| Cast overview, first billed only: | |||
| Thierry Lhermitte | ... | ||
|
|
Patrick Timsit | ... | |
| Ludwig Briand | ... | ||
| Miou-Miou | ... |
Patricia
(as Miou Miou)
|
|
| Arielle Dombasle | ... | ||
|
|
Tolsty | ... |
Pavel
(as Vladimir Kotliarov)
|
|
|
Sonia Vollereaux | ... |
Marie
(as Sonia Volleraux)
|
| Jackie Berroyer | ... |
Jonavisky
|
|
|
|
Marc de Jonge | ... |
Rossberg
|
|
|
Louba Guertchikoff | ... |
Mrs. Godette
|
|
|
Philippe Bruneau | ... |
Mr. Marshal
|
|
|
Dominique Besnehard | ... |
Master Dong
|
|
|
Cheik Doukouré | ... |
Mr. Bonaventure
(as Cheik Doukoure)
|
|
|
Marie-Charlotte Leclaire | ... |
Rossberg's Secretary
|
|
|
Olga Jirouskova | ... |
Sonia Koutchnoukov
|
The Parisian broker Steph only needs the signature from his wife Patricia for their divorce - but she left 13 years ago for living with Amazonas indians. Steph finds her in the village and gets stuck for two days, where he learns that he has got a son, who grew up as an indian. Meanwhile he fails to confirm a soy bean transaction and promises his son Mimi-Siku to show him Paris as soon as he will become a man. However, this happens next day when the tribe celebrates the children's festival. So both fly back to Paris, where Steph and his partner Richard try to limit their losses by selling the beans to the Russian mafia, and Mimi-Siku discovers the city with bare feet. He climbes the Eiffel tower and preferes to hunt doves with bow-and-arrow instead of eating cornflakes. Steph moves his son to the family of his partner, where Mimi-Siku falls actively in love with Richard's daughter Sophie. Discovered, Sophie is set to be sent into a boarding school, and therefore rescued by Mimi-Siku, ... Written by Tom Pfeifer <[email protected]>
Oddly, this movie made me remember of Poiré's movie "the visitors". It's nearly the same topic and the story is told in a comedy style: the presence of a character (here, it happens to be a young Indian) in an unknown universe for him. Obviously, he'll come to turn upside down the living conditions of a few people (like Thierry Lhermitte). Otherwise, it's just a nice but flat comedy. Anyway the result was effective because success was on appointment. And Hervé Palud's movie had the merit of having interested the USA because three years later, an American remake was launched. When you think about French comic movies that are rather badly thought of, it's nearly an achievement.