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                <pubDate>Thu, 25 Apr 2024 10:00:00 +0200</pubDate>
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                <title><![CDATA[Review: Chicago Philharmonic Season Opener Swings into Diversity]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M4fReQzdZU26-Gkz6RCC25z</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/WoGOvhfZbfUEtrT9v9F-_sb1naedg1wr" border=0 width="1" height="1" alt="Review: Chicago Philharmonic Season Opener Swings into Diversity" title="Review: Chicago Philharmonic Season Opener Swings into Diversity"> <p></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgijYJfqM1jx4oZdwCmxmu3JwYFfqah_c8nG0sZM40SjpHAXxbXwXATRxrt5df74U1kFhPBDn91dQkCTdnvD4UdaecNbhBJphHuV6O2Z76w-YPxXfJVGn1Bxmx6NybuQxC01uUTwsMtpzFjEdzuuoy6fqmpFaLAikRwjhxFkaI4Qb0aYpPKM_Xy9AUt/s421/WilliamGrantStillCourtesyPhoto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="421" data-original-width="300" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgijYJfqM1jx4oZdwCmxmu3JwYFfqah_c8nG0sZM40SjpHAXxbXwXATRxrt5df74U1kFhPBDn91dQkCTdnvD4UdaecNbhBJphHuV6O2Z76w-YPxXfJVGn1Bxmx6NybuQxC01uUTwsMtpzFjEdzuuoy6fqmpFaLAikRwjhxFkaI4Qb0aYpPKM_Xy9AUt/w285-h400/WilliamGrantStillCourtesyPhoto.jpg" width="285" /></a></div></div><span style="font-family: verdana;"><div style="text-align: center;"><b>William Grant Still (1895-1978)</b></div><div style="text-align: center;"><b>(Courtesy Photo)</b></div><div style="text-align: center;"><b><br /></b></div><div style="text-align: left;"><b><span style="font-size: large;"><a href="https://thirdcoastreview.com/2022/10/15/review-chicago-philharmonic-season-opener-swings-into-diversity/" target="_blank">Third Coast Review</a></span></b></div><div style="text-align: left;"><b><br /></b></div></span><p></p><ul class="entry-meta" data-type="simple:slash"><li class="meta-author" itemprop="author" itemscope="" itemtype="https://schema.org/Person"><span style="font-family: verdana;"><b><a class="ct-image-container-static" href="https://thirdcoastreview.com/author/bobbenenson/" tabindex="-1"><img alt="Bob Benenson" height="25" loading="lazy" src="https://secure.gravatar.com/avatar/e2b4f694fd1e493280fe16243849acb5?s=50&amp;d=mm&amp;r=g" style="height: 25px;" width="25" /></a><a class="ct-meta-element-author" href="https://thirdcoastreview.com/author/bobbenenson/" itemprop="url" rel="author" title="Posts by Bob Benenson"><span itemprop="name">Bob Benenson</span></a></b></span></li><li class="meta-date" itemprop="datePublished"><time class="ct-meta-element-date" datetime="2022-10-15T14:12:29-05:00"><span style="font-family: verdana;"><b>October 15, 2022</b></span></time></li><li class="meta-categories" data-type="simple"><span style="font-family: verdana;"><b><a class="ct-term-391" href="https://thirdcoastreview.com/category/music/classical/" rel="tag">Classical</a>, <a class="ct-term-114" href="https://thirdcoastreview.com/category/music/reviews/" rel="tag">Reviews</a></b></span></li></ul><div><p style="text-align: justify;"><span style="font-family: verdana;">The decision by <a href="https://chicagophilharmonic.org/" rel="noreferrer noopener" target="_blank">Chicago Philharmonic</a> to open its 2022-23 concert season Thursday with a program focused on diversity was well within character for the orchestra.&nbsp;&nbsp;</span></p>   <p style="text-align: justify;"><span style="font-family: verdana;">Diversity had long been a concern for the musician-run orchestra and  its conductor, Scott Speck. Its effort to provide better representation  for black composers and performers ramped up considerably since national  incidents of racial injustice in 2020 prompted a self-examination  within the classical music community.</span></p>   <p style="text-align: justify;"><span style="font-family: verdana;">Chicago Philharmonic also underscored its sincerity on this issue  last year by hiring Terrell Johnson, a young Black innovator, as its  executive director.&nbsp;</span></p><span style="font-family: verdana;"><span data-inserter-version="2" id="ezoic-pub-ad-placeholder-110"></span></span></div><div style="text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: left;"></div><p><span style="font-family: verdana;"><b>&nbsp;</b></span></p>]]></description>
                <pubDate>Mon, 17 Oct 2022 01:27:30 +0200</pubDate>
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                <title><![CDATA[Chicago Philharmonic: For our 22/23 Symphonic Series opening concert, we’re paying homage to William Grant Still and Florence Price]]></title>
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                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/bQwJY4ceVtcEtrT9v9F-_sb1naedg1wr" border=0 width="1" height="1" alt="Chicago Philharmonic: For our 22/23 Symphonic Series opening concert, we’re paying homage to William Grant Still and Florence Price" title="Chicago Philharmonic: For our 22/23 Symphonic Series opening concert, we’re paying homage to William Grant Still and Florence Price"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaeVH7yaKjuirfy7aekqwhwNRdKZQ0isvO7yA7dTBEoL59qtmTvUNTIgpSUHk_UHfV4IMnSuUNPZl01kOYL0539LhjyS8WUP5jOPUg8RJ2gWBHvxmt8YT8EJrUcsf3eo_LmPv9oYXDpCY2_Wbt451BCP7JjIzPB21C0XoLjNTX04j_cwMBzm4FXYcV/s1215/Afro-AmericanSymphony13Oct2022.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1215" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaeVH7yaKjuirfy7aekqwhwNRdKZQ0isvO7yA7dTBEoL59qtmTvUNTIgpSUHk_UHfV4IMnSuUNPZl01kOYL0539LhjyS8WUP5jOPUg8RJ2gWBHvxmt8YT8EJrUcsf3eo_LmPv9oYXDpCY2_Wbt451BCP7JjIzPB21C0XoLjNTX04j_cwMBzm4FXYcV/w395-h400/Afro-AmericanSymphony13Oct2022.png" width="395" /></a></div><br /><p></p><p style="margin: 0px; text-align: justify;"><span style="color: #191919; font-size: 16px; font-weight: bold;"><span style="font-family: verdana;">Thursday, October 13, 7:30pm</span></span></p><p style="margin: 0px; text-align: justify;"><span style="color: #191919; font-size: 16px; font-weight: bold;"><span style="font-family: verdana;">Harris Theater</span></span></p><p style="margin: 0px; text-align: justify;"><span style="color: #191919; font-size: 16px;"><span style="font-family: verdana;">205 E Randolph St, Chicago, IL 60601</span></span></p><p style="margin: 0px; text-align: justify;"><span style="font-family: verdana;"><br /></span></p><p style="margin: 0px; text-align: justify;"><span style="font-family: verdana;"><span style="color: #191919; font-size: 16px; font-weight: bold;">Heitor Villa-Lobos&nbsp;</span><span style="color: #191919; font-size: 16px;">Bachianas Brasileiras No. 4,&nbsp;</span><span style="color: #191919; font-size: 16px; font-style: italic;">Preludio</span><span style="color: #191919; font-size: 16px; font-weight: bold;"><br /></span></span></p><p style="margin: 0px; text-align: justify;"><span style="font-family: verdana;"><span style="color: #191919; font-size: 16px; font-weight: bold;">Florence Price&nbsp;</span><span style="color: #191919; font-size: 16px; font-style: italic;">Ethiopia's Shadow in America</span></span></p><p style="margin: 0px; text-align: justify;"><span style="font-family: verdana;"><span style="color: #191919; font-size: 16px; font-weight: bold;">Jonathan Bingham&nbsp;</span><span style="color: #191919; font-size: 16px; font-style: italic;">Monograph</span><span style="color: #191919; font-size: 15px; font-style: italic;">&nbsp;</span><span style="color: #191919; font-size: 12px;">(</span><span style="color: #191919; font-size: 12px; font-weight: bold;">CHICAGO PREMIERE</span><span style="color: #191919; font-size: 12px;">)</span><span style="color: #191919; font-size: 16px; font-weight: bold;"><br /></span></span></p><p style="margin: 0px; text-align: justify;"><span style="font-family: verdana;"><span style="color: #191919; font-size: 16px; font-weight: bold;">Arturo Márquez</span><span style="color: #191919; font-size: 16px;">&nbsp;</span><span style="color: #191919; font-size: 16px; font-style: italic;">Danzón&nbsp;No. 2</span></span></p><p style="margin: 0px; text-align: justify;"><span style="font-family: verdana;"><span style="color: #191919; font-size: 16px; font-weight: bold;">William Grant Still&nbsp;</span><span style="color: #191919; font-size: 16px;">Symphony No. 1 (</span><span style="color: #191919; font-size: 16px; font-style: italic;">Afro-American</span><span style="color: #191919; font-size: 16px;">)</span></span></p><p style="margin: 0px; text-align: justify;"><span style="font-family: verdana;"><br /></span></p><p style="margin: 0px; text-align: justify;"><span style="font-family: verdana;"><span style="color: #1a191a; font-size: 16px;">William Grant Still is the composer most associated with the Harlem Renaissance. His First Symphony, dubbed the </span><span style="color: #1a191a; font-size: 16px; font-style: italic;">Afro-American</span><span style="color: #1a191a; font-size: 16px;">, is a thrilling, blues-infused wonder of American composition. </span></span></p><p style="margin: 0px; text-align: justify;"><span style="font-family: verdana;"><br /></span></p><p>           </p><p style="margin: 0px; text-align: justify;"><span style="font-family: verdana;"><span style="color: #1a191a; font-size: 16px;">Florence  Price had strong ties to Chicago and the Chicago Black Renaissance. She  lived on the city’s south side for years and vacationed in St. Anne,  Illinois. </span><span style="color: #1a191a; font-size: 16px; font-style: italic;">Ethiopia’s Shadow in America </span><span style="color: #1a191a; font-size: 16px;">was recently discovered in her vacation home in 2009, and is thought to be the first piece she wrote for full orchestra.&nbsp;</span></span></p><p style="margin: 0px; text-align: justify;"><span style="font-family: verdana;"><span style="color: #1a191a; font-size: 16px;"><br /></span></span></p><p style="margin: 0px; text-align: justify;"><span style="font-family: verdana;"><span style="color: #1a191a; font-size: 16px;"><br /></span></span></p>]]></description>
                <pubDate>Sun, 09 Oct 2022 01:34:48 +0200</pubDate>
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                <title><![CDATA[The Harlem Chamber Players: This Friday and Saturday: Our New Season Begins! Sept. 23 at 7 PM and Sept. 24 at 8 PM]]></title>
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                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/_OI0qjlok29cqx2wKj3lJsb1naedg1wr" border=0 width="1" height="1" alt="The Harlem Chamber Players: This Friday and Saturday: Our New Season Begins! Sept. 23 at 7 PM and Sept. 24 at 8 PM" title="The Harlem Chamber Players: This Friday and Saturday: Our New Season Begins! Sept. 23 at 7 PM and Sept. 24 at 8 PM"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4HvuQq1u9Ue0AVZEZ6m2vDSkwD9sHGYg8y0zWS-upUK1rif76DBVyQzx80_hu6ovH9rkIbv9TjhoSoTbT7ep8nlOl2cegeykwv-vsylt_6Y72plhPg2itQdl5WiFCv0G9NdcohVH71MrR7hMURcJM_cbJDXFBkia3SId5JAbdJWOplKCPa_ys0I9l/s326/HarlemChamberPlayersLogo.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="226" data-original-width="326" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4HvuQq1u9Ue0AVZEZ6m2vDSkwD9sHGYg8y0zWS-upUK1rif76DBVyQzx80_hu6ovH9rkIbv9TjhoSoTbT7ep8nlOl2cegeykwv-vsylt_6Y72plhPg2itQdl5WiFCv0G9NdcohVH71MrR7hMURcJM_cbJDXFBkia3SId5JAbdJWOplKCPa_ys0I9l/w400-h278/HarlemChamberPlayersLogo.JPG" width="400" /></a></div><br /><p></p><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><b><i>We hope you will join us this</i></b></div><div style="text-align: center;"><b><i>coming weekend for our Season</i></b></div><div style="text-align: center;"><b><i>Opening Concert!</i></b></div></span><table border="0" cellpadding="0" cellspacing="0" class="layout layout--1-column" style="table-layout: fixed; text-align: center; width: 100%px;"><tbody><tr><td align="center" class="column column--1 scale stack" style="width: 100%;" valign="top"><span style="color: white; font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 17px; font-style: italic; font-weight: bold;">&nbsp;Season Opening&nbsp;</span><table border="0" cellpadding="0" cellspacing="0" class="text text--padding-vertical" style="table-layout: fixed; width: 100%px;"><tbody></tbody></table> </td> </tr> </tbody></table><p style="margin: 0;"> </p><table border="0" cellpadding="0" cellspacing="0" class="layout layout--1-column" style="table-layout: fixed; width: 100%px;"> <tbody><tr> <td align="center" class="column column--1 scale stack" style="width: 100%;" valign="top"><table border="0" cellpadding="0" cellspacing="0" class="image image--padding-vertical image--mobile-scale image--mobile-center" style="width: 100%px;"> <tbody><tr> <td align="center" class="image_container content-padding-horizontal" style="padding: 10px 20px;" valign="top"> <a data-trackable="true" href="https://r20.rs6.net/tn.jsp?f=001qLn6ZFGYFOzAtkY1IdgVO2fnL5wc8c9moOHu58e0jduz7-uwVfbd1Jt3jxITBZ00PQ_IxlMws7Bh_hROWQkMiwBZ2De9GVXZYHbCTu7fbBeT9yp66x5RRAEEdhuOWuQQWeJeLvjWNu4UE_JTz_BpvrdIAue1ZrGj9uL32klDqIKeKtNRR3uag1JLbV8FK0UV0MyjCjOpdRMClSt3Hw9elQ==&amp;c=ryDVnP0ZIdgKXJOowmH9teyTS9A_u9f2-fILxGptltrvIChs4-Jn_Q==&amp;ch=vUXK4JElnnAtEYyKv3yQOZ9PuNFH-GDMFLVZ7TxK0hOvRWeuGf8owg=="><img alt="" class="image_content" data-image-content="" shrinktofit="true" src="https://files.constantcontact.com/cecf8d94101/8e05f560-0211-480d-aaa1-1cdb5a8b3ff8.png?rdr=true" style="display: block; height: auto; max-width: 100%;" width="560" /></a></td></tr></tbody></table></td></tr></tbody></table><p style="margin: 0;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI_njCPyWAGWjv0g3jts6y2Oiedn3XZi-2HjJk4MRXZrv1ci-lpgi-VCl59upcld0aOCrsramUmyN76_XGs8XmujggwviZxUk18tC6CSohiRrSxhRsMIgMS1RaSLUkpLBJ-4y13ILirD2IABeM61JMXuYV5IVh82b5SV-zd6OSlR5ozeHtzk4y8st7/s845/LefttoRightFirstRow.