| Cast overview, first billed only: | |||
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Richard George | ... | |
| Eric Portman | ... | ||
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Raymond Lovell | ... |
Lieutenant Kuhnecke
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| Niall MacGinnis | ... |
Vogel
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Peter Moore | ... |
Kranz
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John Chandos | ... |
Lohrmann
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Basil Appleby | ... |
Jahner
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| Laurence Olivier | ... |
Johnnie - the Trapper
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| Finlay Currie | ... |
The Factor
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Ley On | ... |
Nick - the Eskimo
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| Anton Walbrook | ... |
Peter
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| Glynis Johns | ... |
Anna
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Charles Victor | ... |
Andreas
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Frederick Piper | ... |
David
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| Leslie Howard | ... |
Philip Armstrong Scott
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In the early years of World War II, a German U-boat (U-37) sinks Allied shipping in the Gulf of St. Lawrence and then tries to evade Canadian Military Forces seeking to destroy it by sailing up to Hudson Bay. The U-boat's Fanatical Nazi captain sends some members of his crew to look for food and other supplies at a Hudson Bay Company outpost. No sooner than the shore party (lead by Lieutenant Hirth) reaches the shore, the U-boat is spotted and sunk by the Canadian Armed Forces leaving the six members of the shore party stranded in Canada. The Nazi Lieutenant then starts to plan his crews' return to the Fatherland. He needs to reach the neutral United States or be captured. Along the way they meet a variety of characters each with their own views on the war and nationalism. In this film Michael Powell and Emeric Pressburger show their ideas of why the United States should join the Allied fight against the Nazis. Written by Steve Crook <[email protected]>
Released a couple of months before the bombing at Pearl Harbor, this is a propaganda film aimed at rallying the world against the Nazi threat. After a disjointed start, it slowly gathers momentum and ultimately proves to be a satisfying adventure about a group of stranded Nazi soldiers surreptitiously trying to make its way across Canada. Although Howard, Olivier, and Massey get top billing, they have small roles. Olivier is a hoot as a French Canadian. Interestingly, Vaughan Williams gets above the title billing for his fine score, although it is underused. Powell, working from a script by partner Pressburger, tells the story in a stark, documentary style.