HALAS.AM - Holon Art Lab Audio Service

Michal Goldstein sings and plays original material

Sat, 11 May 2024 02:08:42 -0400

Michal Goldstein sings and plays original material

on the accordion on the way to her first album, accompanied by Shlomtzi Mazuz on bass clarinet and Sima Gutman on violin

David Lemoine Rain Machine Michal Goldstein Shlomtzi Mazuz Sima Gutman

Roni Hajaj, a multidisciplinary artist and musician,

Sat, 11 May 2024 02:07:09 -0400

Roni Hajaj, a multidisciplinary artist and musician,

who, similar to his approach to visual material, uses sound in its raw forms. Hajjaj plays analog and digital synthesizers and produces compositions that are abstract intuitive improvisations with tribal/techno/dance motifs, with internal narratives that reflect the spaces in which they are performed.

Maxim Turbo, an experimental music artist,

Sat, 11 May 2024 02:06:21 -0400

Maxim Turbo, an experimental music artist,

fills the air of the room with thick layers of rough and poetic noise, and through the performative expressiveness of a rock star from the basements improvising trumpet stunts and roaring with a ritualistic voice.

The electro-acoustic ensemble,

Sat, 11 May 2024 02:05:17 -0400

The electro-acoustic ensemble,

this time played by Alex Drol, Eran Zaks and Dodik Oppenheim, come to distill and dim the space with amplified machines and objects.

CEUMS Cadaver Eye Alex Drool Dudik Opp Eran Sachs Rain Machine

Yifat Ziv was invited to work inside the rain room

Sat, 11 May 2024 02:03:43 -0400

Yifat Ziv was invited to work inside the rain room

and create a live set that responds to the location. With the help of a hydrophone (a microphone that goes underwater), and microphones scattered in the space, she echoes and samples the rain machine, alongside sound layers and field recordings that she attaches to the space.

Shop&Joy Yoel Peled and Nitzan Shafran,

Sat, 11 May 2024 02:00:41 -0400

Shop&Joy Yoel Peled and Nitzan Shafran,

a conceptual experimental duo that connects music and consumer culture; Shop&Joy create 3D objects and give them to their friends with a letter inviting them to write texts for them which become the lyrics of the songs with which they appear. The fragmented and broken music, borrowed from the jingle style and the world of advertising, passes through two dissected figures who are in a sales room praising their products offered for sale.

Rain Machine David Lemoine Yoel Peled Nitzan Shafran,Hearsay

Sat, 11 May 2024 01:59:16 -0400

Sun, 24 Sep 2023 06:08:02 -0400

Super Group - Noise Festival Levontin 7 Noise Fest 2016 - Pat 2

Sat, 23 Sep 2023 18:15:30 -0400

Super Group - Noise Festival Levontin 7 Noise Fest 2016 - Pat 2

Sat, 23 Sep 2023 18:14:18 -0400

Noise Festival At Levontin 7 2016 Part 1

Francisco Lopez talk at Musrara Mix Festival 23, Jerusalem. Part 2

Sat, 03 Jun 2023 05:17:29 -0400

Francisco Lopez talk at Musrara Mix Festival 23, Jerusalem. Part 2

www.franciscolopez.net/
t-hs.bandcamp.com/

Francisco Lopez talk at Musrara Mix Festival 23, Jerusalem. Part 1

Sat, 03 Jun 2023 05:15:56 -0400

Francisco Lopez talk at Musrara Mix Festival 23, Jerusalem. Part 1

www.franciscolopez.net/
t-hs.bandcamp.com/

היה טוב היה יוסי - פרק 5

Tue, 28 Mar 2023 15:38:32 -0400

היה טוב היה יוסי - פרק 5

על הוראה

היה טוב היה יוסי - פרק 4

Sun, 16 Oct 2022 07:59:25 -0400

היה טוב היה יוסי - פרק 4

יוסי מר חיים מדבר על מוזיקה לסרטים

Wed, 03 Aug 2022 06:01:14 -0400

יוסי מר חיים מדבר על מוזיקה לסרטים

יוסי מר חיים מדבר על שנות ה70, יוסף טל והלחנה

Sun, 24 Jul 2022 02:32:47 -0400

יוסי מר חיים מדבר על שנות ה70, יוסף טל והלחנה

יוסי מר חיים מדבר למיקרופון על אזעקות, גופות של חתולים שמתו בהפגזות ועל דויד אבידן

