
Click here to subscribe.

Click here to subscribe.

In this week’s Tuesday letter, I wrote about 7 more gardening metaphors for creative work.
Even more to add to the compost heap later:
1) “Deadheading,” a kind of pruning in which you’re trying to redirect the plant’s growth
2) Grafting, which I’ve been reading about in John McPhee’s Oranges:
Citrus does not come true from seed. If you plant an orange seed, a grapefruit might spring up. If you plant a seed of that grapefruit, you might get a bitter lemon. With a graft, however, what you saw was what you got.
Filed under: gardening

In today’s newsletter, I write about gardening metaphors:
I love living with a gardener because not only do I get to enjoy the harvest without doing much (if any) of the work, I also get exposed to gardening tips which become metaphors for my own creative work. (The “gardening” tag on my blog is now dozens of posts deep and the last chapter of my book Keep Going is called “Plant Your Garden.”)
“When botanists go walking the forests and fields looking for plants, we say we are going on a foray,” writes Robin Wall Kimmerer in Braiding Sweetgrass. “When writers do the same, we should call it a metaphoray.” (I prefer “metaphoraging” — searching for metaphors.)
I collect gardening metaphors because the lessons of gardening are basically the opposite of the messages we receive from our controlling, technocratic, perfectionist, algorithmic, optimizing status quo.
“The garden is an unhappy place for the perfectionist,” writes Michael Pollan. “Too much stands beyond our control here, and the only thing we can absolutely count on is eventual catastrophe.” (Sounds like, well, life in general.)
You can read the rest here.

There’s a famous story about the actors Dustin Hoffman and Laurence Olivier on the set of the movie Marathon Man, retold by Isaac Butler in The Method: How The Twentieth Century Learned to Act:
Hoffman explained—or perhaps bragged about—the lengths to which he would go to capture his character’s worn-out, paranoid emotionality. He had been staying up all night and running in order to look exhausted. In response, Olivier, exasperated by his younger male colleague, deadpanned, “My dear boy, why don’t you try acting?”
I tell my own version in today’s newsletter: “Why don’t you try typing?”

If you liked this list, you’ll love my newsletter.
Read my top 100 lists from previous years here.

Here are all the books I finished in 2023. I am tempted to just leave them here in this big visual pile and say nothing else about them.
I’m tired of making these lists! And I often wonder if I stop making year-end lists if it will free me up even more to stop slogging through books I don’t like, to be even more promiscuous, read intros and articles and websites and PDFs and just generally be more reckless.
As I tweeted to Elisa Gabbert, who makes my favorite year-end list, I am “trying to fight my completist Brian.” I loved that typo — it was supposed to be “brain” but I like the idea of a completist Brian inside me that needs to be silenced. “Shut up, Brian!”
But I’ve had these reading lists going since 2006 and I just can’t let it die. So I’m just going to share a few books here that I already shared in the year-end newsletter.
* * *
Fiction
Don Quixote was the best book I read. I read it right around the solstice. Everyone will tell you to get the Edith Grossman translation, but what brought me the most joy was listening to David Case’s reading — his voices for the knight errant and his sidekick made me laugh and laugh. Instantly became one of my favorite books, one I will read again and again, I’m sure.
Frank Herbert’s Dune was perfect for August in Texas.
I loved Kurt Vonnegut’s Timequake, as I do most of his books.
Larry McMurtry’s All My Friends Are Going To Be Strangers was bawdy and fun.
Claire Keegan’s Small Things Like These packed a punch in a tight, short book.
I re-read 3 Charles Portis novels for the third time because I can’t seem to stop reading him — Donna Tartt’s audiobook of True Grit was sublime.
I read two hardboiled classics: James M. Cain’s The Postman Always Rings Twice and Raymond Chandler’s The Big Sleep.
I read Matilda and several Harry Potter books and Grimm Fairy Tales to my kids.
Gene Yang’s American Born Chinese was a perfect graphic novel.
* * *
Non-fiction
I turned 40, so the work of James Hollis came to me at just the right time. I found The Middle Passage and Finding Meaning in the Second Half of Life particularly helpful — no real answers, just good questions.
I enjoyed Nassim Nicholas Taleb’s Skin in the Game and Antifragile.
Annie Murphy Paul’s The Extended Mind gave me a really wonderful framework for thinking about my creative practices.
I liked Seneca’s wisdom and occasional bitchiness in Letters from a Stoic.
Melanie Mitchell’s Artificial Intelligence: A Guide for Thinking Humans is just that.
Geezer Butler’s Into The Void and Werner Herzog’s Every Man for Himself and God Against All were worth listening to just to hear them read.
Will Hermes’ biography, Lou Reed: The King of New York, was pretty much exactly the book I wanted it to be.
A delightful year-end surprise was Dwight Garner’s The Upstairs Delicatessen.
Box Brown’s The He-Man Effect: How American Toymakers Sold You Your Childhood and Bill Griffith’s Three Rocks: The Story of Ernie Bushmiller: The Man Who Created Nancy are about as good as non-fiction comics get.
* * *
Here is a map I tried to make of all these books and how they related to each other:

This year I would like to be more reckless than ever — I would consider it a great triumph, actually, if I finished fewer books, if I sampled and skimmed and scraped more books, and saved finishing for books where I can’t stop turning the pages.
It’s been almost 10 years since I made this list of 33 thoughts on reading. I feel that I might be getting closer and closer to living up to it.
Filed under: my reading years
This site participates in the Amazon Affiliates program, the proceeds of which keep it free for anyone to read.