| Cast overview, first billed only: | |||
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Ekateryna Rak | ... | |
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Lidiya Oleksandrivna Savka | ... |
Olgas Mutter
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Oksana Ivanivna Sklyarenko | ... |
Olgas Baby
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Dmytro Andriyovich Gachkov | ... |
Olgas Bruder
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Natalya Baranova | ... |
Olgas Freundin in der Ukraine
(as Natalija Baranova)
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Miloslava Kubkova | ... |
Web Sex Hausmeisterin
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Katka Ackermannová | ... |
Web Sex Girl
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Lucie Radlová | ... |
Web Sex Girl
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Zdenka Tothová | ... |
Web Sex Girl
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Natalja Epureanu | ... |
Olgas Freundin in Österreich
(as Natalia Epureanu)
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Gerhard Komarek | ... |
Putzfirma Instruktor
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Herta Wonesch | ... |
Frau mit ausgestopftem Fuchs
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| Petra Morzé | ... |
Mutter Einfamilienhaus
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Lisa Hubbauer | ... |
Tochter Einfamilienhaus
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Ronald Volny | ... |
Aufsicht Reinigungsfrauen Geriatrie
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A nurse from the Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason.
Another bizarre entry from German director Ulrich Seidl, whose previous effort, Hundstage, made me question his sanity for producing it and, and mine for watching it. I gave him another shot with Import Export and I am still bewildered by Mr. Seidl.
Olga, a Ukranian nurse who lives with her mother and child, struggles with money and turns to internet pornography for extra cash. She poses nude for a camera and takes requests from men calling in and paying for a sexual performance.
She moves to Vienna to live and work for a wealthy family. She is fired for being suspected of theft and she then gets a job as a cleaner at a senior care hospital and falls for one of the patients, Erich, who promises to marry her, but dies
An Austrian man named Paul lives with his mother and stepfather and dog named Caesar, and practices martial arts. He works as a security guard, but gets fired after being handcuffed and stripped naked by a gang of Turks. His girlfriend leaves him and he travels with his stepfather, Michael, to the Ukraine to install video gambling machines. They stop in Slovakia and look for prostitutes in a Roma neighborhood. Again, Seidl ends the movie ambiguously. He is 0 for 2 in my opinion, and I will bypass any more of his work.