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Margaret Cho: I'm the One That I Want (2000)

November, 1999, Margaret Cho is home in San Francisco at the Warfield Theater. Cho structures her monologue loosely on her professional life's trajectory: doing stand-up, cast in an ABC-TV ... See full summary »

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Storyline

November, 1999, Margaret Cho is home in San Francisco at the Warfield Theater. Cho structures her monologue loosely on her professional life's trajectory: doing stand-up, cast in an ABC-TV sitcom, losing 30 pounds in two weeks for the part, the show's cancellation, a descent into booze, pills, and self-loathing, and a resurrection into her own voice, her own shape, and being the one she wants. Along the way we visit Karl Langerfeld in jail, a lesbian cruise ship, a TV Guide photo shoot, a hospital, bars, and her family's Polk Street bookshop. Takes on being a fag hag, speeding up felatio, casual daily racism, and her mother's phone messages highlight a scabrous, brilliant performance. Written by <[email protected]>

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4 August 2000 (USA)  »

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Opening Weekend:

$33,671 (USA) (4 August 2000)

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$1,205,606 (USA) (24 August 2001)
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Did You Know?

Quotes

Margaret Cho: I wasn't like any Korean role-model that they had ever seen. I didn't play violin. I didn't fuck Woody Allen.
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Connections

References The Drew Carey Show (1995) See more »

Soundtracks

Cherry Bomb
Written by Kim Fowley and Joan Jett
Performed by Joan Jett & The Blackhearts (as Joan Jett and The Blackhearts)
Courtesy of Blackheart Records
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User Reviews

Still funny, but losing it a bit.
30 May 2002 | by – See all my reviews

As a fan of her for several years now, I feel that her performance in "I'm the One That I Want" isn't as well-paced and sharply, unrelentingly funny as her previous stand-up performances. She seems to "ham-it-up" a lot more in this performance. Also, whereas in past stand-up performances, the laughs would come rapid-fire, one after another (I guess because of time-restraints), Margaret seems to be stretching out her jokes a little too long, either through repeating the same thing over and over (e.g.the "vagina-washer" bit, "fag-hag") or by making silly faces and ogling at the camera.

This is not to say that this movie isn't funny, there are some bits that are absolutely hilarious. Her best material is the stuff regarding Asians, such as the prejudice and stereotyping (e.g. The Margaret Cho Rice Diet, the "Asian Thing") and her impressions of her decidedly ethnic Korean mother. While I used to like her material about gays, it seems like she hams it up a little too much here, and is specifically playing it up for her large gay audience. It feels more forced in this performance. That being said, "Ass master" still made me laugh till I cried.

All in all, a good performance with some rather sad and touching(but not necessarily funny) material about her ordeal with her failed sitcom. She is becoming little too much "drama-queen" or "diva" though and it takes a toll on her humor. I liked her "raunchy, rebellious, F the system, Asian-chick" persona much better.


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