Mon, 06 Jun 2022 13:56:54 -0400

יוסי מר חיים מדבר למיקרופון על אזעקות, גופות של חתולים שמתו בהפגזות ועל דויד אבידן

Episode 4_Trance and Ritual Music:

Sun, 27 Mar 2022 22:08:57 -0400

Episode 4_Trance and Ritual Music:

Re-broadcast of two programs created in the 70s by Annea Lockwood+recent interviewBetween 1969-1970 Annea Lockwood edited 11 (or so? Number is unknown) radio programs for the BBC radio 3. The programs were produced by Madeau Stewart, and broadcasted as intermission programs during live concert intermissions. We are bringing here two of the programs in their full length, as broadcasted, with the original introductions by Lockwood. Following the two programs is a short interview recorded on Feb 25 2022, reflecting on those issues some 50+ years later.With gratitude to Charles Amirkhanian at KPFA in Berkeley who digitized those programs and made them available.O1:20 program 3
19:35 program 5
38:00 interview with Annea Lockwood—notes from Annea Lockwood:The original broadcast date for this program: BBC Radio 3 is March 15, 1970
Trance and Ritual Music by Annea Lockwood, Program 3Intro: “This is witchcraft music. The music of spirit healings, exorcisms, secret mystic societies and of senses. The invocation of gods, health and life. People form rituals, their music, and its momentum within themselves. Form their gods in their minds; use their music to carry them from one self through to another, more buried self. In the end, it is ourselves who we invoke.”Warning for impending ceremony of flying witches, New Guinea – Malayan black magic healing ceremony – Shaman exorcism Korea – Himalayan tribesmen blowing silver horns, India – A Spirit seance in British Guiana – Malayan magic religious ceremony – Rites of the Nightwatchers of Porto Novo, French West Africa, with sounds of glass from ‘The Glass World of Anna Lockwood’.The original broadcast date for this program: BBC Radio 3 is April 23, 1970
Trance and Ritual Music by Annea Lockwood, Program 5Intro: “In the end, there are no listeners. At a concert, you are either in the hall, aware of people and extraneous noises, or within the space created by the music. In these rituals and ceremonies, all are blended with each other; their hearts with the drumming and all its subtleties; the rhythm of the brain with the pulsing of a single note, somewhere. The people are the action, are the sound, and invocation.”Indian lullaby, Columbia – Sacred flute music, New Guinea – Dance of the Dusun tribe, North Borneo – Bell from Buddhist monastery, Burma – Indian Jal Tarang solo – Fish dance, Philippines – Morning call to prayer, Malaya – Nagaswaram solo, India with sounds of glass from ‘The Glass World of Anna Lockwood’.
Maayan Tsadka Prehistoric Harmony Trance Ritual Music Annea Lockwood

Radio Concrete hosting Radioart106 - an independent radio art...

Tue, 18 Jan 2022 05:25:20 -0500

Radio Concrete hosting Radioart106 - an independent radio art program curated and produced by Meira Asher since 2014.

It explores radiophonic compositions and transmission art of worldwide radio artists.

Its first home was KolHacampus106fm in Tel Aviv and it’s now broadcasted on reboot.fm (DE), BernRaBe (CH), USMARADIO (SM), and CHIMERES (GR).

This episode is made of extracts from the following Radioart106 shows:

Dirar Kalash (RA106 #661 on radia.fm)
Karen Power (RA106 #109)
Meira Asher - Still Sleeping (RA106 #132)
Floy Krouchi (RA106_#119)

Meira Asher is a composer-performer and Human Rights activist primarily uses the medium of Sound Art and Radio Art.

She is a lecturer at Haifa university’s Art School since 2012 and producer of the independent radioart show radioart106 since 2014. Her works were released on Crammed, Sub Rosa, Auditorium, RaashRecords and Ultimate Ratio.

