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| Cast overview, first billed only: | |||
| Elisabeth Harnois | ... | ||
| Clea DuVall | ... | ||
| Sean Patrick Flanery | ... | ||
| Jensen Ackles | ... | ||
| Danneel Ackles | ... |
Tish
(as Danneel Harris)
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| Alice Krige | ... | ||
| John Doe | ... | ||
| Sean Wing | ... | ||
| Adair Tishler | ... | ||
| Jordan Belfi | ... | ||
| Matt Barr | ... | ||
| Peter Dennis | ... | ||
| Judith Drake | ... | ||
| Tony Daly | ... | ||
| Jeff Kahn | ... |
Customer on Cell Phone
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Piper moves to Santa Cruz, California to go to the Institute of Art. When she was 15 she gave birth to a daughter, but had to put her up for adoption because she was too young to raise her. Years later she sees an article about a girl she thinks is her daughter, who lives in Santa Cruz, and applies for a job in a sandwich shop. As she works there she gets to know the staff. Tish is a babe, she tries to seduce every guy who comes into the shop, and she goes home with those who flirt back. Jen, a computer nerd who has a love affair online with a guy who calls himself fuzzy22. She's not as pretty as Tish and she struggles with self-confidence. And there's a crazy haired guy called Priestly; he's not like other guys and dresses different then everyone because he refuses to be "another clone". Piper's boss is a really nice guy named Trucker, who's in love with a woman who owns the store across the street. The audience goes through the sandwich shop crew's personal struggles as they help ... Written by Kine Johansen/liztothemax
This is definitely the best romantic comedy that I have seen in the past several years. Great writing, solid acting and delivery, excellent production values. The dialog was fresh and edgy, and it was the first film that I have seen in a while that felt like it was written and directed by real people, and not vetted by a series of industry drones. The dramatic aspects of the film were familiar and yet not predictable. The women in the film were much more progressive and real than are typical in larger budget studio productions, and the portrayal of sex and sexuality was downright honest. The cast was obviously enjoying themselves, and stayed on task to deliver excellent performances. I really appreciated that it actually dealt with some real content and issues, but wrapped in a warm and fuzzy bubble-gum Saturday night eye-candy teen-Disney kind of context. I'm surprised that this wasn't snatched up by a distributor (note to distributors - snatch this up before the bidding war begins).