Japan has just invaded the Phillipines and the US Army attempts a desperate defence. Thirteen men are chosen to blow up a bridge on the Bataan peninsula and keep the Japanese from ... See full summary »
December, 1941. With no hope of relief or re-supply, a small band of United States Marines try to keep the Japanese Navy from capturing their island base.
Director:
John Farrow
Stars:
Brian Donlevy,
Robert Preston,
Macdonald Carey
During WWII, a platoon of American soldiers trudge through the Italian countryside in search of a bridge they have been ordered to blow up, encountering danger and destruction along the way.
This is the story of the crew of a downed bomber, captured after a run over Tokyo, early in the war. Relates the hardships the men endure while in captivity, and their final humiliation: ... See full summary »
Director:
Lewis Milestone
Stars:
Dana Andrews,
Richard Conte,
Farley Granger
The crew of an Air Force bomber arrives in Pearl Harbor in the aftermath of the Japanese attack and is sent on to Manila to help with the defense of the Philippines.
A platoon of special ops are tasked to parachute into the remote Burmese jungle and destroy a strategic Japanese radar station, but getting out isn't as easy.
An aircraft carrier is sent on a decoy mission around the Pacific, with orders to avoid combat, thus lulling Japanese alertness before the battle of Midway. All the men have their ... See full summary »
An American tanker is sunk by a German U-boat and the survivors spend eleven days at sea on a raft. They're next assigned to the liberty ship "Sea Witch" bound for Murmansk through the sub-stalked North Atlantic.
In 1942, after the fall of the Philippines to the Japanese, U.S. Army Col. Joseph Madden stays behind to organize the local resistance against the Japanese invaders.
Entertainment news, trailer drops, and photos abound at the 2017 San Diego Comic-Con. Check out IMDb’s coverage, featuring Kevin Smith as our host, celebrity interviewer, and captain of the IMDboat, July 20 to 22.
Concentrating on the personal lives of those involved, a war correspondent takes us through the preparations, landing and initial campaign on Guadalcanal during WWII. Written by
Doug Sederberg <[email protected]>
The film accurately shows Marines armed with bolt-action rifles. While Garand rifles were available, they were not available in numbers sufficient to issue to the Marines before setting sail. See more »
Goofs
Japanese Type 97 grenades were primed by pulling the pin first and then hitting the striker hard against something hard (A rock or a helmet) to ignite the primer before throwing. During the battle at the cliffs, a Japanese soldier pulls the pin in a grenade and tosses it immediately without striking the pin. See more »
The film's opening prologue in the preface of a book states: A new chapter in the history of America by a correspondent who landed on Guadalcanal with the first detachment of United States Marines. See more »
I Want a Girl (Just Like the Girl That Married Dear Old Dad)
(uncredited)
Music by Harry von Tilzer
Lyrics by Will Dillon
Sung at night on board the ship See more »
Outstanding recounting of the U.S. Marine invasion of Guadalcanal Island. Thankfully free of much of the harsh jingoistic tone and phony heroics so evident in films such as Ray Enright's "Gung Ho!" of the same year (although some elements of that do manage to creep in), virtually everything in this film works--Reed Hadley's sometimes sonorous but nonetheless sensitive narration; uniformly fine performances; a script that, while seeming somewhat dated and familiar now, nonetheless has a sharp edge to it, with several of the characters actually being quite well-drawn; top-notch battle scenes, both large-scale and close-in, that don't have the staginess and precisely rehearsed look unfortunately common to many war films; some welcome humor of the kind that any current or former GI would recognize; and the crisp, sharp editing associated more with Warner Bros. than 20th Century-Fox, which made it. The film does, in fact, have a definite Warners look and feel to it, and could easily be mistaken as a work by legendary Warners director Raoul Walsh, although it was actually directed by Lewis Seiler--like Walsh a Warners alumnus, and while Seiler is not in Walsh's league, this is far and away his best and most accomplished picture (and if any of you can figure out what the hell poster Christopher Mulrooney is talking about in a preceding review of this film, I wish you'd tell me). A previous poster has mentioned that the picture has some rather glaring historical inaccuracies, and I have no doubt that he's correct. Still, this is an exciting and riveting film--and, surprisingly enough, often a quite touching one, a quality not often associated with war pictures--that I believe truly deserves its reputation as one of the best war films to come out of Hollywood.
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Outstanding recounting of the U.S. Marine invasion of Guadalcanal Island. Thankfully free of much of the harsh jingoistic tone and phony heroics so evident in films such as Ray Enright's "Gung Ho!" of the same year (although some elements of that do manage to creep in), virtually everything in this film works--Reed Hadley's sometimes sonorous but nonetheless sensitive narration; uniformly fine performances; a script that, while seeming somewhat dated and familiar now, nonetheless has a sharp edge to it, with several of the characters actually being quite well-drawn; top-notch battle scenes, both large-scale and close-in, that don't have the staginess and precisely rehearsed look unfortunately common to many war films; some welcome humor of the kind that any current or former GI would recognize; and the crisp, sharp editing associated more with Warner Bros. than 20th Century-Fox, which made it. The film does, in fact, have a definite Warners look and feel to it, and could easily be mistaken as a work by legendary Warners director Raoul Walsh, although it was actually directed by Lewis Seiler--like Walsh a Warners alumnus, and while Seiler is not in Walsh's league, this is far and away his best and most accomplished picture (and if any of you can figure out what the hell poster Christopher Mulrooney is talking about in a preceding review of this film, I wish you'd tell me). A previous poster has mentioned that the picture has some rather glaring historical inaccuracies, and I have no doubt that he's correct. Still, this is an exciting and riveting film--and, surprisingly enough, often a quite touching one, a quality not often associated with war pictures--that I believe truly deserves its reputation as one of the best war films to come out of Hollywood.