| Cast overview, first billed only: | |||
| Wes Bentley | ... | ||
| Winona Ryder | ... | ||
| Ray Romano | ... | ||
| Gina Hecht | ... | ||
| A.J. Trauth | ... | ||
| Katherine Boecher | ... | ||
| John Billingsley | ... | ||
| Alison Moir | ... | ||
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Mickey Mickey | ... |
Robin
(as Mickey Ewan)
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| Kurt Caceres | ... | ||
| Allan Rich | ... | ||
| Richard Riehle | ... |
Man at Gorge
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| Michael Cornacchia | ... |
Client
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| Ivar Brogger | ... |
Priest
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Jules Adrianna Sorensen | ... |
House of Pies Waitress
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Evan keeps to himself, almost without affect. He's 30, a former foster child, living alone, writing suicide notes for people. He attends a client's funeral and meets Charlotte, the client's sister. She pursues Evan; he's silent about his real work and invents a friendship with the brother. About the same time, Evan starts working with Abel, a new client, a composer of phone-waiting music who's depressed. Evan confides in Abel about Charlotte as she begins to draw him out. Crises await the self-contained Evan: his relationship with Charlotte is based on a lie, and his incipient friendship with Abel is headed toward suicide. Are more dead ends ahead? Written by <[email protected]>
Comedy? No, folks, there are no laughs here. Great ending? Hah! The bit of relief at the end weighs like a feather compared to the darkness of the movie as a whole. This is a drama, a dark one, with suicide and love deceived and betrayed constantly in the background, yet the plot is compelling, and love tries to wriggle its way to the surface amid the human refuse. An excellent script, particularly if this is the writer's first. Strong, touching performances by Wes Bentley, Winona Ryder and Ray Romano. Don't see it when you're looking for some light entertainment for the evening. But when you're ready for something serious and something that might stick in your mind, see it then. There won't be many movies of its quality this year.