A business commuter is pursued and terrorized by the malevolent driver of a massive tractor-trailer.

Director:

Writers:

(screenplay), (story)
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1,495 ( 19)
Nominated for 1 Golden Globe. Another 3 wins & 3 nominations. See more awards »
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Cast

Complete credited cast:
...
...
Mrs. Mann
...
Cafe Owner
Lou Frizzell ...
Bus Driver
Gene Dynarski ...
Man in Cafe
...
Tim Herbert ...
Gas Station Attendant
Charles Seel ...
Old Man
Shirley O'Hara ...
Waitress
Alexander Lockwood ...
Old Man in Car
Amy Douglass ...
Old Woman in Car
Dick Whittington ...
Radio Interviewer (voice)
Carey Loftin ...
The Truck Driver (as Cary Loftin)
...
Car Driver (as Dale VanSickle)
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Storyline

While traveling through the desert for an appointment with a client, the businessman David Mann from California passes a slow and old tanker truck. The psychotic truck driver feels offended and chases David along the empty highway trying to kill him. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

The most bizarre murder weapon ever used! See more »

Genres:

Action | Thriller

Certificate:

See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

13 November 1971 (USA)  »

Also Known As:

Dvoboj  »

Filming Locations:

 »

Box Office

Budget:

$450,000 (estimated)
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Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (original) | (Extended Version)

Sound Mix:

(Westrex Recording System)|

Color:

(Technicolor)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Some of the scenes were later used as stock footage in The Incredible Hulk: Never Give a Trucker an Even Break (1978) an episode of "The Incredible Hulk". Obvious scenes used were the red Valiant slamming into the fence, the use of the same phantom truck in new TV footage, and the use of a similar Valiant in new TV footage. Unhappy by the discovery that footage from the movie was recycled, and unable to sue because the studio owned both the film and Hulk series, Steven Spielberg insisted that all his future contracts have a clause designed to protect his films from being used as stock footage. See more »

Goofs

The diesel locomotives pulling the Southern Pacific freight trains are too modern to be equipped with the deep single-note airhorns as heard in the film (they are no doubt canned sounds). Leslie or Nathan muti-chime horns can clearly be seen on the cab roofs of the locomotives and should have a blaring brassier tone. The horns are not blown in the normal 2 longs, a short and a long per regulation approaching grade crossings. See more »

Quotes

[first lines]
[radio playing, driving down the road, approaches the truck]
[David coughs, coughs again]
David Mann: Talk about pollution.
See more »

Crazy Credits

The man with the sandwich is referred to as "Hoagy Man". See more »

Connections

Spoofed in Minimum Overdrive (2004) See more »

Soundtracks

Brush Those Tears from Your Eyes
Written by Al Trace (as Clem Watts), Oakley Haldeman and James Lee
Published by MCA Music (ASCAP)
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Spielberg's feature-debut is a cat and mouse classic
10 July 2000 | by (United States) – See all my reviews

Seeing this film again I'm struck by how much first-time (on a film of this length) director Steven Spielberg is able to do with so little. He's basically making a movie in the Roger Corman vein, with little budget, but cart blanche on such a small expectations for a TV movie-of-the-week to do whatever he sees fit to make the film. One could equate the final result of Duel, from a sincerely gripping script by Richard Matheson, to what would come from Robert Rodriguez 10 years after; it shows what can be done to create excitement on limited resources, and in a fresh way. His star, Dennis Weaver, doesn't have to act so much as react, to the very terror that his quasi-mouse form is to the cat that is the giant gasoline truck following him down in the desert. There is no real plot as much as it is visual storytelling, of the tension that builds and builds as this truck gets meaner and more ruthless in its pursuit of this little red car. Spielberg, in going on his first try as director, is surprisingly successful in throwing in everything and a hat to ensure he gets the right angles, sometimes quite unconventional (i.e. many of the interior close-ups on Weaver and on the vehicles). Like Jaws, it's a film by someone who may be reckless with what he's got to film the script, but its done with such an intensity that you might forget how its aged. In fact, like Jaws and other Spielberg thrillers, I would put it to viewers to see how this does hold up over time, even more amazing considering its made-for-TV stance. And lets face it, some of these scenes are just a lot of fun (who isn't grinning during the moment when Weaver is in a rush to push the bus forward and almost gets crushed).


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Was that a coyote on the leash? sjm519
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Theatrical release in USA? Dr Wily
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