chromosphere-la:

We are so honored to have been nominated for “Best New Studio” by the Motion Awards, along with so many other incredible studios like our friends at Feed Me Light, Moth, and Wednesday. These awards are decided through a public voting process, so please cast your vote HERE before April 14th! Thank you!

Please vote for us!

Reblogged from chromosphere-la

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chromosphere-la:

MEGA TURTLE! Here is a tiny little scene we animated for Elizabeth Ito’s incredible Cartoon Network short “Welcome to My Life”!

Design by / Kevin Dart
Animation & Compositing by / Stéphane Coëdel

Reblogged from chromosphere-la

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Here are some monster posters I painted for Elizabeth Ito’s awesome Cartoon Network short “Welcome to My Life”! They were inspired by Polish Godzilla movie posters.

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These are some of the only paintings I actually did myself during the early development phases of June. It was really thrilling to be able to work with so many other incredible artists and watch them bring the concept and June’s entire world to life.

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chromosphere-la:

arthurchaumay:

Color keys/researches I did for the Lyft short film June. The second set of pics are explorations for the neighbourhood where June lives.

We were thrilled to work with Arthur Chaumay on June! Here are some amazing thumbnails he did exploring June’s neighborhood of Bronzeville.

We were so forunate to work with Arthur Chaumay on June - check out some of the incredible work he did developing the look and feel of June’s neighborhood! And also check out the rest of his amazing work on his blog!

Reblogged from chromosphere-la

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chromosphere-la:

Motionographer has posted an awesome in-depth article about our process working on June with John Kahrs, with tons of production artwork and behind the scenes info! We’re incredibly honored to be featured on there! READ THE WHOLE THING HERE!

Here’s a bunch of info about how we produced the short film June for Lyft at Chromosphere!

Reblogged from chromosphere-la

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chromosphere-la:

Check out this great behind-the-scenes featurette about the making of June, featuring interviews with director John Kahrs, Chromosphere creative director Kevin Dart, Lyft creative director Ricardo Viramontes, and musician Sir the Baptist (who wrote and performed the song for the montage!). There’s also some more production artwork and a few peeks at our LA studio space in the video!

Here’s me and some other people talking about the making of June! Also lots of really nice footage of the Chicago locations that inspired our backgrounds.

Reblogged from chromosphere-la

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chromosphere-la:

“Life is better when you share the ride.”

“June” is the story of a woman who becomes more connected to her community through ridesharing. Chromosphere was approached by Academy Award-winning director John Kahrs and Lyft to provide complete design and animation services for this project. We worked directly with John from the earliest concept designs through to the final frames, making sure that everything we did enhanced the story that he wanted to tell.

In the beginning we see only a small slice of the world around June in Chicago’s southside, but by the end we are taken on a whirlwind journey through all of Chicago’s diverse and colorful neighborhoods. For visualizing these environments we first tapped designer Théo Guignard whose rich color sensibilities brought out the beauty in every single place June visits.

One of our biggest challenges was to design, build, and rig June, our central character. She needed to be appealing and fit in with our graphic style, but also have the ability to exhibit subtle emotions. For her design, as well as all of the other characters in the film, we enlisted Tiffany Ford to capture her personality. Tiffany’s designs have an authentic and specific feel that is often hard to come by in mainstream animation.

To bring the characters to life we had to assemble a team of animators who could embrace the visual style of the short and also understand the subtlety of acting required to make the piece feel authentic. Leading this team was Nelson Boles, who lent his extremely sophisticated sensibilities to June’s movements and facial expressions.

The final product is a vibrant mix of 2D and 3D assembled by our skilled team of international compositors and animators. We’re incredibly proud to have been a part of this beautiful project. Check out our full production credits below:

CREATIVE DIRECTOR
Kevin Dart

DIRECTOR OF PRODUCTION
Myles Shioda

DESIGN
Théo Guignard
Arthur Chaumay
Tiffany Ford
Jasmin Lai
Emily Paik
Sylvia Liu

CG
Pedro Vergani
Feed Me Light: Felipe Hansen, Denis Bodart, Denis Bouyer, Richard Kazuo Maegaki
Mattias Bjurström
Theresa Latzko

ANIMATION
Nelson Boles
Claudio Salas
Alex Grigg
Jonathan Djob Nkondo
Bill Northcott
Vitaliy Strokous

LIGHTING & RENDERING
Camille Perrin

COMPOSITING
Stéphane Coëdel
Rob Ward
H. Kristen Campbell
Alasdair Brotherston

ADDITIONAL HELP FROM
Nate Funaro
Keiko Murayama
Rachel Chu
Jim Levasseur

Here is the latest project we’ve produced at Chromosphere! So proud of this film and our entire team!

Reblogged from chromosphere-la

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chromosphere-la:

Travel with us at chromosphere-la.com

Happy Holidays from the whole team at Chromosphere!

DESIGNED BY Jasmin Lai
CHARACTER DESIGN BY Tiffany Ford
ANIMATION & COMPOSITING BY Rob Ward
MUSIC BY Mine Shoulder
SOUND DESIGN BY Stephane Coedel

Just finishing out our first year in business and wanted to make a special little holiday card/announcement that we’re here and ready to make cool stuff! Have a great holiday everybody,

Reblogged from chromosphere-la

359 notesSERIAL NO. 1542246758751 year ago

peabloggy:

Here is another cool music video from season two, featuring Katie Herzig and her beautiful “Telegraph Song”!

I am so proud of this music video we made for the incredible Katie Herzig! I storyboarded and colorscripted the video, Chris and Eastwood and Sylvia painted the backgrounds, Keiko designed the characters, Mike cleaned them up, and Phillip colored them! Stephane also personally composited the entire piece and DHX did the character animation.

This was really difficult to do from a technical standpoint - it was really hard to get the timing right so that the backgrounds and characters would move in sync with the song. The entire pan is about 64 fields long and had to be split into six seamless paintings in order for the file size to be manageable. Once we started animation, we realized it was incredibly difficult to do the pan without a strobing effect because of the way our computer screens refresh. Stef did lots of awesome problem solving to minimize the effect. So happy with how it turned out!

Reblogged from peabloggy

656 notesSERIAL NO. 1424803845802 years ago

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