| Series cast summary: | |||
| Dominic Cooper | ... |
Willoughby
(3 episodes, 2008)
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| Charity Wakefield | ... |
Marianne Dashwood
(3 episodes, 2008)
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| Hattie Morahan | ... |
Elinor Dashwood
(3 episodes, 2008)
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| Janet McTeer | ... |
Mrs. Dashwood
(3 episodes, 2008)
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| Lucy Boynton | ... |
Margaret Dashwood
(3 episodes, 2008)
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| David Morrissey | ... |
Colonel Brandon
(3 episodes, 2008)
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| Linda Bassett | ... |
Mrs Jennings
(3 episodes, 2008)
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| Mark Williams | ... |
Sir John Middleton
(3 episodes, 2008)
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| Claire Skinner | ... |
Fanny Dashwood
(3 episodes, 2008)
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| Rosanna Lavelle | ... |
Lady Middleton
(3 episodes, 2008)
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| Dan Stevens | ... |
Edward Ferrars
(3 episodes, 2008)
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| Mark Gatiss | ... |
John Dashwood
(2 episodes, 2008)
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| Caroline Hayes | ... |
Eliza
(2 episodes, 2008)
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David Glover | ... |
Foot
(2 episodes, 2008)
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| Daisy Haggard | ... |
Miss Steele
(2 episodes, 2008)
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| Anna Madeley | ... |
Lucy Steele
(2 episodes, 2008)
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| Leo Bill | ... |
Robert Ferrars
(2 episodes, 2008)
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Morgan Overton | ... |
Little Henry
(2 episodes, 2008)
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Tim McMullan | ... |
Mr Palmer
(2 episodes, 2008)
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Tabitha Wady | ... |
Charlotte Palmer
(2 episodes, 2008)
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| Roy Holder | ... |
Thomas
(2 episodes, 2008)
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Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in Devonshire. There, the prevailing ambition is to find suitable husbands for the girls. With help from wealthy neighbor Sir John Middleton, suitors for Elinor and Marianne are soon found, but not landed. They include dashing Willoughby, future vicar Edward Ferrars and retired colonial gentleman Colonel Brandon. Written by KGF Vissers
A solid adaptation that didn't quite match up to the Ang Lee and Emma Thompson film. That had more energy, pace, intensity and humor. This is more lyrical and gentle, which works almost as well... for a while.
I actually loved the first two hours, but the last hour didn't work as well for me, perhaps because of the different overall tone tone. The climax felt more soap opera-ish, and also more uneven, with the slightly jarring attempts at humorous over the top characterizations clashing with the more subtle feel of the piece. The acting is generally excellent, but there were times when performers didn't quite seem to all be in the same film.
Worth seeing if you are an Austen fan, but if you only need one film version to be happy, I'd watch the Lee feature first.