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="845" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI_njCPyWAGWjv0g3jts6y2Oiedn3XZi-2HjJk4MRXZrv1ci-lpgi-VCl59upcld0aOCrsramUmyN76_XGs8XmujggwviZxUk18tC6CSohiRrSxhRsMIgMS1RaSLUkpLBJ-4y13ILirD2IABeM61JMXuYV5IVh82b5SV-zd6OSlR5ozeHtzk4y8st7/w400-h243/LefttoRightFirstRow.PNG" width="400" /></a></div><p style="margin: 0;"><br /></p><p style="margin: 0;">Left <span style="font-family: verdana;">to  right (1st row) are Terrance McKnight, Ashley Horne, Claire Chan,  William Frampton, and Wayne Smith. Left to right (2nd row) are José  Pietri-Coimbre, Lilit Gampel, Amadi Azikiwe, and Kirsten Jermé</span></p><p style="margin: 0;"><span style="font-family: verdana;"><b><br /></b></span></p><table border="0" cellpadding="0" cellspacing="0" class="layout layout--1-column" style="table-layout: fixed; width: 100%px;"><tbody><tr><td align="center" class="column column--1 scale stack" style="width: 100%;" valign="top"><table border="0" cellpadding="0" cellspacing="0" class="text text--padding-vertical" style="table-layout: fixed; width: 100%px;"><tbody><tr><td align="left" class="text_content-cell content-padding-horizontal" style="display: block; font-size: 12px; line-height: 1.2; overflow-wrap: break-word; padding: 10px 20px;" valign="top"><p style="margin: 0;"><span style="font-size: 14px; font-style: italic;"><span style="font-family: verdana;"><b>Please note that you must wear a face mask during the concert(s).</b></span></span></p></td> </tr> </tbody></table> </td> </tr> </tbody></table><p style="margin: 0;"> </p><table border="0" cellpadding="0" cellspacing="0" class="layout layout--1-column" style="table-layout: fixed; width: 100%px;"><tbody></tbody></table><div style="text-align: center;"><div class="separator" style="clear: both;"><table border="0" cellpadding="0" cellspacing="0" class="layout layout--1-column" style="table-layout: fixed; width: 100%px;"><tbody><tr><td align="center" class="column column--1 scale stack" style="width: 667px;" valign="top"><table border="0" cellpadding="0" cellspacing="0" class="text text--padding-vertical" style="table-layout: fixed; width: 100%px;"><tbody><tr><td align="left" class="text_content-cell content-padding-horizontal" style="display: block; line-height: 1.2; overflow-wrap: break-word; padding: 10px 20px;" valign="top"><p style="font-size: 12px; margin: 0px;"><span style="font-size: 18px; font-weight: bold;"><span style="font-family: verdana;">Season Opening Concerts</span></span></p><p style="font-size: 12px; margin: 0px;"><span style="font-family: verdana;"><br /></span></p><p style="font-size: 12px; margin: 0px;"><span style="font-size: 16px; font-weight: bold;"><span style="font-family: verdana;">Friday, September 23, 2022 at 7 PM</span></span></p><p style="font-size: 12px; margin: 0px;"><span style="font-size: 16px; font-weight: bold;"><span style="font-family: verdana;">Saturday, September 24, 2022 at 8 PM</span></span></p><p style="margin: 0px;"><span style="font-family: verdana;">Broadway Presbyterian Church</span></p><p style="margin: 0px;"><span style="font-family: verdana;">601 West 114th Street</span></p><p style="margin: 0px;"><span style="font-family: verdana;">New York, NY 10025</span></p><p style="margin: 0px;"><br /></p><p style="margin: 0px;"><span style="color: black; font-family: verdana;"><a href="https://r20.rs6.net/tn.jsp?f=001qLn6ZFGYFOzAtkY1IdgVO2fnL5wc8c9moOHu58e0jduz7-uwVfbd1I64CVUNU8JiIwF42lso7FTfy6__XB5QVPPiXuxN8kKMAi8BKBXzN9YRgp57gwgS-9VCXiFfv9JJRgx8GOiZwu-YRUMFeJbGPVYFdBJQwOE0s-_EHuISR31HJeGdvS8YlQ==&amp;c=ryDVnP0ZIdgKXJOowmH9teyTS9A_u9f2-fILxGptltrvIChs4-Jn_Q==&amp;ch=vUXK4JElnnAtEYyKv3yQOZ9PuNFH-GDMFLVZ7TxK0hOvRWeuGf8owg==" style="text-align: center;" target="_blank"><b>Click here</b></a><span style="text-align: center;">&nbsp;for directions.</span></span></p><p style="margin: 0;"><span style="font-family: verdana;">This venue is wheelchair accessible.</span></p><p style="margin: 0px;"><span style="font-family: verdana;"><br /></span></p><p style="margin: 0;"><span style="font-weight: bold;"><span style="font-family: verdana;">PROGRAM</span></span></p><p style="margin: 0;"><span style="font-family: verdana;">Franz Schubert <span style="font-style: italic;">Quartettsatz</span></span></p><p style="margin: 0;"><span style="font-family: verdana;">Frederick Tillis <span style="font-style: italic;">Spiritual Fantasy No. 12</span></span></p><p style="margin: 0;"><span style="font-family: verdana;">Felix Mendelssohn <span style="font-style: italic;">Octet in E-flat major</span></span></p><p style="margin: 0;"><span style="font-family: verdana;"><br /></span></p><p style="margin: 0;"><span style="font-weight: bold;"><span style="font-family: verdana;">ARTISTS</span></span></p><p style="margin: 0;"><span style="font-family: verdana;">Ashley Horne, Violin</span></p><p style="margin: 0;"><span style="font-family: verdana;">Claire Chan, Violin</span></p><p style="margin: 0;"><span style="font-family: verdana;">William Frampton, Viola</span></p><p style="margin: 0;"><span style="font-family: verdana;">Wayne Smith, Cello</span></p><p style="margin: 0;"><span style="font-family: verdana;">Lilit Gampel, Violin</span></p><p style="margin: 0;"><span style="font-family: verdana;">José Pietri-Coimbre, Violin</span></p><p style="margin: 0;"><span style="font-family: verdana;">Amadi Azikiwe, Viola</span></p><p style="margin: 0;"><span style="font-family: verdana;">Kirsten Jermé, Cello</span></p><p style="margin: 0;"><span style="font-family: verdana;"><br /></span></p><p style="margin: 0;"><span style="font-family: verdana;"><span style="font-weight: bold;">HOSTED</span> by Terrance McKnight of WQXR</span></p><p style="margin: 0;"><span style="font-family: verdana;"><br /></span></p><p style="margin: 0;"><span style="font-weight: bold;"><span style="font-family: verdana;">TICKETS</span></span></p><p style="margin: 0;"><span style="font-family: verdana;">$20 General Admission</span></p><p style="margin: 0;"><span style="font-family: verdana;">$15 Students/SeniorS</span></p><p style="margin: 0;"><span style="font-style: italic; font-weight: bold;"><span style="font-family: verdana;">Kids under 12 are admitted for FREE!</span></span></p><p style="margin: 0px;">                    </p><p style="margin: 0;"><span style="font-family: verdana;"><a href="https://r20.rs6.net/tn.jsp?f=001qLn6ZFGYFOzAtkY1IdgVO2fnL5wc8c9moOHu58e0jduz7-uwVfbd1Jt3jxITBZ00BE4B1b3mRdIH5bPxw9iek9ZW8z9m-w88-yZG7ZSjbIuvv2AdU0qWsEV46JYmRFTm_qPBLm9ObPPMQP5CjzwMeHaLC5jifZtgxBGbP6fXRJ2T31WCk4B7U1EBDn2N70AbZj1jppuX1J8=&amp;c=ryDVnP0ZIdgKXJOowmH9teyTS9A_u9f2-fILxGptltrvIChs4-Jn_Q==&amp;ch=vUXK4JElnnAtEYyKv3yQOZ9PuNFH-GDMFLVZ7TxK0hOvRWeuGf8owg==" target="_blank"><b>Click here</b></a> to purchase tickets.</span></p><p style="margin: 0px;"><span style="font-family: verdana;"><br /></span></p><p style="margin: 0px;"><span style="font-family: verdana;"><br /></span></p></td></tr></tbody></table></td></tr></tbody></table></div></div>]]></description>
                <pubDate>Tue, 20 Sep 2022 02:54:43 +0200</pubDate>
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                <title><![CDATA[Chicago Sinfonietta: Mei-Ann Chen invites you to our Opening Weekend: Nkeiru OKOYE and Roberto SIERRA 7:30 PM Sept. 19, Symphony Center, Chicago]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M7DmCAxk2myKtaXKMm36c-X</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/FstP3szs3VHhZj16u-AY48b1naedg1wr" border=0 width="1" height="1" alt="Chicago Sinfonietta: Mei-Ann Chen invites you to our Opening Weekend: Nkeiru OKOYE and Roberto SIERRA 7:30 PM Sept. 19, Symphony Center, Chicago" title="Chicago Sinfonietta: Mei-Ann Chen invites you to our Opening Weekend: Nkeiru OKOYE and Roberto SIERRA 7:30 PM Sept. 19, Symphony Center, Chicago"> <p>&nbsp;</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEQysJlVTjqFecNkfbTpTghLYupCX450cNJgu1MIfLvl6Z5MGPR4VqLyQViZ414Y2B_YjxnhE8TObPwY6QbChwSNriGOGCXraPWWA4PPft1mITg64EhRPYpzleO_d8Snd0qetpQVYTtHSU3ZCpTvdFCakVDpTUuZDnKSPG-wjAbAbowp-eeIYCbywy/s2250/Mei-Ann-Chen-conductor.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2250" data-original-width="1500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEQysJlVTjqFecNkfbTpTghLYupCX450cNJgu1MIfLvl6Z5MGPR4VqLyQViZ414Y2B_YjxnhE8TObPwY6QbChwSNriGOGCXraPWWA4PPft1mITg64EhRPYpzleO_d8Snd0qetpQVYTtHSU3ZCpTvdFCakVDpTUuZDnKSPG-wjAbAbowp-eeIYCbywy/w266-h400/Mei-Ann-Chen-conductor.jpg" width="266" /></a></div><span style="font-family: verdana;"><div style="text-align: center;"><b>Mei-Ann Chen</b></div><div style="text-align: center;"><b><br /></b></div><div style="text-align: justify;">For 35 years Chicago Sinfonietta has been leading the way with exciting and diverse programming.<strong> NBC Chicago recently visited rehearsal</strong> as the orchestra prepared for opening weekend and chatted with Music  Director Mei-Ann Chen and President &amp; CEO Blake-Anthony Johnson.</div><div style="text-align: justify;"><br /></div><div style="text-align: left;">...</div><div style="text-align: left;"><br /></div><div style="text-align: left;"><strong>Come see what's NEXT at Subscription Concert 1!</strong> </div></span><p></p><p style="font-size: 16px; line-height: 150%; margin: 10px 0px; padding: 0px; text-size-adjust: 100%;"></p><div style="color: #757575; text-align: justify;"><strong style="font-family: verdana;">PROGRAM</strong></div><span style="font-family: verdana;"><div style="text-align: justify;">Nkeiru OKOYE:&nbsp;<em>Voices Shouting Out</em>&nbsp;</div><div style="text-align: justify;">Roberto Sierra:&nbsp;<em>Concerto for Saxophones and Orchestra</em>&nbsp;with guest artist Julian Velasco&nbsp;&nbsp;</div><div style="text-align: justify;">George GERSHWIN:&nbsp;<em>Cuban Overture&nbsp;</em>&nbsp;</div><div style="text-align: justify;">Edward ELGAR: <em>Enigma Variations, Op. 36 - Variation IX (Adagio) "Nimrod"</em></div><div style="text-align: justify;">Ottorino RESPIGHI:&nbsp;<em>Pines of Rome</em>&nbsp;</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">And don't forget: You can still take advantage of our Pay-What-You-Can program and get tickets for just $5 using code <strong>PWYC5NEXT</strong> at checkout.<br />&nbsp; &nbsp;</div></span><p></p>]]></description>
                <pubDate>Sun, 18 Sep 2022 00:59:52 +0200</pubDate>
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                <title><![CDATA[ArtsKnoxville.com: University of Tennessee Symphony Orchestra in Adolphus Hailstork&#039;s Fanfare on &quot;Amazing Grace&quot; 4 PM Sept. 18 - FREE]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M7LA9oA7H8E41hGNgNo2_0q</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/rt3IAUigIivhZj16u-AY48b1naedg1wr" border=0 width="1" height="1" alt="ArtsKnoxville.com: University of Tennessee Symphony Orchestra in Adolphus Hailstork's Fanfare on "Amazing Grace" 4 PM Sept. 18 - FREE" title="ArtsKnoxville.com: University of Tennessee Symphony Orchestra in Adolphus Hailstork's Fanfare on "Amazing Grace" 4 PM Sept. 18 - FREE"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx4i725U-NWJ_PUU5q2sgtIZPjXBeqvVKTAV2oKIgBDrOBGngadcH2uVIevy5CoSymyZqJ4qTDNFc1-HuePm2R4cHvUrHrYHqMriZiMuzE_Erpna0mvCAqantEMGaP0elqIuwqUl3QcpmP2rTXfOerR1bIwt0jjBG-tO4EF4JKZPmIgjUuu2KnYsEl/s1096/AdolphusHailstorkProvidedByRoseGrace.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1096" data-original-width="728" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx4i725U-NWJ_PUU5q2sgtIZPjXBeqvVKTAV2oKIgBDrOBGngadcH2uVIevy5CoSymyZqJ4qTDNFc1-HuePm2R4cHvUrHrYHqMriZiMuzE_Erpna0mvCAqantEMGaP0elqIuwqUl3QcpmP2rTXfOerR1bIwt0jjBG-tO4EF4JKZPmIgjUuu2KnYsEl/w266-h400/AdolphusHailstorkProvidedByRoseGrace.jpg" width="266" /></a></div><span style="font-family: verdana;"><div style="text-align: center;"><b>Adolphus Hailstork</b></div><div style="text-align: center;"><b><br /></b></div><div style="text-align: left;"><b><span style="font-size: large;"><a href="http://ArtsKnoxville.com" target="_blank">ArtsKnoxville.com</a></span></b></div><div style="text-align: left;"><b><br /></b></div><div style="text-align: left;"><b>Alan Sherrod</b></div><div style="text-align: left;"><b><br /></b></div><div style="text-align: left;"><b>September 14, 2022</b></div><div style="text-align: left;"><b><br /></b></div></span><p></p><p style="text-align: justify;"><span style="font-family: verdana;">On Sunday afternoon, the UT Symphony Orchestra returns to its home in  Cox Auditorium for a concert entitled “New Frontiers.” James Fellenbaum  will conduct the UTSO.</span></p><div><div dir="ltr" style="text-align: justify;"><span style="font-family: verdana;"><strong>Elmer Bernstein</strong>: Theme from <i>The Magnificent Seven</i></span></div><div dir="ltr" style="text-align: justify;"><span style="font-family: verdana;"><strong>Copland</strong>: <i>Billy the Kid</i>, Suite</span></div><div dir="ltr" style="text-align: justify;"><span style="font-family: verdana;"><strong>Adolphus Hailstork</strong>: Fanfare on <em>Amazing Grace</em></span></div><div dir="ltr" style="text-align: justify;"><span style="font-family: verdana;"><strong>Todd Goodman:</strong> Tuba Concerto No. 2, Alex Lapins, tuba — <strong>this performance will be the orchestral version world premiere</strong></span></div><div dir="ltr"></div><h5 style="background-color: #f1d484; font-size: 12pt; line-height: 1.4; padding: 18px;"><div style="text-align: justify;"><span style="font-family: verdana; font-size: 12pt;">University of Tennessee Symphony Orchestra</span></div><span style="font-family: verdana;"><div style="text-align: justify;"><span style="font-size: 12pt;">Sunday, September 18, 2022, at 4:00 PM — FREE</span></div><div style="text-align: justify;"><span style="font-size: 12pt;">Cox Auditorium in the Alumni Memorial Building on the UT Campus</span></div></span></h5></div><p><span style="font-family: verdana;"></span></p><div style="text-align: left;"><span style="font-family: verdana;"><b><br /></b></span></div><div style="text-align: left;"><span style="font-family: verdana;"><b><br /></b></span></div>&nbsp;<p></p>]]></description>
                <pubDate>Sat, 17 Sep 2022 02:19:12 +0200</pubDate>
