| Cast overview, first billed only: | |||
| Ellen Burstyn | ... | ||
| Dylan Baker | ... | ||
| Sheila McCarthy | ... |
Doris
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Judy Marshak | ... |
Silver Elms Matron
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| Doreen Brownstone | ... |
Silver Elms Bridge Player
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| Samantha Weinstein | ... | ||
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Ryland Thiessen | ... |
Child Telford
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| Mackenzie Munro | ... |
Child Charlotte
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| Connor Price | ... |
Child Matt
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| Jordan Todosey | ... | ||
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Ardith Boxall | ... |
Lottie's Mother
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Arne MacPherson | ... |
Doctor
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| Ted Atherton | ... |
Reverend Troy
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| Christine Horne | ... | ||
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R. Morgan Slade | ... |
Young Telford
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In Manitoba, Hagar Shipley is nearing 90. She has little, she tells us, but her memories. Over several weeks, during which she runs away from her son and daughter-in-law who want to place her in a nursing home, returning to the small town where she grew up and the now-derelict farmhouse where she was married and raised two sons, we follow Hagar in the present and in memories that trace her childhood, marriage in defiance of her father, and later losses. She's fiercely even foolishly proud. Can she make peace with anyone she loves, or is she left to rage against the dying of the light? Written by <[email protected]>
Marvin (Dylan Baker) and his wife Doris (Sheila McCarthy) are trying to send his mother Hagar Shipley (Ellen Burstyn) to a nursing home. Hagar had signed over her house to her son and he has lost it all declaring bankruptcy. She runs away to her old childhood home. The movie flashes back to her life in the small town. Her mother had died giving birth to her brother Matt. Her father brought over a stone angel for her mother's grave. They're the rich family of the community. Her prideful father owns the local store and she has acquired lots of the same attitude. She picks on Lottie for being a bastard child. Her poor farmer husband Bram Shipley (Cole Hauser) becomes a drunk. Her father leaves all of his money to the town. She walks out on Bram to be a live-in maid taking her younger son John (Kevin Zegers). John dates Lottie's daughter Arlene (Ellen Page) and she disapproves.
Ellen Burstyn is powerful in her role but the younger actors can't quite measure up. Christine Horne doesn't have the same boldness playing Hagar. Also there is simply too much story to fit into a simple movie. It feels more like highlights of a life rather than an in-depth character study. Any power in the movie comes mainly from Ellen Burstyn and the big secret at the end. The movie just doesn't have enough to lift up this personal epic.