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The Corpse Vanishes (1942)

A scientist, aided by an old hag and her two sons, kills virginal brides, steals their bodies, and extracts gland fluid to keep his ancient wife alive and young.

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Cast

Complete credited cast:
...
...
...
Dr. Foster (as Tris Coffin)
...
Countess Lorenz
...
...
Toby (as Angelo)
...
Alice Wentworth
...
Editor Keenan
Gwen Kenyon ...
Peggy Woods
...
Sandy
...
Angel
George Eldredge ...
Mike (as George Eldridge)
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Storyline

Dr. Lorenz, a mad scientist, wants to keep his elderly wife young. He does this by kidnapping young females and extracting fluid from them. He then injects this fluid into his wife. What a diabolical guy! Written by Josh Pasnak <[email protected]>

Plot Summary | Add Synopsis

Taglines:

Horror to make your hair stand on end! See more »

Genres:

Horror | Sci-Fi

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Details

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Release Date:

8 May 1942 (USA)  »

Also Known As:

A hulla eltűnik  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Dr. Foster (Tristram Coffin) dries a 1938 La Salle. See more »

Goofs

When getting ready for bed, Pat unbuttons her jacket, but in the next shot the jacket is buttoned again and stays buttoned for the rest of the scene - because she changed her mind about going to bed. See more »

Quotes

Fagah: Why do you beat my son so hard?
Dr. Lorenz: Because he's at best an animal, and some day I shall have to destroy him.
Fagah: My poor son!... Why was he ever born?
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User Reviews

 
The Corpse Vanishes (1942) **
3 April 2005 | by (Naxxar, Malta) – See all my reviews

I had watched THE CORPSE VANISHES (1942) a couple of years ago but I have to say that I was pleasantly surprised as to how watchable and engaging it was the second time around. Who'd have thought that such fare was worth a second look? If anything, I found CORPSE to be even livelier than GHOST (which did get to be repetitious and feel constrained by its one setting): although it is never explained why Lugosi is married to an 80-year old woman (except maybe to get into high society given that she's a "Countess") or why she needs to be youthful (it's not like she's parading her "look" anywhere except at the Lorenz household), the film offers an amusing throwback to those 30s hard-boiled reporter movies and predates such rejuvenation-themed horror movies as I VAMPIRI (1956).

I found the film to be quite atmospheric and enjoyable: it was nice to watch Lugosi surrounded by such familiar faces as Elizabeth Russell (from several Val Lewton films), Angelo Rossitto (one of Tod Browning's FREAKS [1932]) and Vince Barnett (who had a memorable supporting role in Hawks' SCARFACE [1932]) among others. That said, the campier elements of the film were sometimes too silly for words: Lugosi whipping his moronic assistant, the proverbial funereal organ-playing, the even more hilarious sight of Lugosi and Russell sleeping in coffins and the final shoot-out with the police in which, of all people, it's Lugosi's dwarfish henchman who gets it!

In the end, I guess I wouldn't mind watching Lugosi's other stuff from this period but I doubt if it will make me enough of a fan to go out and purchase them in their best available prints on DVD.


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