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                <title><![CDATA[Decca Classics: SHEKU KANNEH-MASON:  New album SONG out today]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M6abfjq0WBojC3FFO_xyF25</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/5qLECBT2JtweKAcA-HlsLMb1naedg1wr" border=0 width="1" height="1" alt="Decca Classics: SHEKU KANNEH-MASON:  New album SONG out today" title="Decca Classics: SHEKU KANNEH-MASON:  New album SONG out today"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_L6PXtkD2O7euYstIBduLtQLS61FWi0kfNYIzMNggzIIeIXlrww3K-OMYvlXNjWUcGechzKOh2lXzEOVTeC2TsJwTwI1aLM3LkFlsut45ipGcgUcnfraWUB65Z3lwvcGVUhBfZLMrTdqsGRUYNuIXyv3V3Zf8i8y1EEUavnuZ1UXDN_n6RczDlH3L/s338/ShekuSongCDRelease.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="277" data-original-width="338" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_L6PXtkD2O7euYstIBduLtQLS61FWi0kfNYIzMNggzIIeIXlrww3K-OMYvlXNjWUcGechzKOh2lXzEOVTeC2TsJwTwI1aLM3LkFlsut45ipGcgUcnfraWUB65Z3lwvcGVUhBfZLMrTdqsGRUYNuIXyv3V3Zf8i8y1EEUavnuZ1UXDN_n6RczDlH3L/w400-h328/ShekuSongCDRelease.PNG" width="400" /></a></div><br /><p></p><p align="center" style="margin-left: 0in; margin-right: 0in; margin: 0in; text-align: center;"><span style="font-size: 11pt;"><span style="background: white;"><b><span style="font-size: 12pt;"><span style="font-family: verdana;">“A world sensation” –<i>The Guardian</i></span></span></b></span></span></p><div style="text-align: center;"><p align="center" style="margin: 0in;"><span style="font-size: 11pt;"><span style="background: white;"><b><span style="font-size: 12.0pt;"><span style="font-family: verdana;">“Fabulously gifted” –<i>The Times</i></span></span></b></span></span></p><p align="center" class="x" style="margin: 0in;"><span style="font-size: 11pt;"><b><span style="font-size: 12pt;"><span style="font-family: verdana;">“Cello Rockstar” –<i>Esquire</i></span></span></b></span></p><p align="center" class="x" style="margin: 0in;"><b><span style="font-family: verdana;"><i><br /></i></span></b></p><p class="x" style="margin: 0in; text-align: center;"><span style="font-family: verdana;"><i>Song</i>,  the new album from cellist Sheku-Kanneh Mason, features music from  across the entire spectrum of classical, folk, jazz and pop – all  personally curated by Sheku. The eclectic mix of styles are tied  together by one thing – the unique singing voice of Sheku’s cello.</span><br /><span style="font-size: 11pt;"><b><span style="font-size: 12pt;"><span style="font-family: verdana;"><i></i></span></span></b></span></p><p class="x" style="margin: 0in; text-align: center;"><span style="font-family: verdana;"><br /></span></p><p class="x" style="margin: 0in; text-align: center;"><span style="font-family: verdana;">Sheku  Kanneh-Mason became a household name in 2018 after performing at the  wedding of the Duke and Duchess of Sussex at Windsor Castle. His  performance was greeted with universal excitement and was seen by nearly  two billion people globally.</span></p><p><span style="font-family: verdana;">Sheku  initially garnered renown as the winner of the 2016 BBC Young Musician  Competition, the first black musician to take the title. He has released  two chart-topping albums on the Decca Classics label, <i>Inspiration</i> (2018) and Elgar (2020). The latter reached #8 in the overall UK  official album chart, making Sheku the first cellist in history to reach  the UK top 10.<br /><br /><b><u>Sheku Kanneh-Mason 2022 US Live Tour Schedule</u></b></span></p><p align="center" style="margin: 0in;"><span style="font-family: verdana;">October 10, 2022 – Granada Theatre (Community Arts Music Foundation of Santa Barbara) | Santa Barbara, CA</span></p><p align="center" style="margin: 0in;"><span style="font-family: verdana;">October 11, 2022 – Segerstrom Center for the Arts (Philharmonic Society of Orange County) | Costa Mesa, CA</span></p><p align="center" style="margin: 0in;"><span style="font-family: verdana;">October 12, 2022 – Walt Disney Concert Hall (LA Phil) | Los Angeles, CA</span></p><p align="center" style="margin: 0in;"><span style="font-family: verdana;">October 15, 2022 – Mondavi Center for the Arts (UC Davis) | Davis, CA</span></p><p align="center" style="margin: 0in;"><span style="font-family: verdana;">October 16, 2022 – Davies Symphony Hall (San Francisco Symphony) | San Francisco, CA</span></p><p align="center" style="margin: 0in;"><span style="font-family: verdana;">October 19, 2022 – Hill Auditorium (University Musical Society) | Ann Arbor, MI<br />October 21, 2022 – Strathmore (Washington Performing Arts) | North Bethesda,</span></p><p align="center" style="margin: 0in;"><span style="font-family: verdana;">&nbsp;MD</span></p><p align="center" style="margin: 0in;"><span style="font-family: verdana;">October 22, 2022 – Carnegie Hall | New York, NY</span></p><p align="center" style="margin: 0in;"><span style="font-family: verdana;">December 8, 9 and 10, 2022 – Kimmel Center (Philadelphia Orchestra) | Philadelphia, PA</span></p><p align="center" style="margin: 0in;"><span style="font-family: verdana;"><br />For tickets and full international dates, please go to: <a href="https://eur02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.shekukannehmason.com%2Flive%2F&amp;data=05%7C01%7CEric.Kovats%40umusic.com%7C6dc0dd5088de4304262b08da926edfd9%7Cbbcb6b2f8c7c4e2486e46c36fed00b78%7C1%7C0%7C637983302137361292%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=D81p9Ob1rgNE1to33TPbT0LDuGKaVmD5I3w4G%2FtDWQ4%3D&amp;reserved=0" style="color: #0563c1;"><span style="color: #0033ff;">shekukannehmason.com/live/</span></a></span><br /><br /><b><u><span style="font-size: 11.0pt;"><span style="font-family: &quot;Calibri&quot;,sans-serif;"><span style="color: #222222;"></span></span></span></u></b></p></div>]]></description>
                <pubDate>Tue, 13 Sep 2022 02:09:12 +0200</pubDate>
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                <title><![CDATA[Sister Songwriters Receive International Publication of Poetry]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M6B1Zqho2sem96jHbRcHw3s</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/iGE35EB8mx7hZj16u-AY48b1naedg1wr" border=0 width="1" height="1" alt="Sister Songwriters Receive International Publication of Poetry" title="Sister Songwriters Receive International Publication of Poetry"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDf6Hs6jFjFFayJwyFRNLueqWs1IpxmsQuWRZRy7SkiuqH4ZPefPyvE3guwgOLqAaZ6JzzUQIxvLeZlH91Gddg7fBpnMHA_2uP2kdgScxw63LrvqjwUFlHgD5VVK8t_MHEWetf7z9R5fe4BOd4rg7KN-ZDbYgBuFPFg7mJ9-I5ey5lk0X_ynCcJq9b/s1279/CynthiaLeeHazelLee%201279%20by%201080.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1279" height="338" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDf6Hs6jFjFFayJwyFRNLueqWs1IpxmsQuWRZRy7SkiuqH4ZPefPyvE3guwgOLqAaZ6JzzUQIxvLeZlH91Gddg7fBpnMHA_2uP2kdgScxw63LrvqjwUFlHgD5VVK8t_MHEWetf7z9R5fe4BOd4rg7KN-ZDbYgBuFPFg7mJ9-I5ey5lk0X_ynCcJq9b/w400-h338/CynthiaLeeHazelLee%201279%20by%201080.jpg" width="400" /></a></div><br /><div style="text-align: justify;"><span style="font-family: verdana;">(PHILADELPHIA, PA-SEPTEMBER 8, 2022):&nbsp; Congratulations are in order to poet, author and librettist, </span><b style="font-family: verdana;">DR. HAZEL ANN LEE </b><span style="font-family: verdana;">and her younger sister, composer, librettist and poet, </span><b style="font-family: verdana;">CYNTHIA COZETTE LEE</b><span style="font-family: verdana;">. This gifted award-winning songwriting duo of four operas, recently had two of their inspiring poems published in the noted literary Canadian online daily magazine </span><i style="font-family: verdana;">50-Word Storie</i><span style="font-family: verdana;">s. Hazel’s poem titled “Sunrise on Loran”, a science fiction poem describing vibrant sunrises on an alien planet, was published July 11, 2022. Cynthia’s poem called “Survival in Time”, speaks about the plight of the Native Americans and First Nations people, was published September 7, 2022. Both poems touch on stories about future nature events and survival.&nbsp;&nbsp;</span></div><p></p><div> <p class="ydpf377bd2bMsoNoSpacing" style="text-align: justify;"><span style="font-family: verdana;">As distinguished poets and authors the Lee sisters have multiple publications. Some of their most distinctive writings are in their books. <i>The Astronaut’s Window: Collection of Poems and Short Stories Celebrating Nature</i>, a new book by Dr. Hazel Ann Lee includes original fascinating science-fiction poems and short stories. <i>The Forgotten Schoolhouse: Original Poems and Short Stories on Faith, Love, Nature and Wonder</i>, a book by Dr. Cynthia Cozette Lee, includes original inspiring poem tributes honoring famous international figures, including “The Town Crier’s News” dedicated to President Barack Obama, “When Will Love Reign in the World?”<i> </i>for President Nelson Mandela, “The Courageous Astronaut” for Guion S. Bluford, Jr., “Mathematical Genius” for Katherine Johnson, “The Royal Wedding of Hope” to the Duke and Duchess of Sussex (Harry and Meghan) and a poem “Tribute to Queen Elizabeth II.”</span></p> <p class="ydpf377bd2bMsoNoSpacing" style="text-align: justify;"><span style="font-family: verdana;">The two uplifting poems, “Survival in Time” by Cynthia and “Sunrise on Loran”<i> </i>by Hazel can be viewed at the following URLs:</span></p> <p class="ydpf377bd2bMsoNoSpacing" style="text-align: justify;"><span style="font-family: verdana;"><b>“Survival in Time” </b>poetry link: </span></p> <p class="ydpf377bd2bMsoNoSpacing" style="text-align: justify;"><span class="ydpf377bd2bMsoHyperlink"><a href="http://fiftywordstories.com/2022/09/07/cynthia-cozette-survival-in-time/" rel="nofollow" target="_blank"><span style="font-family: verdana;">http://fiftywordstories.com/2022/09/07/cynthia-cozette-survival-in-time/</span></a></span></p> <p class="ydpf377bd2bMsoNoSpacing" style="text-align: justify;"><span style="font-family: verdana;"><b>“Sunrise on Loran” </b>poetry link:</span></p> <p class="ydpf377bd2bMsoNoSpacing" style="text-align: justify;"><span class="ydpf377bd2bMsoHyperlink"><a href="http://fiftywordstories.com/2022/07/11/hazel-ann-lee-sunrise-on-loran/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=hazel-ann-lee-sunrise-on-loran" rel="nofollow" target="_blank"><span style="font-family: verdana;">http://fiftywordstories.com/2022/07/11/hazel-ann-lee-sunrise-on-loran/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=hazel-ann-lee-sunrise-on-loran</span></a></span></p> <p class="ydpf377bd2bMsoNoSpacing" style="text-align: justify;"><span style="font-family: verdana;"><b>For more information contact the composer, Cynthia Cozette Lee, at Email: <span class="ydpf377bd2bMsoHyperlink"><a href="mailto:CynLee215@yahoo.com" rel="nofollow" target="_blank">CynLee215@yahoo.com</a></span></b><span class="ydpf377bd2bMsoHyperlink"><span style="color: windowtext;">or visit her website at: </span><a class="" href="https://www.cynthiacozettelee.com/" rel="nofollow" target="_blank">https://www.cynthiacozettelee.com/</a></span></span></p><div style="text-align: justify;"><br /></div><div><br /></div><p></p></div>]]></description>
                <pubDate>Mon, 12 Sep 2022 01:51:50 +0200</pubDate>
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                <title><![CDATA[Aaron Dworkin Interviews Mansi Shah, Curator of Colors of Classical Music!]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M65VcMnQy3E9AC0qH-r7xlT</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/KJ4mUWUGUzxcqx2wKj3lJsb1naedg1wr" border=0 width="1" height="1" alt="Aaron Dworkin Interviews Mansi Shah, Curator of Colors of Classical Music!" title="Aaron Dworkin Interviews Mansi Shah, Curator of Colors of Classical Music!"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv3Vss6AP7LtNlVPIpcfS7Xac-vivRZFBaG4AO3Zr4mweVPCm-w7rDnu9Aqi2H1Obj5HFkvO2SzlVvCwbqlh5vEHcFqphrF1ZcsqaKS_7UoSxmcSxuSKElG4-eoje0wFvKLWIMrAH_bfKZTJbqfG-Gg3IqQ0g750LZjwSbtLMt6HJVW2tZ1f8xKcby/s98/ArtsEnginesLogoSmall.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="65" data-original-width="98" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv3Vss6AP7LtNlVPIpcfS7Xac-vivRZFBaG4AO3Zr4mweVPCm-w7rDnu9Aqi2H1Obj5HFkvO2SzlVvCwbqlh5vEHcFqphrF1ZcsqaKS_7UoSxmcSxuSKElG4-eoje0wFvKLWIMrAH_bfKZTJbqfG-Gg3IqQ0g750LZjwSbtLMt6HJVW2tZ1f8xKcby/w200-h133/ArtsEnginesLogoSmall.PNG" width="200" /></a></div><br />&nbsp;<p></p><table border="0" cellpadding="0" cellspacing="0" class="mcnTextBlock" style="border-collapse: collapse; min-width: 100%; text-align: justify; text-size-adjust: 100%; width: 100%px;"><tbody class="mcnTextBlockOuter"><tr><td class="mcnTextBlockInner" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; mso-line-height-rule: exactly; padding-top: 9px;" valign="top"><table border="0" cellpadding="0" cellspacing="0" class="mcnTextContentContainer" style="border-collapse: collapse; max-width: 100%; min-width: 100%; text-align: left; text-size-adjust: 100%; width: 100%px;"><tbody><tr><td class="mcnTextContent" style="line-height: 150%; padding: 0px 18px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top"><div style="color: #202020; text-align: justify;"><span style="font-family: verdana;">Welcome to this week's episode of&nbsp;</span><strong style="font-family: verdana;">Arts Engines </strong><span style="font-family: verdana;">which now</span><strong style="font-family: verdana;"> <em>reaches over 100,000 weekly viewers&nbsp;</em></strong><span style="font-family: verdana;">in&nbsp;partnership  with Detroit Public Television, Ovation TV, The Violin Channel and  American Public Media including Performance Today and YourClassical.  Arts Engines seeks to share the most valuable advice and input from arts  administrators who tell their stories of creative problem-solving,  policy, economic impact, crisis management and empowering the future of  our field.</span></div><span style="font-family: verdana;"><div style="text-align: justify;"><span style="color: #202020;"><br /></span></div> <span style="color: #202020;"><div style="text-align: justify;">This week's show is co-curated by our Creative Partner, Newark Symphony Hall and our guest&nbsp;is&nbsp;<strong>Mansi Shah, curator of Colors of Classical Music</strong>, as she talks about the connection between data and music and its impact for community<strong>.</strong>&nbsp; Enjoy... and have a creative week!</div></span></span></td>                    </tr>                </tbody></table>				  				             </td>        </tr>    </tbody></table><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjboAL2Qn9sLOe16JT8VbIIAnjznn087NKPFVy5iX_tZwu-JkDb2wRm6a3oB3et_Bn6LoJ9z4ANXQw0EM03k5y6ToKXry24OJB5aSNU_2Je-NK7s0YJRLgW5xQlHzDUqOOoDm0Hn2YeHTteBhlEbL3jxVSEekaIQrakbWbW4l2D6tQRUZrRo1B_8iiE/s860/MansiShahArtsEngines.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="246" data-original-width="860" height="115" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjboAL2Qn9sLOe16JT8VbIIAnjznn087NKPFVy5iX_tZwu-JkDb2wRm6a3oB3et_Bn6LoJ9z4ANXQw0EM03k5y6ToKXry24OJB5aSNU_2Je-NK7s0YJRLgW5xQlHzDUqOOoDm0Hn2YeHTteBhlEbL3jxVSEekaIQrakbWbW4l2D6tQRUZrRo1B_8iiE/w400-h115/MansiShahArtsEngines.PNG" width="400" /></a></div><a href="goog_1696133183"><br /></a><a href="https://www.youtube.com/watch?v=BHbI6WBx5W0"><span style="font-family: verdana;">https://www.youtube.com/watch?v=BHbI6WBx5W</span>0</a><br /><table border="0" cellpadding="0" cellspacing="0" class="mcnImageCardBlock" style="border-collapse: collapse; text-align: justify; text-size-adjust: 100%; width: 100%px;">    <tbody class="mcnImageCardBlockOuter">        <tr>            </tr><tr></tr><tr><td class="mcnImageCardBlockInner" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; mso-line-height-rule: exactly; padding-bottom: 9px; padding-left: 18px; padding-right: 18px; padding-top: 9px;" valign="top"></td></tr></tbody></table>]]></description>
