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| Ann Savage | ... | ||
| Louis Negin | ... | ||
| Amy Stewart | ... | ||
| Darcy Fehr | ... | ||
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Brendan Cade | ... | |
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Wesley Cade | ... | |
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Lou Profeta | ... |
Himself
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Fred Dunsmore | ... |
Himself
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Kate Yacula | ... |
Citizen Girl
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Jacelyn Lobay | ... | |
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Eric Nipp | ... | |
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Jennifer Palichuk | ... | |
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Deborah Carlson |
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Kevin Harris |
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Scott Hamel |
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Filmmaker Guy Maddin was born, raised and has always lived in Winnipeg, Manitoba, a town where he says everyone sleepwalks through life. He is trying to escape Winnipeg, but isn't sure how as he isn't sure what's kept him there in the first place. Perhaps his parent's month long 65th wedding anniversary celebration (despite his father being dead for some years) where he will reenact his childhood (with actors playing his family, except his mother who plays herself) in the old family home at 800 Ellis Avenue, which was above the family's hair salon business, will provide some answers. He recounts some civic events which have affected him and the life of Winnipegers: the 1919 general strike, the destruction of the Wolseley Elm in 1957, and the replacement of the iconic Eaton's building for the new hockey arena in favor of the old Winnipeg Arena. The latter has an especially close connection to him because of a family tie and the rich history of hockey in the city (discounting what he ... Written by Huggo
Guy Maddin's ninth feature is a pseudo-documentary about the director's hometown of Winnipeg. It mostly focuses on his relationship with the city, but it also includes re-enactments of his family life and famous weird things that happened in the city's past. It's a bit of a mess, but, as I've said before regarding Maddin, his films play out like dreams. A mess makes sense a lot of the time. I do think the film lacks the focus of his best work, and is, in fact, my least favorite of his features. Also contributing to my relatively low opinion of it (i.e., I don't think it's one of the best movies ever) is Maddin's own narration. I loved his previous film, The Brand Upon the Brain!, but objected to the narration. It's even worse here, taking a lot of the mystique out of the silent film pastiche Maddin has been perfecting since The Heart of the World (I'm kind of hoping that he'll some day return to the stuff of his earlier works, which felt more like the films of the '30s than those of the '20s). My favorite sequences were the occult ceremony in the Masonic temple and the hockey legends game, where septuagenarians play one last game as their stadium is demolished by wrecking balls. Darcy Fehr of Cowards Bend the Knee returns as Guy Maddin, who, in the movie, is as desperate to leave his depressing hometown as he is to stay (throughout the movie, Fehr appears dozing in a train car that never seems to get out of Winnipeg). And Maddin dug up Detour's Ann Savage, possibly literally, to play his mom.