Sewing the strappy dress: bust darts and french seams.

So far we have prepared the bias and decorative straps, pressed and secured the front pleats and stay stitched the front neckline. Today we are going to sew the bust darts and side seams.

Bust darts

Sew the bust dart the usual way and press it down, then stay stitch the armholes 3 mm (1/8”) from the cut edge. While you are at it, stay stitch back neckline and back armholes.

Now you are ready to sew the side seams.

I know, you must be tempted to quickly run them under machine and forget about them, but slow down: it’s the boring seams that make a lot of difference to the longevity and general aesthetic of the garment. Make the seams pretty by using french seams instead of overlocking.

A few words about the width of seams.

I find that anything over 5 mm (3/16″) finished width looks home made on fine fabrics, and I’m very sensitive to this kind of thing. Plus, this little thing called turn of the cloth must be taken into consideration, no matter how fine your fabric is. With this in mind, I sew the first seam at 6 mm (1/4”) and the second at 5 mm (3/16″). I know, it is only 1 mm (1/16″) difference, but this is how I roll.

Since this dress is flared and the side seams are on the bias, it is easier to start sewing them from the hem up. This way the fabric will behave much better.

And so, place the back and the front of the dress wrong sides together and sew your first half of your french seam, from the hem up.

sew the first seam of the french seam

Then trim half of the seam allowances’ width and press.

trim seam allowances of the first seam

I like my edges sharp, so I press the seam allowances to one side with them facing up, then turn the work over and make sure the seam is open all the way, with no “lip” on either side.

Next, place your back and front right sides together and sew 5 mm (3/16″) away from the fold of the previous seam. Now press your work to form a sharp edge and then press seam allowances towards the back. You are done.

sewing the second seam of the french seam

Next time we are going to sew the most time consuming part of this dress – neck binding and straps. In a meantime, you can get your copy of this pattern here.

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Sewing the strappy dress: front pleats.

Pleats are attractive  and functional. Pleats add fullness and movement without bulk.

When I made the first version of the Strappy dress, the front was flat and looked unfinished and lacking. Then idea of pleats occurred to me and it all changed in an instant. Light, airy fabrics need some volume to truly shine, it’s undeniable.

Finished pleats on the front neckline
Today we’ll sew the pleats on the Strappy dress.

As with any garment, I prefer to start with small and “fiddly” operations, something that will be much easier to execute with less fabric under the machine. For example, I sew bound buttonholes in unattached jacket fronts, and fly fronts into two fronts, before any other seams are sewn. In case of this dress, pleats are a decorative element, and as anything decorative, they have to be absolutely perfect.

Pleats and their location

So here we have front pleats consisting of one box pleat at the centre front and two knife pleats on each side of the box pleat. The direction of the pleats is marked on the pattern.

Direction of the pleats on the pattern

A reminder: fold your pleats with the fabric facing up.

Sewing the pleats

I found it easier and cleaner to fold the box pleat first, then fold the knife pleats on top of it.
This way they look nice and tidy inside and outside.

When I first started sewing, I used to baste or pin my pleats, which then would slide sideways and open under the pressing foot. I didn’t put up with this nonsense for long, though, so here is my tip:

If you want your pleats to be very sharp and precise, temporarily stitch (not baste!) them shut. Do not backstitch these seams and use slightly longer machine stitch, so you can easily remove this thread later on.

If you are working with silk, test it first: some silks do not “heal” and the needle puncture marks will stay. In this case, basting is the best option.

pleats temporarily stitched

Once you have your pleats stitched and pressed, stay stitch the neckline, securing the pleats even further. Place your stitch 0.3 cm (1/8”) from the cut edge and pay attention to direction of your pleats while you are stitching – they have an amazing ability to flip to a wrong side.

 

Stay stitched neckline and secured pleats
Now you are all set for the next step – we will be sewing bust darts and side seams, using french seams for the latter. To buy this pattern, click the picture below.

 

Sewing the strappy dress: a word about bias.

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Whether you are sewing my new pattern or not, you will come across bias finish at some stage. I personally think bias finished edges are great – they are clean, durable, professional and oh so pretty.

However, this skill needs some time to master. One of the most important things about this type of finish is precision. The tape has to be of even width, it has to be correctly prepared and pressed. If you are lucky enough to have access to a decent selection of ready made bias bindings, then you are a lucky one. For those who are not quite so blessed, me included, there is a skill to be learned.

And so, bias. Preparing your own bias is a bit of a task.

When I sew a garment that required bias finish, this is where I start (after cutting out all the pieces, of course). I don’t hesitate to spend several hours on carefully measuring, cutting, stretching and pressing it, because I know it will pay off in the end.

And this is exactly what I did while sewing the Strappy dress, which uses bias two ways – for an inside bind on armscyes and as a plain bind for the neckline. Both of these techniques I am going to describe in this post.

Cutting and preparing bias

The steps included in bias preparation are:

  • cutting
  • joining
  • removing excess stretch
  • trimming to required width, and then
  • pressing into a final shape

The tools I use for this are a ruler, a square ruler and a bias tape maker, which I own in 3 sizes (an excellent investment, I must say!).

bias tape maker
Image source: clover_usa.com

But I’ll start with a simpler finish, the inside bind.

Inside bind is awesome. It is clean and invisible, it can be used on stretch fabrics and wovens and it replaces facings in many cases.

inside bind

With this finish what you have to pay attention to is the final width of your bind, and to be absolutely sure it is what you want and need, you need to sew a couple of samples.