                <pubDate>Sun, 11 Sep 2022 01:43:56 +0200</pubDate>
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                <title><![CDATA[Intercultural Music Initiative Presents Liberian-Norwegian pianist Kamilla Arku and St. Louis based flutist Wendy Hymes Sunday October 9 @ 3 PM, St. Louis, MO]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M7gigA-9nq8k7myhX6zo8SW</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/EP9tmP6SKsIhn0Pfpre5_cb1naedg1wr" border=0 width="1" height="1" alt="Intercultural Music Initiative Presents Liberian-Norwegian pianist Kamilla Arku and St. Louis based flutist Wendy Hymes Sunday October 9 @ 3 PM, St. Louis, MO" title="Intercultural Music Initiative Presents Liberian-Norwegian pianist Kamilla Arku and St. Louis based flutist Wendy Hymes Sunday October 9 @ 3 PM, St. Louis, MO"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis7drNpF1RPGH1bEeEL4X8meS9tR2JBkNwnpHF4KB0tnnfeDYhu5r7qY6wXrXcoG6zINNk7RsQ1AfLj7ickzogvqgkbujpD5VUCOge47IvTMnQUzNaTOeekIkwT_2lAndTYTt3IYHoxR-OGuPa3UlkX-iNtCNE9DIK67vyYUHK_V7n8RjG06e43CSO/s892/IMIPresentsKamillaArku.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="892" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis7drNpF1RPGH1bEeEL4X8meS9tR2JBkNwnpHF4KB0tnnfeDYhu5r7qY6wXrXcoG6zINNk7RsQ1AfLj7ickzogvqgkbujpD5VUCOge47IvTMnQUzNaTOeekIkwT_2lAndTYTt3IYHoxR-OGuPa3UlkX-iNtCNE9DIK67vyYUHK_V7n8RjG06e43CSO/w400-h224/IMIPresentsKamillaArku.PNG" width="400" /></a></div><br />&nbsp;<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG9VZWdokfS8M6n5V8asgx8wUIJP2XQNDoDRIhC1J_Cnzn3C-X_Xql9ETK_A5BPghlqRKNMp1oWyFN4vdAobW4mxAoVn8pd32reEeC-gQtrz9O4RbVApc6NYot5TPYRQt_f-ERDIkbzDSrH2g4DM9dcMrF38--25OTMi7oZbNL99kuB1uuzH6Du8zE/s868/KamillaArkuWendyHymes.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="525" data-original-width="868" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG9VZWdokfS8M6n5V8asgx8wUIJP2XQNDoDRIhC1J_Cnzn3C-X_Xql9ETK_A5BPghlqRKNMp1oWyFN4vdAobW4mxAoVn8pd32reEeC-gQtrz9O4RbVApc6NYot5TPYRQt_f-ERDIkbzDSrH2g4DM9dcMrF38--25OTMi7oZbNL99kuB1uuzH6Du8zE/w400-h243/KamillaArkuWendyHymes.PNG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><div style="text-align: center;"><strong><span style="font-size: 18px;"><span style="font-family: verdana;">Intercultural Music Initiative Presents&nbsp;<br /><br />Liberian - Norwegian pianist Kamilla Arku and St. Louis based flutist Wendy Hymes</span></span></strong></div><div class="separator" style="clear: both;"> <div><span style="font-family: verdana;">&nbsp;</span></div> <div style="text-align: justify;"><strong><span style="font-size: 14px;"><span style="font-family: verdana;">Performing  music by diverse composers of color&nbsp;for piano and flute, along with  familiar standard repertoire, including works by Elizabeth Brown,  Valerie Coleman, Federico Mompou, Nkeiru Okoye, Fred Onovwerosuoke, and  Germaine Tailleferre</span></span></strong></div> <div><span style="font-family: verdana;">&nbsp;</span></div> <div><span style="font-family: verdana;"><strong>Sunday </strong><strong id="docs-internal-guid-b022a17d-7fff-cdb1-cec8-af44d600702f">October 9</strong><strong>&nbsp;@ 3:00 PM</strong><br /><strong id="docs-internal-guid-b022a17d-7fff-cdb1-cec8-af44d600702f">Webster Groves Presbyterian Church</strong><br /><strong id="docs-internal-guid-b022a17d-7fff-cdb1-cec8-af44d600702f">45 W. Lockwood Avenue</strong><br /><strong id="docs-internal-guid-b022a17d-7fff-cdb1-cec8-af44d600702f">Saint Louis, MO, 63119</strong><br />&nbsp;</span></div> <div style="text-align: justify;"><strong><span style="font-family: verdana;">Featured guest artist  Liberian-Norwegian pianist, Kamilla Arku draws on her diverse background  as inspiration for her work as a performer, educator and scholar. She  has performed as a soloist and chamber musician in Europe, the US, and  Africa. Recent highlights include performances at the Royal Opera House,  Hastings Piano Festival, and the International Florence Price Festival.  In addition to performing, Arku is also committed to volunteer efforts,  and is the Founder and Director of <a href="https://imusici.us8.list-manage.com/track/click?u=55a829d12b7e1cc8e3679af9e&amp;id=b19a6e7bb8&amp;e=7b97d7c1bb" style="color: #656565; font-weight: normal; text-size-adjust: 100%;">Music for Liberia</a>,  a charity supporting young people in Liberia through music-based  fundraising. Kamilla is a graduate of Yale University, and the Royal  Northern College of Music.&nbsp;</span></strong></div> <div><span style="font-family: verdana;">&nbsp;</span></div> <p dir="ltr" style="color: #656565; line-height: 150%; margin: 10px 0px; padding: 0px; text-align: justify; text-size-adjust: 100%;"><strong id="docs-internal-guid-c0d7f0ac-7fff-5132-3fb9-eeb4ca500589"><span style="font-family: verdana;">Joining  Arku on this program is flutist Wendy Hymes, director of the IMI  Chamber Players, also a passionate performer of music by diverse  composers. Her doctoral dissertation is on music written for flute by  selected African composers. She has performed widely in the US and  abroad.&nbsp;</span></strong></p> <div><strong id="docs-internal-guid-61034b81-7fff-2db7-2ff3-db463710d424"><span style="font-family: verdana;">General admission tickets are $20, students and senior tickets are $10, and can be purchased at <a href="https://imusici.us8.list-manage.com/track/click?u=55a829d12b7e1cc8e3679af9e&amp;id=4eab834353&amp;e=7b97d7c1bb" style="color: #656565; font-weight: normal; text-size-adjust: 100%;">https://www.eventbrite.com/e/imi-202223-season-concert-2-tickets-412323650137</a></span></strong></div> <div><span style="font-family: verdana;"><br />Media Contact:&nbsp;Tina Sayers,&nbsp;Executive Director&nbsp;<u><a data-attached-link="{&quot;type&quot;:&quot;Email&quot;,&quot;url&quot;:&quot;tsayers@imusici.net&quot;,&quot;title&quot;:&quot;tsayers@imusici.net&quot;}" href="mailto:tsayers@imusici.net" style="color: #656565; text-size-adjust: 100%;">tsayers@imusici.net</a></u>&nbsp;<br />Phone: (314) 652-6800&nbsp;<u><a data-attached-link="{&quot;type&quot;:&quot;Web&quot;,&quot;url&quot;:&quot;www.imusici.org&quot;,&quot;title&quot;:&quot;www.imusici.org&quot;}" href="https://imusici.us8.list-manage.com/track/click?u=55a829d12b7e1cc8e3679af9e&amp;id=6548e0e8ce&amp;e=7b97d7c1bb" style="color: #656565; text-size-adjust: 100%;"><b>www.imusici.org</b></a></u></span></div></div><p><br /></p>]]></description>
                <pubDate>Tue, 06 Sep 2022 02:17:35 +0200</pubDate>
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                <title><![CDATA[AfroClassical Composers Inaugural In-Person Event featuring piano compositions by Dorothy Rudd-Moore, George Walker, R. Nathaniel Dett, Maria Thompson Corley]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M7s9T41cto8pVe5jCclomp-</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/qhQFVg2ud7QEtrT9v9F-_sb1naedg1wr" border=0 width="1" height="1" alt="AfroClassical Composers Inaugural In-Person Event featuring piano compositions by Dorothy Rudd-Moore, George Walker, R. Nathaniel Dett, Maria Thompson Corley" title="AfroClassical Composers Inaugural In-Person Event featuring piano compositions by Dorothy Rudd-Moore, George Walker, R. Nathaniel Dett, Maria Thompson Corley"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLEL-1WuOdBXdniOP0bznxSF438PWH-Bapa2LoMhUz4FWqClV24_YCuvIIjew4MO_hfvSoNZ0YfTq_4HKSzSHnOjMgP_kvxhZEVdUYOGXyfivpiSuEDoU_QJ7TLJPbIUY-jJv7FmPhLmaSGgWBGdwcitUiaM4pAuugkPjFUE_ia-OlFhSWHHdMchMy/s600/AfroClassical16Oct2022.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="600" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLEL-1WuOdBXdniOP0bznxSF438PWH-Bapa2LoMhUz4FWqClV24_YCuvIIjew4MO_hfvSoNZ0YfTq_4HKSzSHnOjMgP_kvxhZEVdUYOGXyfivpiSuEDoU_QJ7TLJPbIUY-jJv7FmPhLmaSGgWBGdwcitUiaM4pAuugkPjFUE_ia-OlFhSWHHdMchMy/w400-h200/AfroClassical16Oct2022.jpg" width="400" /></a></div><span style="font-family: verdana;"><b><br /><div style="text-align: center;"><b>&nbsp;<span style="font-size: medium;">Presenting AfroClassical Composers Hosts African Diaspora Classical 10/16 in LA</span></b></div><div style="text-align: center;"><b><span style="font-size: medium;"><br /></span></b></div><div style="text-align: center;"><b><span style="font-size: medium;">Maria Thompson Corley &amp; Michael Ligon, piano</span></b></div><div style="text-align: center;"><b><span style="font-size: medium;"><br /></span></b></div><div style="text-align: center;"><b><span style="font-size: medium;">First Unitarian Church</span></b></div><div style="text-align: center;"><b><span style="font-size: medium;">Los Angeles</span></b></div></b></span><p></p>]]></description>
                <pubDate>Mon, 05 Sep 2022 01:30:05 +0200</pubDate>
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                <title><![CDATA[Aaron Dworkin Interviews Jenny Bilfield, CEO of Washington Performing Arts!]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M6y8ckFTTYGRqgzzHWHxDTV</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/3xb9TglDrIFr6UVWsVu2xcb1naedg1wr" border=0 width="1" height="1" alt="Aaron Dworkin Interviews Jenny Bilfield, CEO of Washington Performing Arts!" title="Aaron Dworkin Interviews Jenny Bilfield, CEO of Washington Performing Arts!"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkG5eK3kL4WbSw8q7SqjtuNP5njhi4Tb_ZAgtoW5LS_QTH1bZ9D0YtPwIu0LvfvhD9kJMD6D7ZbIK_cAgdRwl56GjliUTsNkDL7828XjiW3gv8J2qeXBbPJFp8wjncmwx6M_5QmlnrqjgQVIylalfklprqMX3vI-FVGgySNyHKOBD2ewKcyWVZJqOT/s98/ArtsEnginesLogoSmall.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="65" data-original-width="98" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkG5eK3kL4WbSw8q7SqjtuNP5njhi4Tb_ZAgtoW5LS_QTH1bZ9D0YtPwIu0LvfvhD9kJMD6D7ZbIK_cAgdRwl56GjliUTsNkDL7828XjiW3gv8J2qeXBbPJFp8wjncmwx6M_5QmlnrqjgQVIylalfklprqMX3vI-FVGgySNyHKOBD2ewKcyWVZJqOT/w200-h133/ArtsEnginesLogoSmall.PNG" width="200" /></a></div><span style="font-family: verdana;"><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Welcome to this week's episode of&nbsp;<strong>Arts Engines </strong>which now<strong> <em>reaches over 100,000 weekly viewers&nbsp;</em></strong>in&nbsp;partnership  with Detroit Public Television, Ovation TV, The Violin Channel and  American Public Media including Performance Today and YourClassical.  Arts Engines seeks to share the most valuable advice and input from arts  administrators who tell their stories of creative problem-solving,  policy, economic impact, crisis management and empowering the future of  our field.</div></span><p></p><span style="font-family: verdana;"><div style="text-align: justify;">This week's show is co-curated by our Creative Partner, Washington Performing Arts and our guest&nbsp;is&nbsp;<strong>Jenny Bilfield, President and CEO of Washington Performing Arts</strong>, as she shares the process and impact of commissioning and transforming audiences<strong>.</strong>&nbsp; Enjoy... and have a creative week!</div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2Gk9yuOgJMNiO4BCB9sAwSzOupRN47OS6zNn-pLtKH-t5HuqM0bohpc3euQgWXiDj7kLmXxCWXLE88z5Bi3jeMhRged3kBjxu-7e5dyKXQUeiRipp23e-zrZM841tNG_fvFYDDQko89hHElkEhDkq3JH6f2C-dqyBvSbXBQ8t-QHszf7TFwhwg1N1/s1169/JennyBilfieldArtsEngines.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="339" data-original-width="1169" height="116" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2Gk9yuOgJMNiO4BCB9sAwSzOupRN47OS6zNn-pLtKH-t5HuqM0bohpc3euQgWXiDj7kLmXxCWXLE88z5Bi3jeMhRged3kBjxu-7e5dyKXQUeiRipp23e-zrZM841tNG_fvFYDDQko89hHElkEhDkq3JH6f2C-dqyBvSbXBQ8t-QHszf7TFwhwg1N1/w400-h116/JennyBilfieldArtsEngines.PNG" width="400" /></a></div><br /><div style="text-align: center;"><a href="https://www.youtube.com/watch?v=wZXfWf01AQk">https://www.youtube.com/watch?v=wZXfWf01AQk</a></div></span>]]></description>
                <pubDate>Sun, 04 Sep 2022 02:17:57 +0200</pubDate>
