8.2/10
21,524
74 user 78 critic

El Ángel Exterminador (1962)

The guests at an upper-class dinner party find themselves unable to leave.

Director:

Writers:

(screenplay), (story by) | 1 more credit »
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3 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Enrique Rambal ...
Claudio Brook ...
José Baviera ...
Augusto Benedico ...
Antonio Bravo ...
Jacqueline Andere ...
César del Campo ...
Rosa Elena Durgel ...
...
Enrique García Álvarez ...
Ofelia Guilmáin ...
Nadia Haro Oliva ...
Tito Junco ...
Xavier Loyá ...
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Storyline

After a lavish dinner party, the guests find themselves mysteriously unable to leave the room... and over the next few days all the elaborate pretenses and facades that they've built up by virtue of their position in society collapse completely as they become reduced to living like animals... Written by Michael Brooke <[email protected]>

Plot Summary | Add Synopsis

Plot Keywords:

surrealism | guest | dinner | room | party | See All (73) »

Taglines:

The degeneration of high society! See more »

Genres:

Comedy | Drama | Fantasy

Certificate:

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Parents Guide:

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Details

Country:

Language:

Release Date:

22 September 1966 (Mexico)  »

Also Known As:

O Anjo Exterminador  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Was banned in Russia because the idea of people not being allowed to "leave a party" was considered offensive and anti-government. See more »

Goofs

After the butler trips in the dining room, the lady of the house follows him into the kitchen. While they speak the boom mic can clearly be seen at the bottom of the screen, extending out from under a table. See more »

Quotes

Rita Ugalde: I believe the common people, the lower class people, are less sensitive to pain. Haven't you ever seen a wounded bull? Not a trace of pain.
[Creo que la gente del pueblo, la gente baja, es menos sensible al dolor. ¿Usted ha visto un toro herido alguna vez? Impasible]
See more »

Connections

Referenced in Evil Dead II (1987) See more »

Soundtracks

Sonata No. 6
(uncredited)
Music by Pietro Domenico Paradisi
Played on piano
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Good idea but not enough to keep it afloat
2 December 2007 | by (United States) – See all my reviews

This film has an interesting premise: a dinner party of rich bourgeoisie find themselves inexplicably unable to leave the house. They slowly devolve into savagery and vulgarity. It's sort of like the Eagles song "Hotel California" except that this film lasts 70 minutes longer than the song. And you can't dance to it.

But the problem is not the slow pace nor is it the lack of plot. The main problem is that Bunuel fails to develop his characters, so we are left with a satire of... nothing! There is really nothing to sink our philosophical teeth into. The resolution is utterly meaningless and random, and it leaves you saying to yourself "I could have thought of a million better ways to end that movie." But as it were, Bunuel chose the most vapid resolution, similar to a cheezy TV scifi drama where the solution is to "switch the polarity from plus to minus!" This film is utterly unfulfilling to anyone who is thirsty for philosophy and depth. Of course the Bunuel fans will retort that Bunuel never claimed to have any meaning to his films. Sadly, I must agree. But what frustrates me most is that he had the perfect opportunity to deliver an insightful commentary on the human condition, but instead he let it degrade into utter schlock.

Bunuel loves to ridicule the rich. That's fine, but maybe he should give us a reason WHY the rich are so ridiculous. It's not enough to make fun of a man just because he wears a tuxedo. Without giving us sufficient insights into the personalities of his characters, that's all Bunuel is doing: making fun of people because of the clothes and jewelry they wear. But I suppose back in that era, it was en vogue to make fun of rich people. Come to think of it, audiences haven't changed much in the last 50 years.

I give this film 4 stars instead of 1 because at least in this film Bunuel doesn't slaughter any animals on camera.


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