A street kid has dreams of becoming a jockey. He gets his chance when he and his gang discover a poor old man who has a championship race horse. The man agrees to let the boy ride his horse...
See full summary »
Mr. Wise Guy (the eighth in the East Side Kids series) finds the gang sent to the Wilton Reform School after they are unjustly convicted of stealing a truck. Bill Collins (Douglas Fowley), ... See full summary »
Sach discovers that he is heir to a farm in rural hillbilly country. He and the boys go to the farm to check it out, and find themselves mixed up with feuding hillbillies and a gang of bank robbers.
Chuck, a reporter for The Blade newspaper, gets beaten up while trying to get a story on prison corruption, and the rest of the Bowery Boys, Slip, Sach, and Butch, get themselves arrested ... See full summary »
A group of young men who work at an aviation factory begin to suspect that a doctor who runs an air ambulance service is secretly a spy transporting secret information from the plant to enemy agents.
The boys are sent to a mountain camp. Stranded in a small rural town, they hear about a "monster killer" roaming the countryside. At night, they sneak out. Peewee is shot by a grave-digger,... See full summary »
A paroled convict's efforts to improve conditions at a boys' reform school alarm the school's corrupt warden, who has been embezzling funds from the institution. He hatches a plan to derail... See full summary »
Slip, Sach and the rest of the Bowery Boys enter a haunted house, where they engage in slapstick with the Gravesend Family which has one Creepy Butler, 2 Mad Scientists a crazy old woman with a Man eating Plant a Savage Gorilla, an 8 foot tall Robot and a Vampiress.
The son of a man sentenced to death for a murder he didn't commit vows to become a criminal himself. He starts his own street gang, and their crime spree is financed by a mysterious young ... See full summary »
Director:
Harold Young
Stars:
Robert Wilcox,
Helen Parrish,
Marjorie Main
A street kid has dreams of becoming a jockey. He gets his chance when he and his gang discover a poor old man who has a championship race horse. The man agrees to let the boy ride his horse in a race, but first the gang must get enough money to pay for the race's entry fees. Written by
[email protected]
This is a solid East Side Kids feature that combines their familiar style with an equally familiar story setup about a young man's dream, producing something slightly different from either. It successfully avoids being predictable, while offering Leo Gorcey, Bobby Jordan, and the rest plenty of chances to display their boisterous style.
The story has Gorcey, as Muggs, dreaming of becoming a famous jockey. This seemingly unsuitable choice of profession sets up an interesting story that even has a few thoughtful moments. Clarence Muse does quite a good job as Muggs's kindly, wise mentor (and as a side-note, it's one of the better roles for an African-American to be found in the B-movies of the era). While the other adult characters are mostly one-dimensional, they each serve a purpose in the way that things turn out.
Along the way there are a number of chances for Gorcey, Jordan, and the rest to engage in some amusing silliness, yet director Joseph H. Lewis maintains a decent balance between that and more substantial material. As a result, it's not bad at all, and is worth seeing, at least for those who like the East Side Kids and their style.
4 of 5 people found this review helpful.
Was this review helpful to you?
This is a solid East Side Kids feature that combines their familiar style with an equally familiar story setup about a young man's dream, producing something slightly different from either. It successfully avoids being predictable, while offering Leo Gorcey, Bobby Jordan, and the rest plenty of chances to display their boisterous style.
The story has Gorcey, as Muggs, dreaming of becoming a famous jockey. This seemingly unsuitable choice of profession sets up an interesting story that even has a few thoughtful moments. Clarence Muse does quite a good job as Muggs's kindly, wise mentor (and as a side-note, it's one of the better roles for an African-American to be found in the B-movies of the era). While the other adult characters are mostly one-dimensional, they each serve a purpose in the way that things turn out.
Along the way there are a number of chances for Gorcey, Jordan, and the rest to engage in some amusing silliness, yet director Joseph H. Lewis maintains a decent balance between that and more substantial material. As a result, it's not bad at all, and is worth seeing, at least for those who like the East Side Kids and their style.