| Cast overview, first billed only: | |||
| Dirk Bogarde | ... | ||
| Dorothy Tutin | ... | ||
| Cecil Parker | ... | ||
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Stephen Murray | ... | |
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Athene Seyler | ... | |
| Paul Guers | ... | ||
| Marie Versini | ... |
Marie Gabelle
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| Ian Bannen | ... | ||
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Alfie Bass | ... | |
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Ernest Clark | ... | |
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Rosalie Crutchley | ... | |
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Freda Jackson | ... | |
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Duncan Lamont | ... | |
| Christopher Lee | ... | ||
| Leo McKern | ... |
Attorney General--Old Bailey
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During the French Revolution, French national Lucie Manette meets and falls in love with Englishman Charles Darnay. He is however hiding his true identity as a member of the French aristocratic Evrémonde family, who he has denounced in private. The Marquis St. Evrémonde in particular was a cruel man, those he wronged who have vowed to see the end of the family line at any cost. Lucie's father Dr. Alexandre Manette, in fact, was imprisoned in the Bastille for eighteen years because of actions of the Marquis. Into their lives comes English barrister Sydney Carton, who enjoys his alcohol to excess. Carton earlier defended Darnay in a trial on trumped up charges of treason. Carton doesn't really like Darnay in part because Carton also loves Lucie, he realizing that that love is unrequited. But Carton does eventually learn of Darnay's true heritage at a critical time. Carton takes extraordinary measures to ensure Lucie's happiness during this time, which has the potential to be explosive ... Written by Huggo
"A Tale of Two Cities" is the remarkable 1859 story by Charles Dickens that appeared as 31 weekly installments in Dickens' own periodical. It was made as a film several times, including 3 silent versions and a marvelous 1935 version. The 30s were a great time for Dickens films, including "Oliver Twist" (1933) with Dickie Moore, "Great Expectations" (1934) with Henry Hull and Jane Wyatt, "The Mystery of Edwin Drood" (1935) with Claude Rains, "Scrooge" (1935), "David Copperfield" (1935) with none other than W. C. Fields, and "A Christmas Carol" (1938) with Reginald Owen.
Comparing the 1935 and the 1958 versions -
Sydney Carlton Dirk Bogarde (1958) does a good job, one of his best, but Ronald Coleman (1935) is my preference.
Charles Darney Donald Woods (1935) is the better player. Paul Guers is a bit wooden for my tastes.
Marquis St Evremonde Basil Rathbone (1935) is one of the best villains anywhere, exceeding even Christopher Lee (1958).
Miss Pross Edna May Oliver (1935) was a hoot, much better than Athene Seyler (1958).
Lucie Manette Dorothy Tutin (1958) and Elizabeth Allen (1935) both do an admirable job.
C.J.Stryver Reginald Owen (1935) is more compelling than Ernest Clark
Both versions are 2+ hours long and both don't fully represent the richness of the novel. I think the 1935 versions moves a bit better with fewer lapses, but both films are pretty well paced. Recall that Dickens' works are extremely long so no film can capture everything.
In terms of production values, the 1935 version is surprisingly good, even though producer Selznick put more effort into other films at the time. The 1958 version, done in black and white, is certainly OK, but not any better than the 1935 version.
The 1935 film was nominated for Best Picture and Best Film Editing. It lost to "The Great Ziegfeld" (picture) and "Anthony Adverse" (editing). The 1958 version received no nominations.
Bottom line if you're going to see only one version of this great novel, pick the 1935 version.