Mountains Coming Into View

My Delectable Mountains quilt is coming along well. I have the “mountains” pieced for the second set. Next is trimming those half-blocks and filling outside of them with the double pink setting fabric. Then I can trim the center to size and attach the DM borders with corner blocks.

What is “double pink”? From the Quilt Index Wiki page:

Double pinks, sometimes called ‘cinnamon’ pinks, feature tiny prints in a dark, cinnamon-like pink, on a light rosy pink ground. Both of these hues have warmer undertone than bubblegum pink, which emerged as a quilt fabric, often as a solid rather than a print, in the twentieth century. Double pinks were most popular in the 1860s, ‘70s, and ‘80s, though double pinks are common in quilts through the 1920s. At the height of their popularity in the mid-nineteenth century, double pinks were often paired with madder or chocolate browns in quilts.

In the image below, the dark pink triangles on the outside edge are double pink. The center of the center block also is considered a double pink, even with its more complex pattern.

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Half blocks set in place but not sewn on yet. They need their double pink setting fabric first, as well as corner blocks.

The color combination, as it says above, was most popular in the mid-1800s. Most of the images of Delectable Mountains medallion quilts in the International Quilt Study Center & Museum index are from before 1850. So the colors are slightly anachronistic, but I think they still suit.

Delectable Mountains, Old School

If you love medallion quilts and you love triangles, you just about have to love Delectable Mountains medallion quilts.

screen-shot-2017-01-29-at-3-55-30-pmA couple of weeks ago I was paging through medallion quilts at the International Quilt Study Center & Museum. You can search the collections using a number of different variables, including keywords, primary pattern, quiltmaker, origin, and more. At the time I used the keyword “medallion” and found 181 examples. Within that set there are a number of glorious DM medallions.

You can also use “Delectable Mountains” or “Delectable Mountains variation” to look specifically at these. Some are medallions and some are block or row quilts. I’d love to show you images here. However the legal permissions information is confusing and I choose not to risk it. You can find them this way:

I was inspired by the simplicity and high contrast of the design, and decided to make it as a red and white quilt for my guild’s June show.

There are two basic ways to create a Delectable Mountains block. One is the way I made my DM quilt last year. It uses large half-square triangles that are sliced into segments. Once the segments are rearranged, they created a jagged block.

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Still Climbing Mountains. 57″ x 64″. August 2016. Made from stash. Photo by Jim Ruebush.

I thought I would use this block style to create a medallion. I thought it would be “fast” and “easy,” as the block quilt above was. However, the block is not square (in mine it finishes at 8″ x 9.5″.) The non-square block creates some math issues for the outer borders, making it neither fast nor easy.

Yesterday while I cleaned extensively in my studio, I rethought my plan. The other option for a DM block is very old-school, with multiple small half-square triangles to make the points. Here is one link that shows how. (I haven’t reviewed it for accuracy or readability.) And here is a picture to give you an idea of the method:

I also checked a few of my books, to see if any had a good pattern I could pull from. One does, but it’s a badly written book with a badly written pattern. In the end I decided to do what I usually do: make it up as I go along.

Because it’s an uncertain process, I chose to make it first in pinks and browns, rather than red and white. If it all goes well, I might make it again. 🙂

This project falls squarely in the set I’d call a challenge and an opportunity. Realizing that my first plan wasn’t workable as considered created a barrier. Choosing to go old-school with construction provides the opportunity.

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Before realizing I want a bigger block…

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A center block using a few old favorites, and new brown fabric. The block is an odd size, finishing at about 11.5″.

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Now you can see some mountains. The next border will have more of them.

So far this actually has been easy. The center block is a variable star. It is set on point with brown. Then the brown is bordered by a row of brown half-square triangles, creating the mountains. Finally, the whole center (everything made so far) was put on point again. See my post about putting blocks on point.

Next comes a border of brown mountains with double pink background. This is the one with a little trouble on the math side. But I’m confident I’ll find a way to make it work.

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Why I Create

One maker’s explanation of “why I create.” Please leave comments and likes at her blog.

Momoko Abe Illustration

This post is about what creative process means to me. I draw, paint and make things because I enjoy it, but it’s a bit more than that. (Sorry about those low-quality photos – I blame my mum’s ancient phone camera…)

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Last week, a friend of mine told me that his father had passed away. I lost for words. I didn’t know what to say to him because I knew how useless words were to those who have just lost their loved ones. How do I know that? I do because I lost my dad when I was sixteen.

The friend’s sad news got me think how on earth I had got through the tough time. Well, at first, I didn’t do anything. At the age of sixteen, of course I knew the concept of death. But, Dad’s death happened suddenly and quickly. Plus, I had never lost someone close before (at the…

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Thinking About Goals — 2117

Maybe *over*thinking about goals? The other day I posted about goals — not that I got around to defining any! But I did look at a couple of ways one might develop quilt-making goals. One question was from Lori at the Inbox Jaunt. She asked

Imagine it’s the year 2117--and a family member has just inherited a trunk of your quilts.

What will YOUR quilts say about YOU?

Do they say what YOU want them to say?

It’s a great question about legacy and how we want to be remembered. By extension, it prods us to consider whether we are making the quilts that will create the heritage we wish. If not, why not? Should we change (or set) goals for our quilting?

After chewing on this for a while, I realized that I don’t care what people a hundred years from now think about me, or about my quilts. My quilts serve three purposes:

  1. expressions of creativity
  2. expressions of love
  3. expressions of compassion.

The three purposes overlap, but depending on the quilt, the priority differs. All three are immediate needs for me —  I need to express myself. Quilts made from love and compassion, however, may have a different duration of impact. And that depends on the receiver more than it does on me.

I’ll never know most of the people who receive my “compassion” or donation quilts. I hope the owners feel the warmth of the “blanket” as well as the intention. And I hope the quilts are loved, used, and washed until they are used up.

My wishes are the same for the quilts I make for those I love. I hope the quilts are used, preferably for comfort or warmth, or for decoration. (I’d rather not know about quilts used to protect furniture while moving, or to coddle a dog giving birth, or to soak up oil on the garage floor…)

The quilt below was a wedding quilt given a few years ago to friends. It hangs on their living room wall. We visit often enough that I can still enjoy it, and they boast of how it can be seen from the street, as well as inside.

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What legacy do I want to leave with my quilts? I hope that when I die, my loved ones will tell stories about my quilts and my quilting. Stories like how I took over our son’s bedroom for studio space while he was in college (and how he still hasn’t gotten over that, several years later!) Stories about a granddaughter working on a little brother’s quilt with me. Stories about the round robins my sister and I did. Stories about how a daughter and I got each other the same quilting book one year, a book long out of print and wildly expensive. I hope they will share the quilts I made with others, and I hope there are no pristine, never-used quilts of mine to discover one hundred years from now.

Instagram — All New To Me

I decided to take the plunge so many of you have already made. Yes, I joined Instagram. You can find me as catbirdquiltstudio.

Barbara Brackman had a great blog post the other day, on saving the Instagram world one quilt at a time. Her theory is that newer quilters largely have bypassed traditional blogs and blogging and gone straight to Instagram. The slant toward “modern” quilts, many from a fairly small set of patterns, narrows their perspective rather than broadening it. She has added hundreds of photos of historical quilts, reproductions, and other traditional quilts. It certainly provides a wider look at quilting!

So far I have loaded a few photos to #medallionquilt. It will take me a while to figure out this new (to me) platform. By the time I get it, the world may have moved on! If you use Instagram and have some great tips, please share! I’m all ears.

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