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Title: Savoy-Hotel 217 (1936)
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Cast
| Credited cast: | |||
| Hans Albers | ... |
Andrei Antonovitch Wolodkin
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| Brigitte Horney | ... |
Nastasja Andrejevna Daschenko
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Alexander Engel | ... |
Fedor Fedorovich Daschenko
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| René Deltgen | ... |
Sergei Gavrilovitch Schuvalov
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| Gusti Huber | ... |
Darja Sergejewna Plagina
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| Käthe Dorsch | ... |
Anna Fedorovna Orlowa
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Jakob Tiedtke | ... |
Leonid Alexandrovitch Schapkin
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Aribert Wäscher | ... |
Pavel Pavlovitch
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| Hans Leibelt | ... |
Untersuchungsrichter
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Paul Westermeier | ... |
Schlittenkutscher
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| Rest of cast listed alphabetically: | |||
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Carl Auen | ... |
Kriminalbeamter
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Fritz Berghof | ... |
Aribor
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Hellmuth Bergmann | ... |
Wachmann
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Paul Bildt | ... |
Bettler
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| Horst Birr | ... |
Wanja - Hotelangestellter
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Storyline
Add Full Plot | Add SynopsisGenres:
DramaParents Guide:
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Details
Country:
GermanyLanguage:
GermanRelease Date:
7 April 1936 (Germany) See more »Also Known As:
Savoy Hotel 217 See more »Company Credits
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Technical Specs
Sound Mix:
Mono (Tobis-Klangfilm)Color:
Black and WhiteAspect Ratio:
1.37 : 1
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Lyrics by Hans Fritz Beckmann
Music by Walter Gronostay (mit Benutzung des russischen Volksliedes "Bublitzki")
Performed by Hans Albers (uncredited)
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Did You Know?
Soundtracks
In meinem Herzen, Schatz, da ist für Viele PlatzLyrics by Hans Fritz Beckmann
Music by Walter Gronostay (mit Benutzung des russischen Volksliedes "Bublitzki")
Performed by Hans Albers (uncredited)
See more »
Frequently Asked Questions
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After much deliberations the final script was completed, but no one seems to have been really satisfied, certainly not Hans Albers whose last but one regular UFA film this would be. And I think it shows: everyone checked in, but did not like the room.
Albers' acting is not more than routine (although that is still worthwhile); and the very talented Gustav Ucicky must have had several off-days, because the film is too slow moving and lacks atmosphere. What could have been a highly entertaining thriller (the script is good), is, alas, no more than a passable film.
Brigitte Horney, who dominates Hans Albers (quite an achievement!), also makes this film worth a look; and the asylum scenes are very well done.