And challenges Deegs to a "King of the Camp" showdown, Neil helps Vic prepare for his big moment, and troubling discoveries abound for the Firewood gang.
We can't wait to travel through time and space one last time with the Twelfth Doctor. See which other movies and TV shows we're excited about this month.
In Episode 3 of Season 2 of "The Grand Tour," Jeremy Clarkson asks if Europe's glamour set still needs jets and helicopters to fulfill a busy day of breakfasting in St. Tropez, skiing in the Alps, and dining in Turin, or if they'd be better off with a car. Episode 3 is available Friday, Dec. 22.
In 2000, David Wain and Michael Showalter set out to make their first film Wet Hot American Summer. It was a low budget independent film and they cast their friends and a handful of unknown... See full summary »
Director:
Amy Rice
Stars:
Elizabeth Banks,
Michael Ian Black,
Bradley Cooper
Paul Rudd (Andy) and Skyler Gisonndo (Jeremy) both played the character Tommy Doyle in the Halloween film series. Rudd portrayed him in Halloween: The Curse Of Michael Myers (1995). Gisonndo portrayed him in Halloween (2007). See more »
Although not a masterpiece, the original movie from 2001 is a charming and entertaining one. It was funny. The sequels have been disappointing, with every installment progressively worse.
Everything about Wet Hot American Summer: Ten Years Later screams "first draft". It's like they were spit balling in the writer's room saying "wouldn't it be funny if" and it never progressed beyond that step. I have witnessed that firsthand on comedy projects I have worked on where the writers are howling with laughter and slapping each other on the back, just to have everything fall flat when you shoot it and hand it over to the poor editor who is the one who has got to try and save it.
Perhaps one problem is that the core croup come out of sketch comedy via The State. There is no narrative flow to Wet Hot American Summer: Ten Years Later. It's easier to mask that in a 90 minute movie, like the original, but when you stretch it for 8 episodes (or rather 16 episodes, since both Netflix shows have the same structure) it becomes quite tedious.
One show also made by people from The State that manage to pull this off beautifully is Reno 9/11 (one of my favorite shows). But the structure of that show (essentially a COPS parody) lends itself perfectly to the sketch format, it doesn't have the need for the same narrative flow that Wet Hot American Summer: Ten Years Later aspires to.
But the cardinal sin with Wet Hot American Summer: Ten Years Later is that it unlike the original movie, isn't very funny. Most ideas are half baked, and the actors are going through the motions. It didn't help that every time someone shouted "Walla-walla-hoo!" I wanted to kick their teeth in.
Perhaps the original movie was lightning in a bottle.
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Although not a masterpiece, the original movie from 2001 is a charming and entertaining one. It was funny. The sequels have been disappointing, with every installment progressively worse.
Everything about Wet Hot American Summer: Ten Years Later screams "first draft". It's like they were spit balling in the writer's room saying "wouldn't it be funny if" and it never progressed beyond that step. I have witnessed that firsthand on comedy projects I have worked on where the writers are howling with laughter and slapping each other on the back, just to have everything fall flat when you shoot it and hand it over to the poor editor who is the one who has got to try and save it.
Perhaps one problem is that the core croup come out of sketch comedy via The State. There is no narrative flow to Wet Hot American Summer: Ten Years Later. It's easier to mask that in a 90 minute movie, like the original, but when you stretch it for 8 episodes (or rather 16 episodes, since both Netflix shows have the same structure) it becomes quite tedious.
One show also made by people from The State that manage to pull this off beautifully is Reno 9/11 (one of my favorite shows). But the structure of that show (essentially a COPS parody) lends itself perfectly to the sketch format, it doesn't have the need for the same narrative flow that Wet Hot American Summer: Ten Years Later aspires to.
But the cardinal sin with Wet Hot American Summer: Ten Years Later is that it unlike the original movie, isn't very funny. Most ideas are half baked, and the actors are going through the motions. It didn't help that every time someone shouted "Walla-walla-hoo!" I wanted to kick their teeth in.
Perhaps the original movie was lightning in a bottle.