Jeremy-Clarkson-punched-producer-and-called-him-lazy-Irish.html">after he slugged a producer</a> that I began to become intrigued. Cooke’s headline dubbed Clarkson <a href="https://www.nationalreview.com/magazine/2015/04/20/anti-scold/">“The Anti-Scold,”</a> and at the time, I wasn’t sure such people still existed in England:
        ]]></description>
        <pubDate>Fri, 18 Jan 2019 16:50:12 +0000</pubDate>
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        <title><![CDATA[
        Roger Daltrey’s New Autobiography Explains How The Punk Became the Godfather
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/roger-daltrey-autobiography/</link>
        <description><![CDATA[
        Roger Daltrey’s new autobiography, <a href="http://www.amazon.com/exec/obidos/ASIN/125029603X/pjmedia-20"><em>Thanks a Lot Mr. Kibblewhite </em></a>(we’ll explain the title in a moment), is a fun read, but if you’re as diehard a fan of The Who as I am, you can’t help but notice it contains a few missed opportunities. Daltrey is the lead singer for one of the most influential rock bands of the 1960s through the early 1980s, yet fails to comment on some of his group’s most important moments.
        ]]></description>
        <pubDate>Thu, 08 Nov 2018 02:13:31 +0000</pubDate>
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        <title><![CDATA[
        The Hammer of Ahmet
        ]]></title>
        <author>Ed Driscoll</author>
        <link>https://pjmedia.com/eddriscoll/the-hammer-of-ahmet/</link>
        <description><![CDATA[
        In the 1970s, decades before YouTube, the 24-hour news cycle and a floodgate of social media, rock music rarely made the six o’clock TV news. Instead, rock was relegated to once-a-week late night and syndicated shows such as NBC’s <em>The Midnight Special, </em>and<em> Don Kirshner’s Rock Concert.</em> While <a href="https://pjmedia.com/eddriscoll/jann-wenner-sticky-fingers/"><em>Rolling Stone’s </em>Jann Wenner</a> helped birth a print media devoted to rock in the mid-1960s, the bands themselves didn’t always reciprocate. During their heyday as Atlantic Records’ biggest act in the mid-to-late 1970s, Led Zeppelin held a near-iron lock on the profiles that music industry journalists wrote about them. Reporters for industry-themed publications such as <em>Rolling Stone </em>and <em>Circus, </em>who longed to be close to the action onboard Led Zeppelin’s Boeing 720 private touring jet, eagerly accepted <a href="https://www.ultimate-guitar.com/news/interviews/rock_chronicles_rock_chronicles_1970s_john_paul_jones.html">press orders</a> from the group during their 1977 tour. Those press orders demanded that "objective” journalists obey the band’s rules of engagement:
        ]]></description>
        <pubDate>Tue, 18 Sep 2018 15:38:19 +0000</pubDate>
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