Priam Farrel is a celebrated artist but a social recluse. When his valet dies of a sudden illness, a mix-up leads to the body being identified as Farrel's. The timid artist then assumes the... See full summary »
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Director:
H. Bruce Humberstone
Stars:
Charles Ruggles,
Verree Teasdale,
Sidney Blackmer
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Director:
Frank Ross
Stars:
Joan Caulfield,
David Niven,
James Robertson Justice
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Director:
John M. Stahl
Stars:
Adolphe Menjou,
Andrea Leeds,
George Murphy
Priam Farrel is a celebrated artist but a social recluse. When his valet dies of a sudden illness, a mix-up leads to the body being identified as Farrel's. The timid artist then assumes the identity of his former servant, but finds himself faced with constant dilemmas as a result. Written by
Snow Leopard
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
Roland Young gives a good performance in "His Double Life" that helps out an otherwise rather silly story of confusion and dual identity. It is a quite watchable if not especially memorable movie.
Priam Farrel (Young) is a brilliant artist, but is totally incapable of dealing with the most basic social situations. When his devoted valet becomes ill and dies suddenly, and everyone mistakenly assumes that the dead man is the artist, Farrel finds himself at the mercy of events. He starts to assume his valet's identity, but longs for his own. The resulting situations are sometimes funny and sometimes thoughtful. They work alright mainly because Young is good at portraying the painfully shy and rather befuddled personality of his character, and is also good at communicating the dilemmas he faces.
There's not much more to it than that, but it moves quickly and is pretty good light entertainment for anyone who likes comedies of the era.
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Roland Young gives a good performance in "His Double Life" that helps out an otherwise rather silly story of confusion and dual identity. It is a quite watchable if not especially memorable movie.
Priam Farrel (Young) is a brilliant artist, but is totally incapable of dealing with the most basic social situations. When his devoted valet becomes ill and dies suddenly, and everyone mistakenly assumes that the dead man is the artist, Farrel finds himself at the mercy of events. He starts to assume his valet's identity, but longs for his own. The resulting situations are sometimes funny and sometimes thoughtful. They work alright mainly because Young is good at portraying the painfully shy and rather befuddled personality of his character, and is also good at communicating the dilemmas he faces.
There's not much more to it than that, but it moves quickly and is pretty good light entertainment for anyone who likes comedies of the era.