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| Kambuzia Partovi | ... |
Writer
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| Maryam Moqadam | ... |
Melika
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| Jafar Panahi | ... |
Himself
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Hadi Saeedi | ... |
Melika's Brother
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Azadeh Torabi | ... |
Melika's Sister
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Abolghasem Sobhani | ... |
Agha Olia
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Mahyar Jafaripour | ... |
Younger Brother
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Ramin Akhariani | ... |
Worker #1
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Sina Mashyekhi | ... |
Worker #2
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Siamak Abedinpour | ... |
Worker #3
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Zeynab Kanoum | ... |
Herself
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In a secluded house by the sea with the curtains shut, a screenwriter hides from the world with only his dog as company. The tranquility is abruptly broken one night by the arrival of a young woman fleeing from the authorities. Refusing to leave, she takes refuge in the house. But come dawn, another unexpected presence will change everything. Written by Variance Films
I knew from This Is Not A Film that Jafar Panahi is not an ordinary filmmaker. Maybe he was beforehand, but at least now is different. He bends the lines between fiction and documentary in a way I've never seen before, in both artistic and expositional ways. The first 15 minutes of Closed Curtain is some of the most expressionistic filmmaking of the year as co-director Kambuzia Partovi silently closes curtains symbolising the oppressive isolation, physically and mentally, Panahi must feel under house arrest. Unfortunately, the film stumbles in the introduce of drama. There's little believable in the execution of the young criminal couple who disrupt the writer. Then it takes a really interesting turn. The way Panahi manifests the difference between this fictional story and his own pathos is fascinating and crushing. If it didn't have that emotional frustration to it, and recursion that his own writing is being disrupted, then it wouldn't work. Clunkiness in the filmmaking and ambiguity in certain sequences leave it feeling incomplete but Closed Curtain certainly meets This Is Not A Film's match when it comes to unexpected thoughtfulness.
7/10