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9:17pm
Stravinsky: Tragedy, Royal Festival Hall, London — review
A musically powerful but dramatically mixed performance
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HK Gruber, Esa-Pekka Salonen, BBC Proms
Shostakovich’s Orango, BBC Proms, Royal Albert Hall, London
Turangalîla-Symphonie, Royal Festival Hall, London
Philharmonia Orchestra/Salonen, RFH, London
©Marty Sohl
Sep 30, 2016
Don Giovanni, Metropolitan Opera, New York
Simon Keenlyside provided telling phraseology, nimble wit and endlessly clever touches of character delineation
Sep 29, 2016
Igor Levit, Wigmore Hall, London — ‘A compelling adventure’
The pianist’s Beethoven sonata cycle is a hot ticket
©Bloomberg
Sep 29, 2016
COMPANIES
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Shazam returns to profit on 1bn downloads
Music discovery company doubles user base in the past two years
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Shazam to launch image-recognition service
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Shazam strikes a new note
©Dominic M. Mercier
Sep 28, 2016
Breaking the Waves, Kimmel Center, Philadelphia — review
The world premiere of a potent and inventive opera
Sep 27, 2016
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Mariinsky Orchestra, Cadogan Hall, London — review
The orchestra’s warmth and blend of sound was unchanged
Vienna Philharmonic and Gergiev, Carnegie Hall
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Tchaikovsky Competition winners, Cadogan Hall, London
©Ken Howard
Sep 27, 2016
Tristan und Isolde, Metropolitan Opera, New York — review
The production is clumsy, but musical standards are high
Sep 26, 2016
London Philharmonic Orchestra, Royal Festival Hall, London — review
Violinist Nicola Benedetti played with softness and fluidity
©Kevin Winter/Getty Images
Sep 26, 2016
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Afropunk, Alexandra Palace, London — review
Grace Jones and Young Fathers were among the festival acts
©Bloomberg
Sep 26, 2016
COMPANIES
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BandLab takes 49% stake in Rolling Stone
Singapore music start-up buys into venerable rock magazine
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Taste remains for big cross-border deals
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Dealmaking falls to three-year low
Sep 26, 2016
Life of a Song
The Life of a Song: ‘Fast Car’
Tracy Chapman found fame with a ballad about low-income life
Sep 25, 2016
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Così fan tutte, Royal Opera House, London — review
A clever but emotionally unengaging production of Mozart’s opera
Sep 23, 2016
John Adams on how to conduct yourself
The American composer and conductor pushes artistic boundaries with a social message
Sep 23, 2016
Ed Harcourt, Village Underground, London — review
The singer’s set drew heavily on new songs, full of apocalyptic imagery and fallen characters
Sep 23, 2016
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Björk, Royal Albert Hall, London
The singer negotiated her way through the music with aplomb
Sep 22, 2016
Earth Diver, Ruhrtriennale, Essen — ‘Breathtaking power’
An all-enveloping meditation staged in an abandoned salt store
Sep 20, 2016
The Dream of Gerontius, Philharmonie Berlin — ‘Apocalyptic’
Daniel Barenboim conducted a transcendental Elgar
Sep 19, 2016
Ivan the Terrible, Konzerthaus Berlin, Musikfest Berlin
Eisenstein’s masterpiece set to a live orchestral accompaniment
Sep 19, 2016
Verdi’s Requiem, Barbican, London
The performance raced between emotional extremes with microscopic focus
Sep 19, 2016
Life of a Song
The Life of a Song: ‘Rasputin’
Boney M’s tribute to ‘Russia’s greatest love machine’ caused a stir on the dance floor and behind the iron curtain
VIDEOS
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Arts
The Machine, Barbican (Pit), London — ‘Quirky, fun’
Podcast review: Love + Radio, Millennial
NY Quadrille, Week 1, Joyce Theater, New York — review
Transcender 2016, Milton Court, London — review
Flexibility and truth: Rodin’s dance sculptures at the Courtauld, London
Design & Architecture
As new as the hills: homes of the future
World Architecture Festival: housing for all
Hodge to probe Thames Garden Bridge deal
Awash with ideas on communal bathing
Sustainable to snake-proof: the best new homes
Film & Television
Paolo Sorrentino: the anti-storyteller
Film-makers who shoot from the hip
The Incredible Story of Marie Antoinette’s Watch, BBC4
New BP disaster film fumbles with facts
Deepwater Horizon — film review: ‘Nightmarishly well directed’
Collecting
The curators shaping Frieze’s London fairs
Interview: artist Yuri Pattison
Interview: artist Susan Rothenberg
African art fair 1:54 in London
The Gallery of Everything: untaught art
Theatre & Dance
NY Quadrille, Week 1, Joyce Theater, New York — review
The Machine, Barbican (Pit), London — ‘Quirky, fun’
La Fille mal gardée, Royal Opera House, London — review
Shock-horror drama
All the Ways to Say I Love You, Lucille Lortel Theatre, New York
Visual Arts
Snapshot: ‘Nostalgia: Before and After — Important Polaroids’ by Andrey Tarkovsky
Carmen Herrera at the Whitney Museum
Flexibility and truth: Rodin’s dance sculptures at the Courtauld, London
Brexit divorce lawyers eye up EU’s wine list
The curators shaping Frieze’s London fairs
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