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                <title><![CDATA[Broadway World.com: &quot;Decca And Chineke! Orchestra Announce First Album In New Partnership, &#039;Coleridge-Taylor&#039;, Out September 30&quot;]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M7fikLzBmQ6S-GrEXdXG_66</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/i0xVVNO7GFpkMirzhmU5Qcb1naedg1wr" border=0 width="1" height="1" alt="Broadway World.com: "Decca And Chineke! Orchestra Announce First Album In New Partnership, 'Coleridge-Taylor', Out September 30"" title="Broadway World.com: "Decca And Chineke! Orchestra Announce First Album In New Partnership, 'Coleridge-Taylor', Out September 30""> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAwvlT_4krfDJesjhkuGx_jB-9yQaG14fnmXrngr1rD-mbefunTOYp969D2YZSbbtEbmy8jc-IKwi3KcEPQFJEALDgwV1OplCsj2ZZQInIxnyxN95lR4unGWk0Vw5893tYvosc8aofhZ_OvEugI5JrMYCKZ68KY1VU__WdHrbSnKV69EyZ9GbR_NDR/s237/Chineke!Decca.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="237" data-original-width="232" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAwvlT_4krfDJesjhkuGx_jB-9yQaG14fnmXrngr1rD-mbefunTOYp969D2YZSbbtEbmy8jc-IKwi3KcEPQFJEALDgwV1OplCsj2ZZQInIxnyxN95lR4unGWk0Vw5893tYvosc8aofhZ_OvEugI5JrMYCKZ68KY1VU__WdHrbSnKV69EyZ9GbR_NDR/w392-h400/Chineke!Decca.PNG" width="392" /></a></div><p></p><h2 class="portus-main-article-intro" style="font-size: 14px; line-height: 21px; margin-bottom: 21px; text-align: center;"><span style="font-family: verdana;">The  album features music by the celebrated African-British composer Samuel  Coleridge-Taylor with an appearance by award-winning U.S. violinist  Elena Urioste.</span></h2><div><span style="font-family: verdana; font-size: large;"><b>Broadway World</b></span></div><div><span style="font-family: verdana; font-size: large;"><b><br /></b></span></div><div><span class="portus-main-article-meta"><span style="font-family: verdana;"><b><span itemprop="author" itemscope="" itemtype="https://schema.org/Person"><a class="item-meta-i" href="https://www.broadwayworld.com/author/AA-Cristi" itemprop="url" rel="author" style="padding-top: 4px;">by <span itemprop="name">A.A. Cristi</span></a></span><span title="7:42 PM">Aug. 2, 2022&nbsp;</span></b></span></span></div><p style="text-align: justify;"><span style="font-family: verdana;">On September 30, 2022, the Chineke! Orchestra will release a new  album, Coleridge-Taylor. The album features music by the celebrated  African-British composer Samuel Coleridge-Taylor with an appearance by  award-winning U.S. violinist Elena Urioste, plus a world premiere  recording of a work by Coleridge-Taylor's daughter Avril  Coleridge-Taylor.</span></p><p style="text-align: justify;"><span style="font-family: verdana;">Coleridge-Taylor will be the first release on  Chineke! Records, the newly created partnership between Decca and the  Chineke! Orchestra, Europe's first professional majority Black and  ethnically diverse orchestra.</span></p><div style="text-align: justify;"><span class="portus-main-article-meta"><span style="font-family: verdana;">The release commemorates the 110th  anniversary of the composer's death (September 1st, 1912). The album  includes the famous Violin Concerto in G minor which was originally  written for Minnie "Maud" Powell, a champion of music by  African-American and female composers, first performed days after the  composer's death. Another highlight is the 1898 African Suite, based on  the ground-breaking poetry of the African-American poet Paul Lawrence  Dunbar, a major influence on Coleridge-Taylor taking inspiration from  the ideas of Pan-Africanism.<b>&nbsp;</b></span></span></div><p style="text-align: justify;"><span style="font-family: verdana;">Executive Producer of Chineke! Records is Chi-chi Nwanoku CBE,  Founder, Artistic, and Executive Director of the Chineke! Foundation,  which supports, inspires, and encourages Black and ethnically diverse  classical musicians working in the U.K. and Europe, by providing a  platform on which to excel.</span></p><p style="text-align: justify;"><span style="font-family: verdana;">Chi-chi Nwanoku CBE says, "Chineke!'s debut concert began with Samuel  Coleridge-Taylor and it could not be more fitting that we launch our  first Chineke! Records album in partnership with Decca with music by the  same composer whose music clearly comes straight from the heart.  Included is a masterpiece by his daughter Avril. Their glorious music  has been silent for too long; some of it never heard, and we promise an  album that you will return to over and over again."</span></p><p style="text-align: justify;"><span style="font-family: verdana;">Tom Lewis and  Laura Monks, Co-Presidents of Decca Label Group, say, "Chi-chi's vision,  energy and ambition are extraordinary. She is a trailblazer with an  important mission and, together with Chineke!, she has recorded  compositions by some of the world's most important yet under-represented  classical composers. We are committed to spreading the incredible  music, talent and message of Chineke! around the world."</span></p><p style="text-align: justify;"><span style="font-family: verdana;">Coleridge-Taylor Tracklist</span></p><p></p><div style="text-align: justify;"><span style="font-family: verdana;">CD1</span></div><span style="font-family: verdana;"><div style="text-align: justify;">Samuel Coleridge-Taylor - Othello Orchestral Suite, Op. 79</div><div style="text-align: justify;">Avril Coleridge-Taylor - Sussex Landscape, Op. 27</div><div style="text-align: justify;">Samuel Coleridge-Taylor - African Suite, Op. 35</div><div style="text-align: justify;">Samuel Coleridge-Taylor - Ballade in A minor, Op. 33</div><div style="text-align: justify;">Samuel Coleridge-Taylor - Petite Suite de Concert, Op. 7</div></span><p></p><div style="height: 340px;"><div style="height: 100%; margin: auto; width: 100%;"><div class="primisslate" id="primisPlayerContainerDiv" style="text-align: justify;"><br /></div></div></div>]]></description>
                <pubDate>Thu, 04 Aug 2022 02:27:27 +0200</pubDate>
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                <title><![CDATA[Violinist.com: &quot;William Grant Still, Music for Violin and Orchestra&quot; on Naxos includes &quot;world premiere orchestral versions&quot; of Still compositions]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M6kgaDI2b1Aoy1Ly282xAAw</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/bc4Qh7-lVlGpddo05ZwlZMb1naedg1wr" border=0 width="1" height="1" alt="Violinist.com: "William Grant Still, Music for Violin and Orchestra" on Naxos includes "world premiere orchestral versions" of Still compositions" title="Violinist.com: "William Grant Still, Music for Violin and Orchestra" on Naxos includes "world premiere orchestral versions" of Still compositions"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpgdsdyuQIj0oGf9Cxph4OL3kJKP5VdVw91C3gbmxtw5wHJ_2uZkeyxDUlOgOcyOyurCvkRXrccrrM8lDhTdGll7ce3M0hxa1sxDFN45fuoRVrjJVdiHPvx8kYYZKdOTt15ilKjLIog4pv321zbKSDcrx-BOorqpdb8xQ7HVJOF3vD2S6Sun_KtKlA/s516/ZinaSchiffWGSNaxos2022.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="493" data-original-width="516" height="383" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpgdsdyuQIj0oGf9Cxph4OL3kJKP5VdVw91C3gbmxtw5wHJ_2uZkeyxDUlOgOcyOyurCvkRXrccrrM8lDhTdGll7ce3M0hxa1sxDFN45fuoRVrjJVdiHPvx8kYYZKdOTt15ilKjLIog4pv321zbKSDcrx-BOorqpdb8xQ7HVJOF3vD2S6Sun_KtKlA/w400-h383/ZinaSchiffWGSNaxos2022.PNG" width="400" /></a></div><br /><div style="text-align: center;"><b style="font-family: verdana;">&nbsp;William Grant Still (1895-1978)</b></div><div style="text-align: center;"><b style="font-family: verdana;"><br /></b></div><div style="text-align: left;"><b style="font-family: verdana;"><span style="font-size: large;"><a href="http://Violinist.com" target="_blank">Violinist.com</a></span></b></div><div style="text-align: left;"><b style="font-family: verdana;"><br /></b></div><div style="text-align: left;"><b style="font-family: verdana;">July 29, 2022</b></div><div style="text-align: justify;"><b><span style="font-family: verdana;"><br /></span></b></div><div style="text-align: justify;"><span style="font-family: verdana;"><span class="timestamp"></span>Welcome to "For the Record,"  Violinist.com's weekly roundup of new releases of recordings by  violinists, violists, cellists and other classical musicians. We hope it  helps you keep track of your favorite artists, as well as find some new  ones to add to your listening!</span></div><div style="text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: justify;"><span style="font-family: verdana;"><b><a href="https://amzn.to/3zFA84u">William Grant Still: Music for Violin and Orchestra</a></b><br /><a href="https://www.naxos.com/Bio/Person/Zina_Schiff/2340">Zina Schiff</a>, violin<br />Royal Scottish National Orchestra, Avlana Eisenberg conducting</span></div><div style="text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: justify;"><span style="font-family: verdana;">***</span></div><div style="text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: justify;"><span style="font-family: verdana;">Violinist Zina Schiff, a Heifetz protégé who <a href="https://youtu.be/t5PWdVg7OYY">recalls meeting William Grant Still as a young student</a>,  joins her daughter, conductor Avlana Eisenberg, in this recording that  includes world premiere orchestral versions of Summerland, Violin Suite,  Pastorela, American Suite, Threnody, Serenade, Fanfare for the 99th  Fighter Squadron, Can’t You Line ‘Em and Quit Dat Fool’nish.&nbsp;</span></div><p></p>]]></description>
                <pubDate>Mon, 01 Aug 2022 02:28:45 +0200</pubDate>
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                <title><![CDATA[Aaron Dworkin Interviews Rebecca Geoffrey Schwinden, Coordinator of BA Critical Studies at University of North Texas!]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M4iCyxDoygfskQqW5gBv7mX</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/Z9Z26MCEF1HxQzOaaY9sO8b1naedg1wr" border=0 width="1" height="1" alt="Aaron Dworkin Interviews Rebecca Geoffrey Schwinden, Coordinator of BA Critical Studies at University of North Texas!" title="Aaron Dworkin Interviews Rebecca Geoffrey Schwinden, Coordinator of BA Critical Studies at University of North Texas!"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil4TDRptTADG8UNF5H2Z5GxqLNnMnMS6wY3b7Fd1zOUbWyFfazjZnEHjC9RPTSjUdTGdde1eKB-5U48bMnZxB7TJMl7zDqY6SZsMcJ6YL_0dTbGALNlZiKWLlyhqDXUIXeYpvimjXRvTCQOjRxyo6XCTm0EB2BGJl7ovAv6BMixibE-6q_LbDE-4Rb/s98/ArtsEnginesLogoSmall.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="65" data-original-width="98" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil4TDRptTADG8UNF5H2Z5GxqLNnMnMS6wY3b7Fd1zOUbWyFfazjZnEHjC9RPTSjUdTGdde1eKB-5U48bMnZxB7TJMl7zDqY6SZsMcJ6YL_0dTbGALNlZiKWLlyhqDXUIXeYpvimjXRvTCQOjRxyo6XCTm0EB2BGJl7ovAv6BMixibE-6q_LbDE-4Rb/w200-h133/ArtsEnginesLogoSmall.PNG" width="200" /></a></div><br />&nbsp;<span style="color: #202020; font-family: verdana; font-size: 14px; text-align: justify;">Welcome to this week's episode of&nbsp;</span><strong style="color: #202020; font-family: verdana; font-size: 14px; text-align: justify;">Arts Engines&nbsp;</strong><span style="color: #202020; font-family: verdana; font-size: 14px; text-align: justify;">which now</span><strong style="color: #202020; font-family: verdana; font-size: 14px; text-align: justify;">&nbsp;<em>reaches over&nbsp;</em></strong><div style="color: #202020; font-size: 16px; text-align: justify;"><strong style="font-family: verdana; font-size: 14px;"><em>100,000 weekly viewers&nbsp;</em></strong><span style="font-family: verdana; font-size: 14px;">in&nbsp;partnership with Detroit Public Television,<br />Ovation TV, The Violin Channel and American Public Media including<br />Performance Today and YourClassical. Arts Engines seeks to share the<br />most valuable advice and input from arts administrators who tell their<br />stories of creative problem-solving, policy, economic impact, crisis<br />management and empowering the future of our field.</span></div><span style="font-family: verdana;"><div style="text-align: justify;"><span style="color: #202020;"><br /></span></div><div style="color: #202020; font-size: 14px; text-align: justify;">This week's show is co-curated by our Creative Partner, the University<br />of North Texas College of Music ,and our guest&nbsp;is&nbsp;<strong>Rebecca Geoffrey-</strong></div><div style="color: #202020; font-size: 14px; text-align: justify;"><strong>Schwinden, Associate Professor of Music History and Program<br />Coordinator of BA Critical Studies in Music and Society at UNT</strong>, as<br />she talks about the importance of evolving our curriculum to<br />prepare students for today’s arts world<strong>.</strong>&nbsp; Enjoy... and have a creative<br />week!</div></span><p></p><table border="0" cellpadding="0" cellspacing="0" class="mcnTextBlock" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; min-width: 100%; mso-table-lspace: 0pt; mso-table-rspace: 0pt; text-size-adjust: 100%; width: 100%px;"><tbody class="mcnTextBlockOuter"><tr><td class="mcnTextBlockInner" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; mso-line-height-rule: exactly; padding-top: 9px; text-size-adjust: 100%;" valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" class="mcnTextContentContainer" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; max-width: 100%; min-width: 100%; mso-table-lspace: 0pt; mso-table-rspace: 0pt; text-size-adjust: 100%; width: 100%px;"><tbody><tr><td class="mcnTextContent" style="line-height: 150%; padding: 0px 18px 9px; text-size-adjust: 100%; word-break: break-word;" valign="top"><div style="color: #202020; font-size: 16px; text-align: justify;"><br /></div><span style="font-family: verdana;"><div class="separator" style="clear: both; color: #202020; font-size: 14px; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi29d0Jd0DSg7f_xx8kyr1I7w5AXnfbyNp4atq34mfQqDxWp9v5o9-36DkljG6ruwPsj-cB5VSacAWOBCCLxHgWWpMJNsDuoLIrjeCjPuDz0hs8W0MIGDaGYQBIrWyacLyJnLW9mZB5OiBGQ3tm5kR9lPUaKoDabllK-T8aGMXVU_haGsZJz5Xc1dsY/s640/ArtsEnginesSchwinden.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi29d0Jd0DSg7f_xx8kyr1I7w5AXnfbyNp4atq34mfQqDxWp9v5o9-36DkljG6ruwPsj-cB5VSacAWOBCCLxHgWWpMJNsDuoLIrjeCjPuDz0hs8W0MIGDaGYQBIrWyacLyJnLW9mZB5OiBGQ3tm5kR9lPUaKoDabllK-T8aGMXVU_haGsZJz5Xc1dsY/w400-h300/ArtsEnginesSchwinden.png" width="400" /></a></div><br /><div style="text-align: justify;"><span style="color: #202020;"><span style="font-size: 14px;"><a href="https://www.youtube.com/watch?v=IDcy5hF0CB8">https://www.youtube.com/watch?v=IDcy5hF0CB8</a></span></span></div></span></td>                    </tr>                </tbody></table>				  				             </td>        </tr>    </tbody></table><table border="0" cellpadding="0" cellspacing="0" class="mcnImageCardBlock" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; border-collapse: collapse; mso-table-lspace: 0pt; mso-table-rspace: 0pt; text-size-adjust: 100%; width: 100%px;">    <tbody class="mcnImageCardBlockOuter">        <tr>            <td class="mcnImageCardBlockInner" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; mso-line-height-rule: exactly; padding-bottom: 9px; padding-left: 18px; padding-right: 18px; padding-top: 9px; padding: 9px 18px; text-size-adjust: 100%;" valign="top"> <table align="right" border="0" cellpadding="0" cellspacing="0" class="mcnImageCardBottomContent" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; background-color: #404040; border-collapse: collapse; mso-table-lspace: 0pt; mso-table-rspace: 0pt; text-size-adjust: 100%; width: 100%px;">    <tbody><tr>        <td align="left" class="mcnImageCardBottomImageContent" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; mso-line-height-rule: exactly; padding-bottom: 0; padding-left: 0px; padding-right: 0px; padding-top: 0px; padding: 0px; text-size-adjust: 100%;" valign="top">              <a href="https://artsengines.us13.list-manage.com/track/click?u=9288ab5dc182c78c8b2c2cb81&amp;id=ba6738eb85&amp;e=60edb4b02b" style="-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%; mso-line-height-rule: exactly; text-size-adjust: 100%;" target="" title=""></a></td></tr></tbody></table></td></tr></tbody></table>]]></description>
