Kevin Bacon nabbed a Golden Globe nomination for Best Performance by an Actor in a Television Series (Musical or Comedy) for his role in the Prime Original series "I Love Dick." Find out more about the show and browse our Golden Globes Guide for the full list of nominees.
Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Director:
Robert Altman
Stars:
Jennifer Jason Leigh,
Miranda Richardson,
Harry Belafonte
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Director:
Robert Altman
Stars:
Sam Shepard,
Kim Basinger,
Harry Dean Stanton
The daughter of a Louisville truck driver marries the scion of a very wealthy family, but reception at the family estate is boycotted by the invited guests.
A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.
O.C. and Stiggs aren't your average unhappy teenagers. They not only despise their suburban surroundings, they plot against it. They seek revenge against the middle class Schwab family, who embody all they detest: middle class.
The familiar tragic story of Vincent van Gogh is broadened by focusing as well on his brother Theodore, who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.
Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
Director:
Robert Altman
Stars:
Keith Carradine,
Shelley Duvall,
John Schuck
A fashion show in Paris draws the usual bunch of people; designers, reporters, models, magazine editors, photographers. Lots of unconnected stories which all revolve around this show, and an all-star cast. Written by
Rob Hartill
In the hotel room, Anne Eisenhower lifts a glass of wine from Joe Flynn's dining cart with her left hand and takes a drink. Joe makes a comment and it can be seen that Anne's left arm is up to her face (she is visible from the chest down), but when we cut back to Anne the glass is in her right hand as she puts it down. See more »
Quotes
[first lines]
[subtitled version - opening lines are in French, the English subtitles are a very rough translation]
Olivier de la Fontaine:
[opening letter]
Moscow? What's this about? Put that on the desk. Dear Mr. de la Fontaine: blah, blah, blah, blah... blah, blah, blah, blah...
Isabella de la Fontaine:
[to dog]
Robin. Robin. I told you not to! It's dirty. You shouldn't do that. Not in the house.
[to Olivier de la Fontaine]
Isabella de la Fontaine:
You're a shit.
See more »
Crazy Credits
The film's opening scene where Mastroianni buys the 2 Dior ties is set in Moscow's Red Square and the first 2 lines of credits (a Miramax production and a Robert Altman film) appear solely in Cyrillic characters See more »
I've seen it a couple of times. I understand Altman was maybe trying to create a disjointed, farcial almost surreal type atmosphere, but I found the lack of cohesiveness and clear cut thread annoying and it caused me to not care about the film or its characters. Being just a regular jane and not blessed with 15 or so credits in Film-making at NYU, the subtly of the art was lost on me. I desperately wanted just a little exposition to grab onto, and all the film's inside jokes and vague, obscure references to Italian films I found to be self indulgent. I'm not saying this film was bad - just bad for me. I think he could have pulled off the same feel and frenzied little European farce with a TOUCH more connective tissue in the plot. Not a lot, just a little for the audience to care about the story, the characters and whatnot. The thing I found in the film that I even cared more than a fig about was the Simone storyline.
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"The IMDb Show" takes a look at the new trailer for Ready Player One and breaks down director Steven Spielberg's five greatest Easter eggs of all time. Plus, we connect the dots between IMDb's Top 10 Stars of 2017.
I've seen it a couple of times. I understand Altman was maybe trying to create a disjointed, farcial almost surreal type atmosphere, but I found the lack of cohesiveness and clear cut thread annoying and it caused me to not care about the film or its characters. Being just a regular jane and not blessed with 15 or so credits in Film-making at NYU, the subtly of the art was lost on me. I desperately wanted just a little exposition to grab onto, and all the film's inside jokes and vague, obscure references to Italian films I found to be self indulgent. I'm not saying this film was bad - just bad for me. I think he could have pulled off the same feel and frenzied little European farce with a TOUCH more connective tissue in the plot. Not a lot, just a little for the audience to care about the story, the characters and whatnot. The thing I found in the film that I even cared more than a fig about was the Simone storyline.