I start with a simple bias strip, which I stretch to get rid of “play”. Have you heard this term before, play? Play is this jiggly, unpredictable movement of the fabric, and bias cut fabric has a lot of it. Of course, flexibility is exactly why we need bias in the first place, but when there is too much of it, you might end up with “roping” – this is when bias forms diagonal folds after it was stitched on, and a wobbly looking edge. I like my edges razor sharp.

To do the stretching, hold the bias in place with your fingers or pin it to the board and gently stretch it lengthwise, while pressing it with steam. A couple of goes will remove enough stretch for bias to start behaving, and will also make it narrower. But this is why we trim it to the required width later, remember? We did cut it wider for exactly this reason.

When bias behaves, trim it and then press it lengthwise to end up with a strip suitable for inside bind. In case of Strappy dress the final width is 1.5 cm (9/16”)

 

Old fashioned bias binding

An all time favourite, for sure, but requires a few more steps and a bit of precision stitching.
We begin with raw bias strips, which we need to join first.

“HA!- you say,- I  know how to do that!” – and sew it together vertically. Well, no. Although sometimes sewing bias together with a simple vertical seam is the only option, when you can, please sew it on diagonally. The reason for this is very simple – you avoid thickness of the seam, quadrupled, after you have attached your bias to the edge you are finishing.

And so, for this dress we cut the strip 4 cm (1 9/16”) wide and join it correctly (see the picture below). Then we steam stretch it (gently!) and trim it to 3 cm (1 3/16”) wide. After this, we use our fab bias bind maker #12 to fold and press the tape. Voila! It is ready to use.

Bias binding the edge

There are two ways to do it. One is to sew bias to the wrong side first and then finish it on the right side. This way your second row of stitching (the most visible one) will be sewn on the face of the garment and odd seam wobbles are less likely. It will also create a slight “lip”, which sometimes lowers the tone of the garment, in my opinion. It is great for aprons, for example, where the tone is low enough for you not to care.

The second way is to start sewing it from the face and then fold it to the wrong side of the garment. Then you use your graduated eyeball (and years of practice or just blind luck) and sew the “lip” barely covering the previous seam, which will create the finest, cleanest finish on the right side.

After finishing the neckline on the Strappy dress, you’ll end up with 0.6 cm (1/4”) wide bias edge and straps – narrow and elegant, just the way we like it.

 

One more thing the Strappy dress has is the decorative straps at the back.

Apart from stopping your dress from falling off your shoulders, they look pretty. And all pretty details must be executed perfectly, or whats the point, right?

To prepare these straps, we need prepared bias bind as for the bias bound neckline. We fold this bias lengthwise and sew it along the edge, joining it into a strap. Make sure you sew nice and close to the edge.

bias straps

After this, press the strap and use your decorative strap template provided with the pattern to trim it and then fold the edges as shown below. I use a piece of hard cardboard to achieve a nice firm edge – an old business card would do just fine. This folding will help you a lot while sewing the straps in place afterwards, believe me.

One last reminder – don’t forget that your second strap is a mirror image of the first one, ok?

That’s about all I wanted to say about bias this time. In my next post we start sewing the dress, in a meantime you can buy your copy of the pattern here.

 

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How to do FBA or SBA on a blouse with pleats

I thought it would be wise to post a video tutorial about how to adjust Rachel blouse pattern for full or small bust. You know, pictures are great, but there is nothing like seeing it in action :)

So here it is, how to adjust a bodice for a full or small bust where the bust dart has been transformed into pleats.

A few words about Sammy cami

With the Sammy cami downloads in many hundreds, it’s time I posted something about it.

First of all, I am thrilled you like it, a special thank you if you’ve left a review, every review makes my day, no kidding.

I’ve also became aware of people needing more help with the Sammy straps concept. I realise that for many it is a completely new approach to sewing straps, so I’ve decided to post a small tutorial to help you out.

But before I begin, I’d like to address a curling issue. Sometimes you buy a beautiful knit and the minute you cut it, it curls into a tight little tube and no amount of pressing can fix it.

I had to deal with it while I was sewing one of my many Sammys and my advise is – do not underestimate the power of simple remedies. You already know of my fondness towards the spray starch as an aide for sewing sticky materials such as pleather. This time spray starch comes to the rescue as a fabric straightener.

spray starch
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Patch pocket for Jackie coat

Do you know there is a Jackie coat sew along in progress at Janelle’s? Janelle and Maria have prepared a great list of topics to help you sew a Jackie coat in no time. I decided to do my bit for the team with a small pattern hack. This one is about pockets.

If you are not completely sure that you can handle a single welt pocket and a thought of cutting a hole in your beautiful coat gives you heart palpitations, a patch pocket is a perfect option for you.

patch pocket design

As always, this is not just a stink little “sew a patch here” kind of pocket, you know me, I don’t do things by half :) This is a self-faced, lined, interfaced pocket that will look great, last a long time and will give you another sewing technique to squirrel away for the future projects.

And so, why is it self-faced? Because it has a facing that is cut with a main pocket as a single pattern piece.
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Sewing on a waistband or a cuff

Look at these pants.

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Can you see it?

Can you see this amazing waistband sewn on with a surgical precision?? In pleather??

Now look me in the eye and say that you don’t want to know how Alethia of Sew Much Talent managed to sew such a perfection.

I just had to know, so I asked her. And just as well. This waistband was sewn “inside out”. Alethia started from the inside and finished on the outside: not the way they usually teach you.
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