Listen to more of Radioart106 on:

reboot.fm (DE) 1st Sunday, 10pm (GMT+2) reboot.fm/category/experimental-radio-art/
BernRaBe (CH) 1st Monday, 11pm (CET) rabe.ch/radioart106/
USMARADIO (SM) 1st Tuesday, 7pm CEST www.usmaradio.org/
CHIMERES (GR) 1st Tuesday, 9pm (UTC+3) chimeres.info/u/masher

More Radio Concrete in here:

https://open.spotify.com/show/2XsFbXXL8vXwB7PD6hc4UR

Maayan Tsadka - Prehistoric Harmony 3 - David Dunn Interview

Thu, 06 Jan 2022 08:55:50 -0500

Maayan Tsadka - Prehistoric Harmony 3 - David Dunn Interview

Prehistoric Harmony_03_Angels, Insects and the Emergence of Mind: an interview with David Dunn_HALASRADIO_MaayanTsadka

“The rational mind tends to always favor the most immediate solution. And immediate solutions for our world are not necessarily the best ones because they tend to ignore the deeper complexity, all of the circuits of connection that we would call an ecology. So we need both. We need the rational mind to try to produce ways in which we could be somewhat be assured of the accuracy of our storytelling, but we also need the other modes of storytelling to remind us of all the things that are left out of that picture…”

An interview that starts with bugs and ends with psychedelics, the role of art, altered consciousness and our evolution as a species. Along the way David also talks about the non-human mind, listening and field recording, story telling, chaotic systems and nonlinear circuits, bark beetles and collective consciousness.

00:40 // Atchafalaya Swamp, Louisiana: insects & frogs (track no 9). From “Why do Whales and Children Sing?” David Dunn. Earth Ear, 1999.

02:12 // Underwater sound production, insects sound communication.

06:02 // Listening and recording: early memories. Interactions with the environment through sound. Mind, nature and technology. Intelligent behaviors: The machine and the environment as non-human forms of intelligence.

14:15 // Perception of time, spacious and temporal metaphors, music as a mode of communication.

18:32 // Ennoia 2, electroacoustic composition for 2-channel playback, David Dunn, 1999

28:43 // “Wherever you go, the environment is more aware of you than you are of it”: the act of listening, recording, re-listening and human awareness.

32:50 // “We tell each other stories…this is what we do”: Science stories, sound stories, bug stories. The rational mind, insects social-structures, collective mind, pattern of emergence. The emergent mind of a pond.

“That idea of mind as something that isn’t necessarily inside a human skull but occurs over and over again throughout the natural world in diverse forms and ways of structuring that are really foreign to us and yet clearly are very very sophisticated”.

42:49 // Five Micro-Worlds. David Dunn (excerpt)

48:44 // Human/virtual networks, Aboriginal culture, sophisticated knowledge and primitive tools as a manifestation of environmental awareness.

52:03 // Networks and nested forms of mind. The relationship between art and science. Observation and communication.

59:33 // The Sound of Light in Trees (excerpt). David Dunn. Earth Ear, 2006.

1:03:05 // Bark beetles, bioacoustics, insects sound production and sound sensing mechanisms.

1:23:56 // Chaotic systems, nonlinear circuits, and a recording expedition to the Atchafalaya swamps of Louisiana. “The sounds would like move, and they’d circle around, and then they start to spin, and then reverse direction…and just the realization…there’s something loud and so deep, and so rich and so complex…and it just made me think how would you ever record something like that, how would you ever characterize, you can’t…and the other thing was how do i get to that kind of manifestation, is it possible to do that through technology?”

1:30:10 // Thresholds and Fragile States (short example1), David Dunn. 2010

1:36:43 // The non-human mind: “This idea of an emergent mind that has its moment that arises out of the collectivity and complexity of nature… I’m interested in the idea of constructing a generative system that can behave in a way that I could never predict and that has its own autonomy. And I think of that in terms of some kind of structure of mind”.

1:38:47 // Metaphors and the role of art, the evolution of mind: “based upon science, based upon mythology, based upon indiginous belief systems…i’m interested in all of those things, how they can talk to each other and inform us about something that we otherwise don’t really understand but we are always telling ourselves we do…it’s a heuristic pursue of this kind of things…try to…if not to understand than at least to experience them”.

“…what we also need to be doing is pursuing those things which alter the mind, alter perception, alter consciousness to a greater awareness and a greater perhaps purpose…we need to grow up as a species, we can do better, we can be something more”

May 6 2021, via transatlantic connection between New Mexico and Haifa.

Maayan Tsadka

———–

“THE EMERGENT MAGICIAN”: METAPHORS OF MIND IN THE WORK OF DAVID DUNN / by Madison Heying and David Kant, in Sound American issue 19

https://soundamerican.org/issues/place/emergent-magician-metaphors-mind-work-david-dunn

Sound American: The Place Issue (SA19) https://soundamerican.org/issues/place

David Dunn’s web http://www.davidddunn.com/~david/HOME.htm