An aspiring director and the marginally talented amateur cast of a hokey small-town Missouri musical production go overboard when they learn that someone from Broadway will be in attendance.
Mockumentary captures the reunion of 1960s folk trio the Folksmen as they prepare for a show at The Town Hall to memorialize a recently deceased concert promoter.
Director:
Christopher Guest
Stars:
Christopher Guest,
Eugene Levy,
Michael McKean
Three actors learn that their respective performances in the film "Home for Purim," a drama set in the mid-1940s American South, are generating award-season buzz.
Director:
Christopher Guest
Stars:
Catherine O'Hara,
Parker Posey,
Christopher Guest
Centers on 30-year-old Tom Chadwick who, after losing his job and his girlfriend, begins exploring his family heritage after inheriting a mysterious box from a great aunt he never met. ... See full summary »
A town of Blaine, Missouri is preparing for celebrations of its 150th anniversary. Corky St.Clair, an off-off-off-off-off-Broadway director is putting together an amateur theater show about the town's history, starring a local dentist, a couple of travel agents, a Dairy Queen waitress, and a car repairman. He invites a Broadway theater critic Mr. Guffman to see the opening night of the show. Written by
Piotr Zembrowski <[email protected]>
The song "Nothing Ever Happens on Mars" was meant to be a complement to an earlier song in the show called "Nothing Ever Happens in Blaine," hence the audience's roar of laughter when the song starts. See more »
Goofs
In the Chinese dinner scene, the plate of beef to the left of Sheila appears and disappears. See more »
Quotes
[Corky and Libby are playing a World War II era couple in "Red, White and Blaine"]
Libby Mae Brown:
[as "Ima"]
I hear that French girls... are very pretty... that they wear the finest of clothes. I also hear that they are experts... in the ways of love.
Corky St. Clair:
[as "Monty"]
Ima... I'm going to fight for my country! To fight... and yes, perhaps die... so that young men from here to Timbuktu can feel the wind of freedom blowin' through their hairrrrr!
See more »
Crazy Credits
During the end credits Christopher Guest's character shows us some of the fun memorabilia that he sells in his store. See more »
I'm not sure why I waited to so long to see this film as I've known about it for quite some time now, but it was purely delightful. I spent the weekend catching up on my Christopher Guest films, and watched `A Mighty Wind' then `Best in Show' and saved Guffman for last. While I still thought `A Mighty Wind' was better, (in the same way that Sprite is better than 7-Up there's really no difference, just maybe an iota of something indescribable that is better) `Waiting for Guffman' is still huddled in there with `Best in Show' as a fantastic film.
One thing that I noticed about `Guffman' over the others is that while all of his films have a little heart to them, this film had just a little bit more. I can also see that Guest, while having more of an acting role in this film, went on to lessen his roles substantially, but he really is a good actor. All of the actors show immense versatility, (especially Catherine O'Hara, whose hair in this film made me laugh constantly) but Guest actually surprised me. The fact that the films are primarily ad-libbed is most impressive in `Guffman' in my opinion, and the direction, while very subtle in all of the films, does not rely on editing to lead (or sometimes, create) a gag as much as his later films do.
All of Guest's films are fairly short (clocking in at 90 minutes or less) so I would suggest that if you haven't seen any or all of his mockumentaries, to just schedule a film festival with some friends and watch them in order. It's fun to compare them, and to watch the same actors take on different personas, and `Waiting for Guffman' is a strong and hilarious piece of work.
--Shelly
39 of 48 people found this review helpful.
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I'm not sure why I waited to so long to see this film as I've known about it for quite some time now, but it was purely delightful. I spent the weekend catching up on my Christopher Guest films, and watched `A Mighty Wind' then `Best in Show' and saved Guffman for last. While I still thought `A Mighty Wind' was better, (in the same way that Sprite is better than 7-Up there's really no difference, just maybe an iota of something indescribable that is better) `Waiting for Guffman' is still huddled in there with `Best in Show' as a fantastic film.
One thing that I noticed about `Guffman' over the others is that while all of his films have a little heart to them, this film had just a little bit more. I can also see that Guest, while having more of an acting role in this film, went on to lessen his roles substantially, but he really is a good actor. All of the actors show immense versatility, (especially Catherine O'Hara, whose hair in this film made me laugh constantly) but Guest actually surprised me. The fact that the films are primarily ad-libbed is most impressive in `Guffman' in my opinion, and the direction, while very subtle in all of the films, does not rely on editing to lead (or sometimes, create) a gag as much as his later films do.
All of Guest's films are fairly short (clocking in at 90 minutes or less) so I would suggest that if you haven't seen any or all of his mockumentaries, to just schedule a film festival with some friends and watch them in order. It's fun to compare them, and to watch the same actors take on different personas, and `Waiting for Guffman' is a strong and hilarious piece of work.
--Shelly