A revolver-wielding stranger crosses paths with two warring clans who are both on the hunt for a hidden treasure in a remote western town. Knowing his services are valuable to either side, ...
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A revolver-wielding stranger crosses paths with two warring clans who are both on the hunt for a hidden treasure in a remote western town. Knowing his services are valuable to either side, he offers himself to the clan who will offer up the largest share of the wealth. Written by
IMDb Editors
Quentin Tarantino's mechanical wheelchair has a duck hood ornament on one of the arms, the same hood ornament as on Stuntman Mike's car in Death Proof (2007), directed by Tarantino. See more »
Goofs
While the main character fights on a snowy hill, his opponent cuts a bullet out of the air with his sword. It shows the bullet and sword both moving in slow motion, but the snow continues to fall around them at the normal speed. See more »
Quotes
[first lines]
Ringo:
[shoots a snake out of the claws of a flying hawk and cuts egg out of it]
Cowboy:
[draws his gun on Piringo and whistles appreciatively]
Boss:
Piringo. Been looking for you. It's the end of the road for you.
Boss:
[gong]
What's that sound?
Ringo:
That's the sound of the Gion Shoja temple bells.
Boss:
What?
Ringo:
You know, those Heike and Genji boys. On a distant island, these to clans split into the Reds and the Whites. Waged a war. Sort of like that, uh, War of the Roses, ya know? In England?
Boss:
Who won? The Whites?
Ringo:
This ...
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This Japanese-Italian crossover is a homage to the great spaghetti westerns of the 1960's and 70's. The oh-so familiar plot is reminiscent of Akira Kurosawa's masterpiece Yojimbo, later remade by Sergio Leone as a western with A Fistful Of Dollars. A brooding gunslinger arrives in a small town that has been torn apart and occupied by two warring clans - the reds and the whites. After advertising his expert gun skills up his arrival, he at first offers up his services to the highest bidder, but after realising the peril faced by the town's innocent natives, he decides that he can put his skills to better use and wage a war against the clans. All of this is seemingly told by a mysterious stranger played by Quentin Tarantino, who introduces the film at the beginning.
After the truly cringe-worthy opening scene, in which the aforementioned Tarantino shows off his acting 'skills' and mows down a few faceless bad guys and talks tough, the film seems to pick up some pace. The opening is deliberately designed to look cartoonish, with plastic looking sets and over-the-top blood spraying. It just doesn't work and thankfully moves away from this style and takes on a more traditional method. For all it's trying, the film never leaves second gear. The familiar storyline doesn't offer anything I've not seen before, and the decision to have the Japanese actors speak in broken English with subtitles is an interesting idea I suppose, but just becomes slightly annoying and confusing. I would expect better from a director such as Takashi Miike, who made the excellent Audition and Ichi The Killer. I just pray he doesn't become another homage-loving filmmaker like Tarantino.
www.the-wrath-of-blog.blogspot.com
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This Japanese-Italian crossover is a homage to the great spaghetti westerns of the 1960's and 70's. The oh-so familiar plot is reminiscent of Akira Kurosawa's masterpiece Yojimbo, later remade by Sergio Leone as a western with A Fistful Of Dollars. A brooding gunslinger arrives in a small town that has been torn apart and occupied by two warring clans - the reds and the whites. After advertising his expert gun skills up his arrival, he at first offers up his services to the highest bidder, but after realising the peril faced by the town's innocent natives, he decides that he can put his skills to better use and wage a war against the clans. All of this is seemingly told by a mysterious stranger played by Quentin Tarantino, who introduces the film at the beginning.
After the truly cringe-worthy opening scene, in which the aforementioned Tarantino shows off his acting 'skills' and mows down a few faceless bad guys and talks tough, the film seems to pick up some pace. The opening is deliberately designed to look cartoonish, with plastic looking sets and over-the-top blood spraying. It just doesn't work and thankfully moves away from this style and takes on a more traditional method. For all it's trying, the film never leaves second gear. The familiar storyline doesn't offer anything I've not seen before, and the decision to have the Japanese actors speak in broken English with subtitles is an interesting idea I suppose, but just becomes slightly annoying and confusing. I would expect better from a director such as Takashi Miike, who made the excellent Audition and Ichi The Killer. I just pray he doesn't become another homage-loving filmmaker like Tarantino.
www.the-wrath-of-blog.blogspot.com