                <pubDate>Mon, 01 Aug 2022 01:30:46 +0200</pubDate>
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                <title><![CDATA[John Malveaux: Dr Samantha Ege releases third album celebrating historical women composers]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M6f8ws610Q11Gw5Ur-z5Bww</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/pbHU_IJQ7pchn0Pfpre5_cb1naedg1wr" border=0 width="1" height="1" alt="John Malveaux: Dr Samantha Ege releases third album celebrating historical women composers" title="John Malveaux: Dr Samantha Ege releases third album celebrating historical women composers"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDsSWczNEv1ItoJ_4u1K5zEoy-ackJo-jqi9jLDxGH2xDGwhZPnc7PFuiFKIljLPscYMP_Cc6hCer5Vqu19gnewn63cyW1Yfzd8nqo-LBq9ZkAivsvKHofwoPFi62qtSPbTEFbjCH771USE40M6NAUKvic7oSZo1bsXwGGzvEen_PiObjSuK6m1aaL/s360/SamanthaEgeThirdAlbumBlackWomen.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="360" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDsSWczNEv1ItoJ_4u1K5zEoy-ackJo-jqi9jLDxGH2xDGwhZPnc7PFuiFKIljLPscYMP_Cc6hCer5Vqu19gnewn63cyW1Yfzd8nqo-LBq9ZkAivsvKHofwoPFi62qtSPbTEFbjCH771USE40M6NAUKvic7oSZo1bsXwGGzvEen_PiObjSuK6m1aaL/w400-h266/SamanthaEgeThirdAlbumBlackWomen.jpg" width="400" /></a></div><div style="text-align: center;"><b style="font-family: verdana;">“<a href="https://www.youtube.com/watch?v=MybIk0jT5Bw" target="_blank">Florence Price, Black Renaissance Women</a>"</b></div><div style="text-align: center;"><br /></div><p></p><div class="sitelogo"><p class="MsoNormal"><b><span style="font-family: Verdana;">John Malveaux of <a href="http://MusicUNTOLD.com" target="_blank">MusicUNTOLD.com</a> forwards:</span></b></p></div><div>                                                                                  <div id="sitebrand">                                                <span style="font-family: verdana;"><b><a class="sitename" href="https://music.web.ox.ac.uk/" id="site-title" title="Home">Faculty of Music</a>                                                                      </b></span><p class="siteslogan "><span style="font-family: verdana;"><b>University of Oxford</b></span></p><p style="text-align: justify;"><span style="font-family: verdana;"><strong><a href="https://music.web.ox.ac.uk/people/dr-samantha-ege" target="_blank">Dr Samantha Ege</a>&nbsp;</strong>has  released an album of piano music by five trailblazing early  twentieth-century African American female composers. The album is called  <em>Black Renaissance Woman: Piano Music by Florence Price, Margaret Bonds, Nora Holt, Betty Jackson King, and Helen Hagan</em> (LORELT). As an album that brings more women composers of African  descent to light and contextualises them in the historical era of the  Black Chicago Renaissance, this project has been recognised as a  significant contribution to scholarship and performance. It received the  prestigious 2021 Noah Greenberg Award of the American Musicological  Society in recognition of its outstanding contribution to historical  performing practices. The sleeve notes additionally feature the  scholarly and creative insights of Dr Artina McCain (University of  Memphis), Dr Lucy Caplan (Harvard University), and A. Kori Hill (UNC  Chapel Hill).</span></p><p style="text-align: justify;"><span style="font-family: verdana;"><em>Black Renaissance Woman </em>launched on 28 February 2022, with  the support of Lincoln College’s Michael Zilkha Fund. Then, on 8 March  2022 - International Women’s Day - Dr Ege presented and performed  aspects of the recording in an event called “<strong><a href="https://www.youtube.com/watch?v=MybIk0jT5Bw" target="_blank">Florence Price, Black Renaissance Women</a></strong>,” supported by Lincoln College, TORCH, and the Music Faculty.</span></p><p style="text-align: justify;"><span style="font-family: verdana;">Since its release, <em>Black Renaissance Woman</em> has been widely  praised. In a 5-star review in BBC Music Magazine, critic Michael Church  wrote, “Lorelt (Lontano Records) is a musical <em>salon des refusés </em>set  up in 1992 with the aim of promoting important repertoire neglected by  major labels. And this is its second recording from pianist and  musicologist Samantha Ege, who wears her mission on her sleeve: her  discovery of Florence Price set her on the path she is now successfully  pursuing, as a champion of forgotten women composers from the early and  mid-20th century.” Colin Clarke of International Piano Magazine wrote,  “Samantha’s work on the music of Florence Price has already been  revelatory.” Clarke also praised her “faultless” playing on this new  recording.</span></p><p class="siteslogan ">   </p><p style="text-align: justify;"><span style="font-family: verdana;"><em>Black Renaissance Woman </em>is available now on CD and all digital and streaming platforms.</span></p></div></div>]]></description>
                <pubDate>Wed, 27 Jul 2022 02:53:59 +0200</pubDate>
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                <title><![CDATA[John Malveaux: George Walker and Latonia Moore]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M7Zux_dFPS13FT72x6uxjiK</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/PyA6EixFP6VkMirzhmU5Qcb1naedg1wr" border=0 width="1" height="1" alt="John Malveaux: George Walker and Latonia Moore" title="John Malveaux: George Walker and Latonia Moore"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmIItRPhd5n8Er6ph4M5j9Q5TO0EdZp_BdxsZMZF5SaSAsadNUXYwbTQNgMraGCPrFKmDAikZ4vM6OyOEodoTZNA4AsLoDSSRv9otep5ibPPHisvpqxUsPBV_9vzhwO6f1fQCl-mCFRB0pzyd_RQZzAaFZkBHpC5OMOq1jgLV_yXx8i_mswbOZ5cSD/s3072/MalveauxMoore.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2304" data-original-width="3072" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmIItRPhd5n8Er6ph4M5j9Q5TO0EdZp_BdxsZMZF5SaSAsadNUXYwbTQNgMraGCPrFKmDAikZ4vM6OyOEodoTZNA4AsLoDSSRv9otep5ibPPHisvpqxUsPBV_9vzhwO6f1fQCl-mCFRB0pzyd_RQZzAaFZkBHpC5OMOq1jgLV_yXx8i_mswbOZ5cSD/w400-h300/MalveauxMoore.JPG" width="400" /></a></div><span style="font-family: verdana;"><div style="text-align: center;"><b>John Malveaux and Latonia Moore</b></div><div style="text-align: center;"><b><br /></b></div></span><p></p><p class="MsoNormal"><b><span style="font-family: Verdana;">John Malveaux of <a href="http://MusicUNTOLD.com">MusicUNTOLD.com</a> writes:</span></b></p><div style="text-align: left;"></div><p style="text-align: justify;"><span style="font-family: verdana;"><span style="color: #050505; font-size: 15px; white-space: pre-wrap;">Sunday July 24, 2022 WCRB classical 99.5 Tanglewood Boston Symphony Orchestra broadcast included composer William Grant Still's "In Memoriam, The Colored Soldiers Who Died for Democracy" and soprano Latonia Moore singing composer George Walker's Pulitzer Prize "Lilac" (text by Walt Whitman). I was a close friend of George Walker and current friend of Latonia Moore. RIP George Walker. See pic of Latonia Moore and John Malveaux</span></span></p>]]></description>
                <pubDate>Wed, 27 Jul 2022 01:39:36 +0200</pubDate>
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                <title><![CDATA[Sergio A. Mims - The Baltimore Sun: Jonathon Heyward named BSO music director, replacing Marin Alsop...]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M7b7pu3pby3IslTP0vptTFR</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/R7R-pzIFBYsEtrT9v9F-_sb1naedg1wr" border=0 width="1" height="1" alt="Sergio A. Mims - The Baltimore Sun: Jonathon Heyward named BSO music director, replacing Marin Alsop..." title="Sergio A. Mims - The Baltimore Sun: Jonathon Heyward named BSO music director, replacing Marin Alsop..."> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMq6AkIWWtw6BTHLDhF5n5I99R9QWwdtHPc-c5SSE6YWsnE6cXGK-23X9mHqLLitiqyF7DSc6TH4gLGo9Y0V-jfOrvcPdetIbOzwMpADQBdBvNF4wnht_Z-Aao56OqBUBn33w28JVhNtycnyl7qJgaONh5JCsnLOA6om6uisAMVBSVxu5-9x9T4E-n/s604/NewBSOMusicDirector.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="270" data-original-width="604" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMq6AkIWWtw6BTHLDhF5n5I99R9QWwdtHPc-c5SSE6YWsnE6cXGK-23X9mHqLLitiqyF7DSc6TH4gLGo9Y0V-jfOrvcPdetIbOzwMpADQBdBvNF4wnht_Z-Aao56OqBUBn33w28JVhNtycnyl7qJgaONh5JCsnLOA6om6uisAMVBSVxu5-9x9T4E-n/w400-h179/NewBSOMusicDirector.PNG" width="400" /></a></div><span style="font-family: verdana;"><div style="text-align: center;"><b>Jonathon Heyward</b></div><div style="text-align: center;"><span style="text-align: left;">(Laura Thiesbrummel/Laura Thiesbrummel)</span></div></span><span style="font-family: verdana;"><div style="text-align: center;"><b><br /></b></div><div style="text-align: left;"><b>Sergio A. Mims forwards:</b></div></span><p></p><h1 class="primary-font__PrimaryFontStyles-o56yd5-0 gVBMpi headline"><span style="font-family: verdana; font-size: large;">The Baltimore Sun</span></h1><div><span style="font-family: verdana;"><b>By <a class="decoration_none hover_underline color_primary" href="https://www.baltimoresun.com/bal-mary-carole-mccauley-20141007-staff.html#nt=byline">Mary Carole McCauley</a></b></span></div><h1 class="primary-font__PrimaryFontStyles-o56yd5-0 gVBMpi headline"><span style="font-family: verdana; font-size: small;">July 21, 2022&nbsp;</span></h1><h1 class="primary-font__PrimaryFontStyles-o56yd5-0 gVBMpi headline"><span style="font-family: verdana; font-size: small;">Jonathon  Heyward named BSO music director, replacing Marin Alsop and becoming  only Black conductor to helm major U.S. symphony orchestra</span></h1><div><p class="default__StyledText-sc-1wxyvyl-0 hmCZCB body-paragraph" style="text-align: justify;"><span style="font-family: verdana;">Jonathon  Heyward, the 29-year-old classical music phenom whose skill on the  conductor’s podium has generated international headlines, was named  Thursday as the next music director of the Baltimore Symphony Orchestra.</span></p><p class="default__StyledText-sc-1wxyvyl-0 hmCZCB body-paragraph" style="text-align: justify;"><span style="font-family: verdana;">When  Heyward begins his five-year contract in the fall of 2023, he will be  the only Black American conductor leading a major U.S. symphony  orchestra and just the second in history. He will be the BSO’s 13th  music director.</span></p><div class="ad_wrapper" id="outstream_1_wrapper" style="min-height: 0px;"><div class="ad_container width_100 bg-color_white flex flex_justify_center display-none" style="min-height: 0px;"><div class="flex_basis"><zeus-ad aria-hidden="true" classname="ads" data-google-query-id="CNKyubOlkPkCFRKJWgUd8GoI3A" data-json="{&quot;targeting&quot;:{&quot;adlite&quot;:false,&quot;pos&quot;:1,&quot;zeus_rendercount&quot;:&quot;2&quot;,&quot;zeus_slot&quot;:&quot;zeus_outstream_1.ref.dsk&quot;}}" data-keyvalues="{&quot;adlite&quot;:false,&quot;pos&quot;:1}" data-refresh="false" data-renderbehavior="always" data-slot="/4011/trb.baltimoresun/ent/sf" id="zeus_outstream_1" style="display: block; margin: auto; width: 5px;"><div id="google_ads_iframe_/4011/trb.baltimoresun/ent/sf_1__container__" style="border: 0pt none;"><iframe aria-label="Advertisement" data-google-container-id="2" data-load-complete="true" frameborder="0" height="1" id="google_ads_iframe_/4011/trb.baltimoresun/ent/sf_1" marginheight="0" marginwidth="0" name="google_ads_iframe_/4011/trb.baltimoresun/ent/sf_1" role="region" scrolling="no" style="border-style: none; border-width: 0px; vertical-align: bottom;" tabindex="0" title="3rd party ad content" width="5"></iframe></div></zeus-ad></div></div></div><p class="default__StyledText-sc-1wxyvyl-0 hmCZCB body-paragraph" style="text-align: justify;"><span style="font-family: verdana;">“I  think we are poised for great things at this moment,” said Brian  Prechtl, chairman of the Baltimore Symphony Orchestra Players Committee  and a member of the search committee seeking a successor for former  music director Marin Alsop. “The hiring of Jonathon Heyward is going to  be a marquee moment for The Baltimore Symphony Orchestra.”</span></p><p class="default__StyledText-sc-1wxyvyl-0 hmCZCB body-paragraph" style="text-align: justify;"><span style="font-family: verdana;">Heyward’s  appointment occurred at warp speed in classical music terms, where the  search for a new music director frequently can take two or three years.  Initially, symphony officials said that a successor to Alsop, the first  woman to helm a major American symphony, might not be appointed until  the spring of 2024.</span></p></div>]]></description>
                <pubDate>Sun, 24 Jul 2022 03:07:50 +0200</pubDate>
