| Complete credited cast: | |||
| Humphrey Bogart | ... | ||
| Fredric March | ... | ||
| Arthur Kennedy | ... | ||
| Martha Scott | ... | ||
| Dewey Martin | ... | ||
| Gig Young | ... | ||
| Mary Murphy | ... | ||
| Richard Eyer | ... | ||
| Robert Middleton | ... | ||
| Alan Reed | ... |
Detective
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| Bert Freed | ... | ||
| Ray Collins | ... |
Sheriff Masters
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| Whit Bissell | ... |
FBI Agent Carson
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| Ray Teal | ... | ||
After escaping from prison, Glenn Griffin, his brother Hal and a third inmate Sam Kobish randomly select a house in a well-to-do suburb of Indianapolis in which to hide out. The home belongs to the Hilliard family, Dan and Ellie who live there with their 19-year old daughter Cindy and their young son Ralph. They plan on staying only until midnight as Griffin is awaiting his girlfriend who will meet them with some money he had stashed away. When she doesn't arrive, their stay stretches out to several days. Dan Hilliard plays their game knowing that if he makes any attempt to contact the police, his family could be caught in the crossfire. Written by garykmcd
THE DESPERATE HOURS
Aspect ratio: 1.85:1 (VistaVision)
Sound format: Mono
(Black and white)
The patriarch of a middle-class suburban family (Fredric March) is forced to take action when they're held hostage in their own home by three escaped convicts, one of whom (Humphrey Bogart) is an experienced lifer with nothing to lose...
The first and only pairing of superstars Bogart and March is a tightly-wound thriller, written by Joseph Hayes (based on his novel and stageplay, inspired by actual events), and directed by Hollywood veteran William Wyler, distancing himself from the 'women's pictures' he had helped to popularize during the 1940's (THE LITTLE FOXES, MRS. MINIVER, THE HEIRESS etc.). Photographed in gleaming deep-focus VistaVision by Lee Garmes (SCARFACE, THE PARADINE CASE), the movie wrings incredible tension from the claustrophobic settings and frequent stand-offs between staunch family man March and embittered con Bogart. The movie's themes are fairly conservative and the outcome is never really in doubt, but this is a top-drawer thriller from Hollywood's 'golden age'. Also starring Arthur Kennedy, Martha Scott, Dewey Martin and Gig Young in crucial supporting roles. Unmissable.
NB. Though nowhere near as dreadful as most critics would have you believe, Michael Cimino's remake DESPERATE HOURS (1990) isn't a patch on the original.