In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
A.D. 2034. It has been two years since Motoko Kusanagi left Section 9. Togusa is now the new leader of the team, that has considerably increased its appointed personnel. The expanded new ... See full summary »
In the year 2027, a year following the end of the non-nuclear World War IV, a bomb has gone off in Newport City, killing a major arms dealer who may have ties with the mysterious 501 ... See full summary »
The year is 2030 and an influx of refuges have effortlessly transformed themselves into a terrorist organization known as the Individual Eleven. With a sadistic intent of mass destruction, ... See full summary »
Director:
Kenji Kamiyama
Stars:
Alison Matthews,
Russell Roberts,
David Kaye
In this prequel set one year after the fourth World War, cyborg and hacker extraordinaire Motoko Kusanagi from the military's 501st Secret Unit finds herself wrapped up in the investigation of a devastating bombing.
The anime's story is set in 2027, one year after the end of the fourth non-nuclear war. New Port City is still reeling from the war's aftermath when it suffers a bombing caused by a ... See full summary »
Witness the formation of the legendary Public Security Section 9. When a clandestine organization hacks every car in the city, Kusanagi recruits a lethal team of cyber operatives to clamp down on the chaos and make the city safe again.
Motoko and Batou work to try to stop a terrorist organization whose symbol is the Scylla. Meanwhile, Togusa investigates a murder of a man who possessed a prosthetic leg manufactured by the Mermaid's Leg corporation.
The lyrics to the title song "Making of a Cyborg" were written in ancient Japanese. The romanized Japanese lyrics are as follows: A ga maeba, kuwashime yoini keri A ga maeba, teru tsuki toyomu nari Yobai ni kami amakudarite Yoha ake, nuedori naku. Tôkamiemitame (x4). English translation: When you are dancing, a beautiful lady becomes drunken. When you are dancing, a shining moon rings. A god descends for a wedding And dawn approaches while the night bird sings. God bless you (x4). See more »
Goofs
When the Section 9 members discuss about the "host shell" female cyborg, there's a shot with the brain hologram out of focus in the foreground. In this shot, the original (1995 movie) hologram is shown, instead of the new CGI one. See more »
Quotes
Batou:
Chief, you ever question the ethics of the neurosurgeons who monkey around inside your brain?
Section 9 Department Chief Aramaki:
They undergo psychiatric evaluations, especially those in security. They're subjected to a stringent screening of their personal lives. Of course, the ones who check are only human.
Batou:
I guess once you start doubting, there's no end to it.
See more »
I gave this 1 star out of 10, not because the story sucks or anything, but because this was a completely unnecessary waste of time and effort.
Here's the idea: take one of the greatest animes ever produced and re-draw certain shots with new CGI. Then intercut them with the original animation.
The new CGI is very well done; unfortunately, it doesn't match the original artwork at all, and tends to distract from the overall film. It's like having someone slap you every few seconds.
One other reviewer mentioned that this seemed like something George Lucas would do, and if you saw the "new" Star Wars films that came out in the 1990s with added scenes and (crappily done) CGI, you've had a taste of what was done with GITS 2.0. But imagine if the original was in B&W and the new scenes were not just in color, but completely CGI. That's how jarring GITS 2.0 is.
If the creators wanted to do something with the new CGI technology that exists, they should have come up with a new idea, not tried to re-hash an old movie. They aren't even "re- imagining" it, they are just doing it over again. It's as if an artist working with charcoal discovered watercolors, and then tried to paint over all his old works. This was a terrible idea.
My advice is to forget that this movie exists, and just watch the original.
38 of 62 people found this review helpful.
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I gave this 1 star out of 10, not because the story sucks or anything, but because this was a completely unnecessary waste of time and effort.
Here's the idea: take one of the greatest animes ever produced and re-draw certain shots with new CGI. Then intercut them with the original animation.
The new CGI is very well done; unfortunately, it doesn't match the original artwork at all, and tends to distract from the overall film. It's like having someone slap you every few seconds.
One other reviewer mentioned that this seemed like something George Lucas would do, and if you saw the "new" Star Wars films that came out in the 1990s with added scenes and (crappily done) CGI, you've had a taste of what was done with GITS 2.0. But imagine if the original was in B&W and the new scenes were not just in color, but completely CGI. That's how jarring GITS 2.0 is.
If the creators wanted to do something with the new CGI technology that exists, they should have come up with a new idea, not tried to re-hash an old movie. They aren't even "re- imagining" it, they are just doing it over again. It's as if an artist working with charcoal discovered watercolors, and then tried to paint over all his old works. This was a terrible idea.
My advice is to forget that this movie exists, and just watch the original.