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                <title><![CDATA[Jeri Lynne Johnson: Press Release: Black Pearl Chamber Orchestra Receives Major Support From The Mellon Foundation]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M6mZHUAliIGfwX50KYzL9tX</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/nR_NKRC_GLBcqx2wKj3lJsb1naedg1wr" border=0 width="1" height="1" alt="Jeri Lynne Johnson: Press Release: Black Pearl Chamber Orchestra Receives Major Support From The Mellon Foundation" title="Jeri Lynne Johnson: Press Release: Black Pearl Chamber Orchestra Receives Major Support From The Mellon Foundation"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAiew7mxZhLsxXcTqJmBNrG_3W1azjSp-UzIh01eAiqmRnPe2ujF0Si3RncAWiiqwqIXRBxLDd1nP27TaEsARiWLjdufv0LBuN9PqrziCETzHR5CK4nczD1G_iswzVA0F_eOZGgWKXUR_8n6wATOumcVIjSgIQVAizLRbCc_oe9HEWW4F-Jx10T_ev/s600/JeriLynneJohnsonWhiteBatonVetical.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="400" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAiew7mxZhLsxXcTqJmBNrG_3W1azjSp-UzIh01eAiqmRnPe2ujF0Si3RncAWiiqwqIXRBxLDd1nP27TaEsARiWLjdufv0LBuN9PqrziCETzHR5CK4nczD1G_iswzVA0F_eOZGgWKXUR_8n6wATOumcVIjSgIQVAizLRbCc_oe9HEWW4F-Jx10T_ev/w266-h400/JeriLynneJohnsonWhiteBatonVetical.jpg" width="266" /></a></div><span style="font-family: verdana;"><div style="text-align: center;"><b>Jeri Lynne Johnson</b></div><div style="text-align: center;"><b><br /></b></div><div style="text-align: center;"><b><br /></b></div><b><div style="text-align: center;"><b>&nbsp;<span style="font-size: medium;">Press Release:&nbsp;</span></b></div></b></span><p></p><p style="text-align: center;"><span style="font-family: verdana;"><b><span style="font-size: medium;">Black Pearl Chamber Orchestra/The Mellon Foundation</span></b></span></p><div><span style="font-family: verdana;"><b>Jeri Lynne Johnson<br />Founder and Artistic Director,<br />Black Pearl Chamber Orchestra<br /></b></span></div><div><span style="font-family: verdana;"><b>30 South 15th Street, 15th floor<br /></b></span></div><div><span style="font-family: verdana;"><b>Philadelphia, PA&nbsp; 19102<br /></b></span></div><div><span style="font-family: verdana;"><b>p&nbsp; 267.702.2809</b></span></div><div><span style="font-family: verdana;"><br /></span></div><div><div style="text-align: center;"><span dir="ltr" role="presentation" style="font-family: verdana; font-size: 20px; left: 202.441px; top: 416.367px; transform: scaleX(0.803497);">Mellon Foundation makes $300,000 grant to Black Pearl Chamber Orchestra&nbsp;</span><span dir="ltr" role="presentation" style="font-family: verdana; font-size: 20px; left: 297.08px; top: 440.117px; transform: scaleX(0.796558);">to support diversity and excellence in Classical music</span></div><div style="text-align: center;"><span dir="ltr" role="presentation" style="font-family: verdana; font-size: 20px; left: 297.08px; top: 440.117px; transform: scaleX(0.796558);"><br /></span></div><span dir="ltr" role="presentation" style="left: 490.078px; top: 463.867px; transform: scaleX(0.782785);"><div style="font-size: 20px; text-align: center;"><span style="font-family: verdana;">***</span></div><div style="font-size: 20px; text-align: left;"><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 511.367px; transform: scaleX(0.784234);">Philadelphia, PA – July 21, 2022.</span><span class="markedContent"></span><span class="markedContent"></span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 319.209px; top: 511.367px;"> </span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 332.773px; top: 511.367px; transform: scaleX(0.800241);">Black Pearl Chamber Orchestra, the nation’s most diverse professional&nbsp;</span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 535.117px; transform: scaleX(0.807653);">orchestra, was awarded a major grant from The Mellon Foundation.</span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 609.063px; top: 535.117px;"> </span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 622.627px; top: 535.117px; transform: scaleX(0.799823);">Founded in 2008, Black Pearl Chamber</span><br role="presentation" /><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 558.867px; transform: scaleX(0.796382);">Orchestra has spent the last ten years proving that a visible commitment to diversity, equity and inclusion can&nbsp;</span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 582.617px; transform: scaleX(0.808288);">have a lasting and positive impact on communities AND the orchestra. With the purpose of supporting its</span><br role="presentation" /><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 606.367px; transform: scaleX(0.796444);">community-centered programming for the next three years, the $300,000 grant represents a significant&nbsp;</span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 630.117px; transform: scaleX(0.797836);">recognition of the organization’s work and impact over the last 13 years.&nbsp;</span></div><div style="font-size: 20px; text-align: left;"><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 677.617px; transform: scaleX(0.798053);"><br /></span></div><div style="font-size: 20px; text-align: left;"><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 677.617px; transform: scaleX(0.798053);">Based in Philadelphia, the Black Pearl Chamber Orchestra was established as a model for the 21st-century&nbsp;</span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 705.117px; transform: scaleX(0.805093);">American orchestra with a mission to take the audience beyond spectatorship to participation in the musical&nbsp;</span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 732.617px; transform: scaleX(0.803524);">experience by combining artistic excellence with cultural diversity and innovative community engagement.</span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 922.402px; top: 732.617px;"> </span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 935.967px; top: 732.617px; transform: scaleX(0.737693);">In&nbsp;</span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 760.117px; transform: scaleX(0.803186);">recognition of its world-class performance quality, Black Pearl has received numerous grants from the National&nbsp;</span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 787.617px; transform: scaleX(0.809561);">Endowment for the Arts. And Maestro Johnson's innovative projects have made Black Pearl the only&nbsp;</span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 815.117px; transform: scaleX(0.798891);">organization in the country to have been awarded three prestigious Knight Arts Challenge grants from the John</span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 842.617px; transform: scaleX(0.800986);">S. and James L. Knight Foundation. But this grant from the Mellon Foundation is the largest investment in the&nbsp;</span><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 870.117px; transform: scaleX(0.798319);">organization’s mission to date.</span></div><div style="font-size: 20px; text-align: left;"><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 870.117px; transform: scaleX(0.798319);"><br /></span></div><div style="font-size: 20px; text-align: left;"><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 870.117px; transform: scaleX(0.798319);"><span dir="ltr" role="presentation" style="left: 60px; top: 925.117px; transform: scaleX(0.800949);">As part of this grant, Black Pearl will undertake a new project, called the “Kaleidoscope Initiative” to support&nbsp;</span><span dir="ltr" role="presentation" style="left: 60px; top: 948.867px; transform: scaleX(0.803533);">the next generation of rising young composers, especially composers of color. This project represents an</span><br role="presentation" /><span dir="ltr" role="presentation" style="left: 60px; top: 972.617px; transform: scaleX(0.794932);">expansion of Black Pearl’s mandate to normalize diversity in classical music by focusing on creating access and&nbsp;</span><span dir="ltr" role="presentation" style="left: 60px; top: 996.367px; transform: scaleX(0.802341);">opportunities in the creative process of music-making. Spread across its concert season, the works of three&nbsp;</span><span dir="ltr" role="presentation" style="left: 60px; top: 1020.12px; transform: scaleX(0.807199);">talented young composers will receive a premiere performance that</span><span dir="ltr" role="presentation" style="left: 610.752px; top: 1020.12px;"> </span><span dir="ltr" role="presentation" style="font-size: 18.3333px; left: 615.273px; top: 1021.39px; transform: scaleX(0.884056);">will be recorded so the composers can&nbsp;</span><span dir="ltr" role="presentation" style="font-size: 18.3333px; left: 60px; top: 1043.54px; transform: scaleX(0.855208);">promote their works through high quality live instrument versions of their works rather than digital MIDI&nbsp;</span><span dir="ltr" role="presentation" style="font-size: 18.3333px; left: 60px; top: 1066.04px; transform: scaleX(0.873892);">realizations. Such recordings play an important role in building a creative career through competitions, prizes,&nbsp;</span><span dir="ltr" role="presentation" style="font-size: 18.3333px; left: 60px; top: 1088.54px; transform: scaleX(0.86632);">fellowships, job positions, and promotion for performance with other orchestras.</span></span></div><div style="text-align: left;"><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 870.117px; transform: scaleX(0.798319);"><span style="font-size: 18.3333px;"><br role="presentation" /></span><span dir="ltr" role="presentation" style="font-size: 20px; left: 60px; top: 1133.87px; transform: scaleX(0.803561);">Black Pearl’s Founder, Maestro Jeri Lynne Johnson, was delighted to receive the news that the important and&nbsp;</span><span dir="ltr" role="presentation" style="font-size: 20px; left: 60px; top: 1157.62px; transform: scaleX(0.805071);">impactful work of the organization would be supported for the next three years.</span></span></div><div style="text-align: left;"><span dir="ltr" role="presentation" style="font-family: sans-serif; left: 60px; top: 870.117px; transform: scaleX(0.798319);"><span class="markedContent" style="font-size: 20px;"></span><span class="markedContent" style="font-size: 20px;"></span><span style="font-size: 20px;"><br role="presentation" /></span><span dir="ltr" role="presentation" style="font-size: 20px; left: 120px; top: 1205.12px; transform: scaleX(0.800377);">“Given the incredibly difficult circumstances ALL arts and culture organizations have had to weather&nbsp;</span><span dir="ltr" role="presentation" style="font-size: 20px; left: 120px; top: 1228.87px; transform: scaleX(0.802048);">during the COVID-19 pandemic, this grant from the Mellon Foundation will provide Black Pearl with the&nbsp;</span><span dir="ltr" role="presentation" style="font-size: 20px; left: 120px; top: 156.367px; transform: scaleX(0.798041);">resources to continue to deliver concert and community programming to diverse communities across&nbsp;</span><span dir="ltr" role="presentation" style="font-size: 20px; left: 120px; top: 180.117px; transform: scaleX(0.803181);">Philadelphia that enjoy our work. We are deeply grateful for this support and excited to begin this new</span><br role="presentation" /><span dir="ltr" role="presentation" style="font-size: 20px; left: 120px; top: 203.867px; transform: scaleX(0.803939);">relationship with the Mellon Foundation to continue to create more inclusive, equitable Classical music&nbsp;</span><span dir="ltr" role="presentation" style="font-size: 20px; left: 120px; top: 227.617px; transform: scaleX(0.801037);">experiences and to foster compositional talent that will continue to impact&nbsp;</span><span dir="ltr" role="presentation" style="font-size: 20px; left: 120px; top: 227.617px; transform: scaleX(0.801037);">ll continue to impact the field far into the future."</span><br role="presentation" /><br /></span></div></span></div>]]></description>
                <pubDate>Fri, 22 Jul 2022 03:47:36 +0200</pubDate>
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                <title><![CDATA[Givonna Joseph: OperaCreole in BreakThru Media Magazine!]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M5HgDdtQMDadFT72x6uxjiK</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/OKhlqK5U2IJkMirzhmU5Qcb1naedg1wr" border=0 width="1" height="1" alt="Givonna Joseph: OperaCreole in BreakThru Media Magazine!" title="Givonna Joseph: OperaCreole in BreakThru Media Magazine!"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-qq2GCG9mG8nuljJvx_tWNkdDjVIE14lKDTdUe3lQ26F-SveiILwNswqcMPZof8ZeSDSYGwuw_NL8J3SlNfxoNMHPwfZlvevHTO7BU7s9jxLy1Q-evphj5o2XjgXLXGGBGj_MYKiKa_Ui1r9tsiZgIQXkZ2zgqGOrFaYzk0JYng9BXXkEE1l26fG2/s964/RecentArticleByDeanShapiro.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="143" data-original-width="964" height="59" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-qq2GCG9mG8nuljJvx_tWNkdDjVIE14lKDTdUe3lQ26F-SveiILwNswqcMPZof8ZeSDSYGwuw_NL8J3SlNfxoNMHPwfZlvevHTO7BU7s9jxLy1Q-evphj5o2XjgXLXGGBGj_MYKiKa_Ui1r9tsiZgIQXkZ2zgqGOrFaYzk0JYng9BXXkEE1l26fG2/w400-h59/RecentArticleByDeanShapiro.PNG" width="400" /></a></div>&nbsp;<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZpIF1jkNUQUZk7P_iZf276CmhQJ8IxAdvHAKnL97b2pecJFY3S5fxkmNcCGX0rzbqbNxYxOaLp51GJ4OKfiIT4_4OhL383DhFLdW6N9OEKi5NpAxYU8-lENOy9S2Q6_TOlRI4fQnYVIQ-cg_UCMMpOHNe-JzeOP03aMX9FyNt94-EvTkKADPecF0r/s1398/BreakThruMedia.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1398" data-original-width="1180" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZpIF1jkNUQUZk7P_iZf276CmhQJ8IxAdvHAKnL97b2pecJFY3S5fxkmNcCGX0rzbqbNxYxOaLp51GJ4OKfiIT4_4OhL383DhFLdW6N9OEKi5NpAxYU8-lENOy9S2Q6_TOlRI4fQnYVIQ-cg_UCMMpOHNe-JzeOP03aMX9FyNt94-EvTkKADPecF0r/w338-h400/BreakThruMedia.png" width="338" /></a></div><div style="text-align: center;"><span style="font-family: georgia, serif;">&nbsp; &nbsp; &nbsp;&nbsp;</span><span style="font-family: georgia, serif; font-size: medium;">&nbsp; &nbsp;</span><span style="font-family: verdana;"> *<b><i style="color: red; line-height: 1.5;">Special Recognition&nbsp;</i></b></span></div><div style="text-align: center;"><span style="font-family: verdana;"><b style="line-height: 1.5;"><i style="color: red; line-height: 1.5;">f</i></b><b style="line-height: 1.5;"><i style="color: red; line-height: 1.5;">or Creative&nbsp;</i><i style="color: red; line-height: 1.5;">Achievement in Opera</i></b></span></div><div style="text-align: center;"><div style="display: inline;"><span style="font-family: verdana;"><span style="color: black;">For our original opera</span><span style="color: red;">&nbsp;</span></span></div></div><div style="text-align: center;"><div style="display: inline;"><i><a href="https://www.operacreole.com/apps/videos/videos/show/19056527-les-lions-de-la-reconstruction" target="_blank"><b><span style="color: blue; font-family: verdana;">Les Lions de la Reconstruction&nbsp;</span></b></a></i></div></div><div style="text-align: center;"><span style="color: blue; font-family: verdana;"><div style="display: inline;"><i>(<a href="https://www.operacreole.com/apps/videos/videos/show/19056527-les-lions-de-la-reconstruction" target="_blank">The Lions of Reconstruction:<b> </b>From Black Codes to the Ballot Box)</a></i></div></span></div><div style="text-align: center;"><span style="font-family: verdana;"><div style="display: inline;"><i><b>2019 Gambit's Tribute to the&nbsp;</b></i></div><i style="line-height: 1.5;"><b>Classical Arts Awards</b></i></span></div><div style="text-align: center;"><i style="line-height: 1.5;"><b><span style="font-family: verdana;"><br /></span></b></i></div><div style="text-align: center;"><i style="line-height: 1.5;"><b><span style="font-family: verdana;"><span style="color: #45818e;">*</span><span style="color: red;">National recognition:</span></span></b></i></div><div style="text-align: center;"><span style="font-family: verdana;"><i style="color: #45818e; line-height: 1.5;"><b><a href="https://www.newyorker.com/culture/culture-desk/a-small-step-toward-correcting-the-overwhelming-whiteness-of-opera" target="_blank">&nbsp;The New Yorker</a>!</b></i><br /></span></div><div style="text-align: center;"><i style="color: #45818e; line-height: 1.5;"><b><a href="http://npr.org/sections/deceptivecadence/2017/05/28/530085480/a-new-orleans-company-shines-a-light-on-operas-diverse-history#" target="_blank"><span style="font-family: verdana;">NPR</span></a></b></i></div><div><div style="text-align: center;"><i style="color: #cc0000;"><span style="font-family: verdana;"><b>Southern Living Magazine's</b></span></i></div><div style="text-align: center;"><b><span style="color: #38761d; font-family: verdana;"><i><a href="https://www.southernliving.com/culture/southerners-doing-good-2017?slide=416269#416269" target="_blank">"Southerners Of The Year 2017"</a></i></span></b></div></div><p></p>]]></description>
