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Willard White with dancer Laurel Jenkins in 'Oedipus Rex'

Stravinsky: Tragedy, Royal Festival Hall, London — review

A musically powerful but dramatically mixed performance

Don Giovanni, Metropolitan Opera, New York
©Marty Sohl

Don Giovanni, Metropolitan Opera, New York

Simon Keenlyside provided telling phraseology, nimble wit and endlessly clever touches of character delineation

Igor Levit

Igor Levit, Wigmore Hall, London — ‘A compelling adventure’

The pianist’s Beethoven sonata cycle is a hot ticket

Shazam returns to profit on 1bn downloads

Music discovery company doubles user base in the past two years

Kiera Duffy in 'Breaking the Waves'
©Dominic M. Mercier

Breaking the Waves, Kimmel Center, Philadelphia — review

The world premiere of a potent and inventive opera

Valery Gergiev conducts the Mariinsky Orchestra

Mariinsky Orchestra, Cadogan Hall, London — review

The orchestra’s warmth and blend of sound was unchanged

Stuart Skelton as Tristan
©Ken Howard

Tristan und Isolde, Metropolitan Opera, New York — review

The production is clumsy, but musical standards are high

Nicola Benedetti

London Philharmonic Orchestra, Royal Festival Hall, London — review

Violinist Nicola Benedetti played with softness and fluidity

Grace Jones
©Kevin Winter/Getty Images

Afropunk, Alexandra Palace, London — review

Grace Jones and Young Fathers were among the festival acts

BandLab takes 49% stake in Rolling Stone

Singapore music start-up buys into venerable rock magazine

The Life of a Song: ‘Fast Car’

Tracy Chapman found fame with a ballad about low-income life

Così fan tutte, Royal Opera House, London — review

A clever but emotionally unengaging production of Mozart’s opera

John Adams on how to conduct yourself

The American composer and conductor pushes artistic boundaries with a social message

Ed Harcourt, Village Underground, London — review

The singer’s set drew heavily on new songs, full of apocalyptic imagery and fallen characters

Björk, Royal Albert Hall, London

The singer negotiated her way through the music with aplomb

Earth Diver, Ruhrtriennale, Essen — ‘Breathtaking power’

An all-enveloping meditation staged in an abandoned salt store

The Dream of Gerontius, Philharmonie Berlin — ‘Apocalyptic’

Daniel Barenboim conducted a transcendental Elgar

Ivan the Terrible, Konzerthaus Berlin, Musikfest Berlin

Eisenstein’s masterpiece set to a live orchestral accompaniment

Verdi’s Requiem, Barbican, London

The performance raced between emotional extremes with microscopic focus

The Life of a Song: ‘Rasputin’

Boney M’s tribute to ‘Russia’s greatest love machine’ caused a stir on the dance floor and behind the iron curtain

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