This film shows the disaster of the Kuwaitian oil fields in flames, with few interviews and no explanatory narration. Hell itself is presented in such beautiful sights and music that one has to be fascinated by it.

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Storyline

This film shows the disaster of the Kuwaitian oil fields in flames, with few interviews and no explanatory narration. Hell itself is presented in such beautiful sights and music that one has to be fascinated by it.

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Genres:

Documentary | War

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Release Date:

26 October 2002 (Hong Kong)  »

Also Known As:

Lessons of Darkness  »

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1.85 : 1
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Did You Know?

Trivia

Director Werner Herzog says he prefers to think of this as a science fiction film, not a documentary. See more »

Goofs

In an aerial shot, the shadow of the camera's helicopter is visible (about 10 minutes, 8 seconds into the film). See more »

Quotes

Narrator: Two figures are approaching an oil well. One of them holds a lighted torch. What are they up to? Are they going to rekindle the blaze? Is life without fire become unbearable for them?... Others, seized by madness, follow suit. Now they are content. Now there is something to extinguish again.
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Soundtracks

Stabat Mater
Written by Arvo Pärt
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User Reviews

 
A pure masterpiece, unsurpassed in its visual power...
8 April 2007 | by (Berlin, Germany) – See all my reviews

This is less a documentary than it is a work of art. Herzog presents a visual symphony comparable to the grandeur of Dante.

The cinematography of this movie is a constant presence of beauty and terror, heart-throbbing and breathtaking, still always far from pathos. Inspiring and touching throughout its full length, Herzog demonstrates the power of pictures, the essence of film or photography as a medium separate from logical understanding.

There is no storyline to this motion picture since it defines itself as such, - not as a visual derogative of verbal expression but as a free form of expression displayed in sensuous, demanding and touching PICTURES!

This movie is a must for any photographer or person involved in visual arts, I have seldom encountered such a sincere and demanding work of cinematography.

In a frenzy of subjectivity this flick deserves a full 10 out of 10, I am ready to die now, thank you...


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