| Cast overview, first billed only: | |||
| Lee J. Cobb | ... | ||
| Jane Wyatt | ... |
Lois Frazer
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| John Dall | ... |
Andy Cullen
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Lisa Howard | ... |
Janet Cullen
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Harlan Warde | ... |
Howard Frazer
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| Tito Vuolo | ... |
Pietro Capa
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| Charles Arnt | ... |
Ernest Quimby
(as Charles E. Arnt)
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| Marjorie Bennett | ... |
Muriel Quimby
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| Alan Wells | ... |
Nito Capa
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| Mimi Aguglia | ... |
Mrs. Capa
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Bud Wolfe | ... |
Officer Blair
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| Morgan Farley | ... |
Rushton
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Howard Negley | ... |
Detective Olson
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| William Gould | ... |
Doc Munson
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Art Millan | ... |
United Airlines Clerk
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Rich Lois Frazer, divorcing her fortune-hunter husband, finds he's bought a gun. Suspecting he plans to kill her, she calls in her lover, who just happens to be Homicide Lieutenant Ed Cullen. When Ed arrives, the gun gets used...and because of his relationship with Lois, Ed is compelled to compound a felony. The good news: Ed himself is assigned to the case. The bad news: Ed's hotshot younger brother Andy, a new- minted detective, is also on the case...and anxious to prove himself. Written by Rod Crawford <[email protected]>
The influence of Billy Wilder's classic Double Indemnity is rather obvious with the creation of The Man Who Cheated Himself. This is quite the B film with some surprising casting in the female lead.
The Walter Neff part is played by Lee J. Cobb and he's a veteran homicide detective in San Francisco who happens to be seeing rich heiress on the side Jane Wyatt. Wyatt is getting rid of her husband by divorce, but one night with Cobb in the house she puts two bullets in him when he comes at her.
The scandal would have been terrific and Cobb's career might have come to an end, but it would have been better than what follows. Cobb agrees to help in a cover-up, but it falls apart.
The Barton Keyes in this film isn't an experienced investigator, it's John Dall probably playing the most straightforward part in his career. He gets a bad feeling when certain things don't add up and Dall who is looking to make his bones as a homicide cop in the family tradition gets sadly disillusioned.
The real revelation in this film is Wyatt. Forgetting she was the All American mother in Father Knows Best, Wyatt is one mean vixen in a part that Barbara Stanwyck or Bette Davis usually does. It was so offbeat casting for Jane Wyatt. I don't recall seeing her in another part like this.
What she does in that little coda as the film ends. Stanwyck couldn't have done it better.