Oakley Anderson-Moore
Writer
Director/Shooter/Editor
I'm a filmmaker. I generally subscribe to the DIY life, and I respect anybody trying to tell stories in their own original way. I’ve shot and edited over 2000 hours of vérité documentary footage. I like light gear that can fit into a backpack. I respect above all things experience, because nothing can replace what you learn from doing. That being said, don't doubt yourself for lack of practice behind the camera — life experience trumps all!
After seven+ years of work, my first feature length documentary "BRAVE NEW WILD“ comes out this April 2016. Hooray! It’s the story of delinquent adventurers in Beat-Era America — from my point of view — having grown up the daughter of a rock climbing pioneer. The film was first chosen as one of ten projects in the 2012 IFP Independent Doc Lab and is currently finishing its festival run (where I won the "Emerging Artist" Award from the Festival Director at WHFF.)
I was born in a smallish town in beautiful Washington state, and then moved to a handful of big, big cities across the globe. I first discovered how much I liked watching movies after I moved to São Paulo, Brazil at age 9, and would go across the street to rent subtitled VHS tapes whenever I felt homesick.
I’m proud to be a writer for No Film School, and a member of such a thoughtful film community. I’m always looking to meet other filmmakers and future collaborators with the same spirit!
Pages
It's from the midnight short "A Nearly Perfect Blue Sky" that's mentioned by Emily Doe below.
I haven't had a chance to see the Adam Curtis film yet, but will be sure to now. Looks frighteningly fascinating. Thanks, Ed!
Thanks Erik! So glad to hear it. There's also that scenario "they have been doing DEF for forever and I already know this is getting cut but I don't want to interrupt and mess up the vibe..."
I'm glad this is pointing you in a good direction! Please keep me posted on the film and its release -- it sounds very interesting. With a topic like hazing that could be the source of a whole awareness campaign, if that's something you're thinking about, the film could really benefit from a grassroots screening tour. Feel free to shoot me an email if you need any more advice.
Hey Joe - for every screening I have done 5 minutes before, 25 minutes after. I honestly think it's worked great to keep the beginning very brief -- and five minutes is just enough time to introduce yourself or your partner, mention the Q&A afterwards, and thank everyone for coming!
I’d say shoot 1080. My impression with the 600D is that, while it takes pixels from the full height of the sensor to shoot 480, the data transfers at a such a lower bitrate that you’re losing more than you would shooting at 1080. (On the 5DMkIII, for example, 640x480 mode only allows IPB mode/10 Mbps; 1920x1080 offers ALL-I mode/90 Mbps. That’s 9 times less data for a frame that’s only about a third smaller, give or take. So it's getting more compressed. If anyone else understands this better, please chime in.)
Also, since you’ll be editing one timeline with both 1080 and 480 footage, having all the clips at the same FPS and resolution would make it that much easier. I believe without ML or firmware on 600D you can only shoot 640x480 at 50 or 60 FPS, whereas your 1080 footage will be in 24, 25, or 30 FPS. Shooting everything 1080 and cropping in post, you don’t have to deal with mixed FPS.
So I’d say go for 1080 and modify your monitor any way you can (tape?) to frame it for 4:3 while on set! Amman did say that was crucial for composing shots on ‘Dayveon.’ Good luck! Sounds like fun, would be curious to see the film when you're done.