Single father obsessed with murdering the hit&run driver who killed his only child, poses as a screenwriter to get close to an actress who was in the death car. He feels fully prepared to ... See full summary »

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Cast

Cast overview, first billed only:
Michel Duchaussoy ...
...
...
Anouk Ferjac ...
Marc Di Napoli ...
Louise Chevalier ...
Madame Levenes
Guy Marly ...
Lorraine Rainer ...
Dominique Zardi ...
Le premier inspecteur
Stéphane Di Napoli ...
Raymone ...
Michel Charrel ...
Le ferrailleur
France Girard
Bernard Papineau ...
Le policier
Robert Rondo ...
Le garagiste
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Storyline

Single father obsessed with murdering the hit&run driver who killed his only child, poses as a screenwriter to get close to an actress who was in the death car. He feels fully prepared to kill the pretty young woman if she was the driver, but as his knowledge of her family grows, so does his empathy for them. Written by David Stevens

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Taglines:

...a Thriller See more »

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Thriller

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Details

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Release Date:

5 September 1969 (France)  »

Also Known As:

Killer!  »

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Company Credits

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Color:

(Eastmancolor)

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

When Paul's wife talks to Charles about the "Nouveau Roman", she mentions several writers, including Paul Gégauff, who is credited in this movie for the screenplay and dialogue. See more »

Connections

Featured in Le cinéma passe à table (2005) See more »

Soundtracks

Vier ernste Gesänge
Written by Johannes Brahms
Sung by Kathleen Ferrier (as Katleen Ferrier)
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User Reviews

Multi-layered and intelligent revenge drama
12 August 2008 | by (prejudicemadeplausible.wordpress.com) – See all my reviews

Following a number of fairly mediocre efforts from the early to late sixties, Chabrol got right back on track with the excellent "Le Biches", and followed that film with "Que la bête meure", an intensely involving revenge drama with the emphasis on psychology and character over action and violence.

The film opens like any revenge thriller would (albeit probably better-shot and acted than most of them), with a child being killed in a hit and run and his father vowing to track down and kill the perpetrator. The tale slowly becomes more and more psychological, however, and ends up being a variation on a Greek tragedy, as others have noted. Chabrol is rarely content with following the expected routine (when he is his films can be dismal), and "Que la bête meure" is far from routine, as we end up spending more than an hour with the all the main characters in place and even together most of the time. The script is carefully written to avoid plot issues (outside of the contrived and silly first clue the main character gets, I can't think of any major issues I had with the script), and the dialogue is as deliberately orchestrated as Chabrol's direction is, building the suspense and drama gradually.

After the nearly continuous camera motion in "Les Biches", Chabrol takes a different approach to this film. It's less stylized and more natural, with the shot composition never feeling contrived as it sometimes did in Chabrol's immediately preceding effort, although there is some very good and very deliberate work around when we first meet the villain. Chabrol also uses close-ups to great effect, particularly in the scene late in the film with Paul and Charles on a sail boat.

What is striking about "Que la bête meure" is that while it deliberately builds suspense it also refuses to work as a thriller, and this is most clearly seen towards the end of the film when we get the standard twists but they're so subtle and low-key that one barely pays attention to them. The plot doesn't really matter here, the film is about much more, about the moral implications of revenge, about the nature of man, and it does well to apply these preoccupations to its characters so that we are never far removed from the emotions they are going through, in particular the main character Charles, played by Michel Duchaussoy.

After a string of disappointing features the last two years of the sixties saw two strong efforts from Claude Chabrol which helped keep him as relevant to cinema as he is. "Que la bête meure" is not a perfect film, and it may not even necessarily be a great film (although I think it qualifies), but it is engaging and enjoyable and far from empty. It leaves one thinking about it well after it has finished playing.

8.5/10


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