| Cast overview, first billed only: | |||
| Ronald Colman | ... | ||
| Greer Garson | ... | ||
| Philip Dorn | ... | ||
| Susan Peters | ... | ||
| Henry Travers | ... | ||
| Reginald Owen | ... | ||
| Bramwell Fletcher | ... |
Harrison
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| Rhys Williams | ... |
Sam
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| Una O'Connor | ... |
Tobacconist
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| Aubrey Mather | ... |
Sheldon
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| Margaret Wycherly | ... | ||
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Arthur Margetson | ... |
Chetwynd
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| Melville Cooper | ... |
George
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| Alan Napier | ... |
Julian
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| Jill Esmond | ... |
Lydia
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A veteran of World War I marries and settles happily into a tidy, humble life until an accident brings back memories of a former life of wealth and privilege while blocking all recollection of his existence since the war. Thus one man disappears, and another man long missing turns up and claims his vast inheritance. What does his devoted wife, whom he no longer recognizes, do? Written by Paul Emmons <[email protected]>
The weepie to end all weepies! The two leads are perfect, the plot twists and turns, and Hollywood 'England' has never looked more lovely.
I'm also fascinated by the opening, given that Coleman had been through WWI, and must have known people with bad shell-shock, even if he escaped it himself. (For a modern take, try Pat Barker's 'Regeneration' trilogy.)
I think one of the reasons this sort of film is so appealing, is because of it's now-dated attitudes to commitment and relationships - you just can't imagine this story (or for that matter Brief Encounter) working nowadays - the protagonists would have taken shortcuts.
But here's to the days when this was the way one behaved!