| Cast overview, first billed only: | |||
| Shah Rukh Khan | ... | ||
| Rani Mukerji | ... |
Saamiya Siddiqui
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| Preity Zinta | ... |
Zaara Hayaat Khan
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| Kiron Kher | ... |
Mariam Hayaat Khan
(as Kirron Kher)
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| Divya Dutta | ... |
Shabbo
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| Boman Irani | ... |
Jahangir Hayaat Khan
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| Anupam Kher | ... |
Zakir Ahmed
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| Amitabh Bachchan | ... |
Chaudhary Sumer Singh (Special Appearance)
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| Hema Malini | ... |
Maati (Special Appearance)
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| Manoj Bajpayee | ... |
Razaa Shirazi (Special Appearance)
(as Manoj Bajpai)
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| Zohra Segal | ... |
Bebe
(as Zohra Sehgal)
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S.M. Zaheer |
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| Tom Alter |
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| Akhilendra Mishra | ... |
Jailor
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| Arun Bali |
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Squadron Leader Veer Pratap Singh (Shah Rukh Khan) is a rescue pilot with the Indian Air Force. In the line of duty he comes across a stranded Zaara (Preity Zinta) - a girl from Pakistan who has come to India to fulfill her surrogate mothers dying wish. Veer saves her life and his life is never the same again. Twenty two years later Saamia Siddiqui (Rani Mukerji), a Pakistani human rights lawyer on her first case, finds herself face to face with an ageing Veer Pratap Singh. He has languished in a Pakistan jail cell for 22 years and has not spoken to anyone all these years. And no one knows why. Her mission is to discover the truth about Veer and see to it that justice is served. VEER-ZAARA is a saga of love, separation, courage and sacrifice. A love that is divine, a love that is whole-hearted, a love that is completely consuming, a love that grows with separation and deepens with sacrifice. A love that is an inspiration - and will remain a legend forever. Written by Official Source
"Veer-Zaara" was shown as part of an international film series at my local public library. It is the first Bollywood musical I have ever seen, and as such, I lack the critical perspective necessary to make an informed judgement about it. However, I did rate "Veer-Zaara" seven out of ten, because I found it consistently entertaining, and often entirely delightful. I was never once bored - in spite of its three hour plus running time. In order to appreciate any form of musical drama, it's necessary to "surrender" to theatrical artifice, and seen in that light, "Veer-Zaara" is no more illogical or "unrealistic" than a classic Vincent Minnelli Musical or a "serious" Verdi opera. I was also very intrigued at the way that the plot of the film crossed several genres and combined a number of classic story-telling archetypes: "the star-crossed lovers," "the village pastorale," "the saga of family honor," "the courtroom drama," etc.
Watching this film I think I learned a lot about modern Indian culture. Although at times the sentimentality in "Veer-Zaara" is so gushing that it enters into the realm of camp, there is also much substance in the film which is entirely admirable and worthy of esteem: the honor paid to parents and elders, the independence and spirit shown by strong and intelligent women, the respect given to Law and Justice, and perhaps most importantly, the possibility of peace and reconciliation between two peoples and two nations who have been engaged in a long, bitter, and fruitless quarrel.