| Cast overview, first billed only: | |||
| Robbie Kay | ... | ||
| Monika Schurmann | ... |
Jakob's Mother
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| Nina Dobrev | ... | ||
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Jordan Pettle | ... |
Jakob's Father
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| Rade Serbedzija | ... |
Athos Roussos
(as Rade Sherbedgia)
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| Vieslav Krystyan | ... |
Polish Cab Driver
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John Watson | ... |
German Checkpoint Soldier
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| Stephen Dillane | ... | ||
| Rosamund Pike | ... | ||
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Maggie Huculak | ... |
Librarian
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| Devon Bostick | ... | ||
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Diego Matamoros | ... |
Jozef
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Sarah Orenstein | ... |
Sara
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Gray Powell | ... |
Alan
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Dmitry Chepovetsky | ... |
John
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Middle aged Jakob Beer reflects on his life, this reflection which is all consuming. He is a Polish born and raised Jew. When he was an adolescent, his parents were shot dead and his sister Bella hauled away by the Nazis during World War II. Jakob witnessed these events from a hideout in their home. Running away, Jakob was found by Athos Roussos, a Greek national working on an archaeological project in Poland. Athos managed to smuggle Jakob out of Poland back to his native Greece. A few years later, Athos and Jakob moved to Canada where Athos began work as a teacher. Jakob has continual dreams about Bella, especially her piano playing but never knew Bella's ultimate fate. Jakob's reflections, especially the emotions stemming from his thoughts, lead to him becoming a writer of a successful book. His marriage to his first wife Alex, an outgoing and upbeat woman, fails because he can't get out of the somberness connected to his past at this time of his life. It isn't until he comes to ... Written by Huggo
This week Jews and others around the world celebrated Yom Hashoah, Holocaust Remembrance Day, observed every year since 1959 to "never forget" the murder of six million Jews during World War II. Loosely based on a novel of the same name by Canadian author Anne Michaels, Fugitive Pieces by Jeremy Podeswa whose father was a Holocaust survivor, touches on an often-overlooked aspect of the tragedy, that those who have managed to survive deep trauma may be unable to rid themselves of their obsessions. The film spans a period of roughly 35 years, beginning in 1942 and concluding in the late 1970, going back and forth in time between the events of childhood and present time. Set in Biskupin, Poland during World War II, seven-year old Jakob Beer (Robbie Kay) witnesses the murder of his parents and the abduction of his beloved sister Bella by German soldiers.
Disregarding Bella's instructions to remain at home, Jakob runs away. Hiding in the forest, he plants himself into the ground "like a turnip", hiding his face with leaves until he is discovered by Athos Roussos (Rade Serbedzija), a warm hearted Zorba-like Greek archaeologist on a dig. Athos brings the traumatized boy to his home on the sun-drenched island of Zakynthos in Greece where they live through the Nazi occupation, suffering deprivation but surviving the atrocities that befall Greece's Jewish community. The relationship between Jakob and Athos is slow to develop but they eventually form a bond. "I will be your koumbaros, your godfather," Athos says. "We must carry each other. If we don't have this, what are we?" After the war, Athos receives a teaching position in Canada and they move there hoping to forget the past. Jakob, now played as an adult by Stephen Dillane, has neighbors who are also Jewish immigrants and he develops a close relationship with Ben (Ed Stoppard) who he watches grow into a gifted writer. Though Jakob has become a successful writer in Canada himself, his marriage to the lovely Alex (Rosamund Pike) is threatened by haunting memories of Bella and his obsession with the Holocaust. Her vivacity and joy for life is in sharp contrast to his solemnity and he "longs for the loss of memory", and writes about his wife's "shameless vitality" saying, "To live with ghosts requires solitude".
After their breakup, Jakob falls in love with Micheala (Israeli actress Ayelet Zurer), a scholar twenty-five years his junior, and her charm and intelligence allows him to venture out of his shell. Fugitive Pieces is a quiet and sensitive film that has a touching poetic quality and Robbie Kay turns in one of the best child performances I have seen in years. Though the film often becomes too literary and does not soar dramatically, its message is strong - that though we should never forget a tragedy, there may be a steep price for remembering.