                <pubDate>Thu, 14 Jul 2022 02:01:06 +0200</pubDate>
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                <title><![CDATA[Chicago Sinfonietta: Lights, Camera, MUSIC! A formal invitation to MORE LIFE, July 16th from Chicago President and CEO Blake-Anthony Johnson]]></title>
                <link>https://api.follow.it/track-rss-story-click/v3/xKWP1B0x5M6ZM2le9jI9DgVLTsI7B9NX</link>
                <description><![CDATA[<img src="https://api.follow.it/track-rss-story-loaded/v1/wBVBsihE2jgeKAcA-HlsLMb1naedg1wr" border=0 width="1" height="1" alt="Chicago Sinfonietta: Lights, Camera, MUSIC! A formal invitation to MORE LIFE, July 16th from Chicago President and CEO Blake-Anthony Johnson" title="Chicago Sinfonietta: Lights, Camera, MUSIC! A formal invitation to MORE LIFE, July 16th from Chicago President and CEO Blake-Anthony Johnson"> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjafsz_XUeDAFL073ohhzWpUpFscHa8zfCDYRDSE9dEmuiVPkxzJwOqGqtu5VGRWiNaqlWgx2auGLy1Tz_brLdgKDAEV6pW5SS_QyxWTpKtnNdrShRo-t_lsDLdakbW0acXwJH--FoEfpyExZ4gG32SxtLKuhD5rTgEyoEA0bfCQ7moPep0hzFPkVGQ/s1024/ChicagoSinfonietta16July2022.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="1024" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjafsz_XUeDAFL073ohhzWpUpFscHa8zfCDYRDSE9dEmuiVPkxzJwOqGqtu5VGRWiNaqlWgx2auGLy1Tz_brLdgKDAEV6pW5SS_QyxWTpKtnNdrShRo-t_lsDLdakbW0acXwJH--FoEfpyExZ4gG32SxtLKuhD5rTgEyoEA0bfCQ7moPep0hzFPkVGQ/w400-h200/ChicagoSinfonietta16July2022.jpg" width="400" /></a></div><span style="font-family: verdana;"><b><br /></b></span><div style="text-align: center;"><span style="font-family: verdana;"><b>&nbsp;<span style="color: #202020; font-size: 16px;"><span style="font-size: 18px;"><span style="color: black; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">Lights, Camera, MUSIC! </span></span></span></b></span></div><p></p><p dir="ltr" id="docs-internal-guid-1bacf3e1-7fff-5738-8f54-65be73efed98" style="color: #202020; font-size: 16px; line-height: 1.38; margin: 10px 0px; padding: 0px; text-align: center; text-size-adjust: 100%;"><strong><span style="font-size: 18px;"><span style="font-family: verdana;"><span style="color: black; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">A formal invitation to MORE LIFE, July 16th&nbsp;</span></span></span></strong></p><p> </p><p dir="ltr" style="color: #202020; font-size: 16px; line-height: 1.38; margin: 10px 0px; padding: 0px; text-align: center; text-size-adjust: 100%;"><strong><span style="font-size: 18px;"><span style="color: black; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: verdana;">from Chicago President and CEO Blake-Anthony Johnson</span></span></span></strong></p><p dir="ltr" style="line-height: 1.38; margin: 10px 0px; padding: 0px; text-size-adjust: 100%;"></p><div style="color: #202020; text-align: justify;"><span style="color: black; font-family: verdana; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">Chicago Sinfonietta is proud to be a part of Chicago. The City of Chicago is&nbsp; lauded as the number one, most-diversified economy among the largest U.S metropolitan districts*&nbsp; and there is a reason for this! Chicago’s creative industries (arts &amp; culture) not only are a key part of the collective economic body, but we are the connective tissue that </span><span style="background-color: white; color: black; font-family: verdana; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">supports, protects, and gives structure to our world-class city.</span></div><span style="font-family: verdana;"><div style="text-align: justify;"><span style="color: #202020;"><br /></span></div> <span style="background-color: white; color: black; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><div style="text-align: justify;"><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">A vibrant cultural landscape is more than just a fun evening of entertainment; the creative industry sector is instrumental in the economic development and job creation of every city and town in which it operates.&nbsp; The arts are the shiny&nbsp;jewels businesses spotlight when luring talent to </span><a href="https://chicagosinfonietta.us3.list-manage.com/track/click?u=30f7810011aad24fda3fbb33e&amp;id=de63afc559&amp;e=1775cedd21" style="background-color: transparent; color: #007c89; text-decoration-line: none; text-size-adjust: 100%;"><u style="color: #1155cc; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-skip-ink: none; vertical-align: baseline;">Choose Chicago</u></a><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">, as well as the anchor to the community needed to retain both the familiar and new. The arts are the digital and physical cultural corridors that support socio-economic development, small local businesses, community investments, tourism, consumer purchases, and a city-wide culture of innovative ideation across sectors.</span></div></span><span style="background-color: white; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><div style="text-align: justify;"><span style="white-space: pre-wrap;"><br /></span></div><span style="white-space: pre-wrap;"><div style="text-align: justify;"><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">The arts are also a bridge between the old and the new, and Chicago Sinfonietta in particular is an active vanguard in this area. In 2020, I had the pleasure of introducing two new Chicago Sinfonietta (CS) programs: an expansion to our internationally acclaimed </span><a href="https://chicagosinfonietta.us3.list-manage.com/track/click?u=30f7810011aad24fda3fbb33e&amp;id=f66e6461d9&amp;e=1775cedd21" style="background-color: transparent; color: #007c89; text-decoration-line: none; text-size-adjust: 100%;"><u style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-skip-ink: none; vertical-align: baseline;">Freeman Fellowship Program</u></a><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"> (formerly named Project Inclusion) by adding composition as a fourth discipline, and our inaugural 2020-2023 Artist in Residence partnership - with </span><a href="https://chicagosinfonietta.us3.list-manage.com/track/click?u=30f7810011aad24fda3fbb33e&amp;id=d32dce5dd2&amp;e=1775cedd21" style="background-color: transparent; color: #007c89; text-decoration-line: none; text-size-adjust: 100%;"><u style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-skip-ink: none; vertical-align: baseline;">&nbsp;Kathryn Bostic</u></a><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">, a member of the Television Academy of Arts and Sciences and the first female African American score composer in the Academy of Motion Picture Arts &amp; Sciences.</span></div></span></span><span style="background-color: white; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><div style="text-align: justify;"><span style="white-space: pre-wrap;"><br /></span></div><span style="white-space: pre-wrap;"><div style="text-align: justify;"><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">Bostic was the perfect partner to highlight Chicago’s national film score connections and CS’ work both on and off stage (including working with our new composition fellow). Did you know that Illinois is the 3rd largest movie and recording workforce in the country - and growing! In 2021, </span><a href="https://chicagosinfonietta.us3.list-manage.com/track/click?u=30f7810011aad24fda3fbb33e&amp;id=f168f36167&amp;e=1775cedd21" style="background-color: transparent; color: #007c89; text-decoration-line: none; text-size-adjust: 100%;"><u style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-skip-ink: none; vertical-align: baseline;">Mayor Lori E. Lightfoot</u></a><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"> and the </span><a href="https://chicagosinfonietta.us3.list-manage.com/track/click?u=30f7810011aad24fda3fbb33e&amp;id=f0e832d501&amp;e=1775cedd21" style="background-color: transparent; color: #007c89; text-decoration-line: none; text-size-adjust: 100%;"><u style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-skip-ink: none; vertical-align: baseline;">Chicago Film Office</u></a><u style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-skip-ink: none; vertical-align: baseline;"> at the Department of Cultural Affairs and Special Events (</u><a href="https://chicagosinfonietta.us3.list-manage.com/track/click?u=30f7810011aad24fda3fbb33e&amp;id=4e0b40632d&amp;e=1775cedd21" style="background-color: transparent; color: #007c89; text-decoration-line: none; text-size-adjust: 100%;"><u style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-skip-ink: none; vertical-align: baseline;">DCASE</u></a><u style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-skip-ink: none; vertical-align: baseline;">) </u><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">announced a new initiative to strengthen Chicago’s TV and film industry titled </span><span style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">“</span><a href="https://chicagosinfonietta.us3.list-manage.com/track/click?u=30f7810011aad24fda3fbb33e&amp;id=e0837b5d30&amp;e=1775cedd21" style="background-color: transparent; color: #007c89; text-decoration-line: none; text-size-adjust: 100%;"><u style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-skip-ink: none; vertical-align: baseline;">Chicago Made</u></a><span style="background-color: transparent; color: #202020;">.</span><span style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">”</span></div></span></span><div style="text-align: justify;"><br /></div> <span style="background-color: white; color: black; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><div style="text-align: justify;"><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">Chicago Sinfonietta, fellow alumni, and affiliate artists have an extensive list of credits and partnerships within film &amp; television. CS Music Director Mei-Ann Chen chose Michael Abels </span><span style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">(</span><a href="https://chicagosinfonietta.us3.list-manage.com/track/click?u=30f7810011aad24fda3fbb33e&amp;id=41a89e6412&amp;e=1775cedd21" style="background-color: transparent; color: #007c89; text-decoration-line: none; text-size-adjust: 100%;"><span style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">score composer for </span><em style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">Get Out</em><span style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"> which CS performed in 2019</span></a><span style="color: #006dea; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">)</span><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"> as a partner for her first recording with Chicago Sinfonietta as Music Director in </span><a href="https://chicagosinfonietta.us3.list-manage.com/track/click?u=30f7810011aad24fda3fbb33e&amp;id=5980593b2e&amp;e=1775cedd21" style="background-color: transparent; color: #007c89; text-decoration-line: none; text-size-adjust: 100%;"><u style="color: #006dea; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-skip-ink: none; vertical-align: baseline;">Delight &amp; Dances</u></a><u style="color: #006dea; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-skip-ink: none; vertical-align: baseline;">.</u><em style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">&nbsp; </em><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">Too many credits to list;&nbsp; you can hear the global impact of Chicago Sinfonietta’s network in small independent films up to mega hits like Jordan Peele’s</span><em style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"> US, </em><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">the</span><em style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"> Lion King </em><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">directed by Roger Allers and Rob Minkoff, and so much more!</span></div></span><div style="text-align: justify;"><br /></div> <span style="background-color: white; color: black; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><div style="text-align: justify;"><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">Beyond Chicago Sinfonietta, the city of Chicago has dominated the scores of recent films.</span><em style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"> </em><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">Both</span><em style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"> Harry Potter</em><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">, and </span><em style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">Lord of the Rings </em><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">franchises utilized talent nurtured by the city of Chicago’s nationally acclaimed film score composition &amp; recording collegiate programs, not to mention Chicago being home to some of the biggest living legends in the industry&nbsp; - Quincy Jones and Herbie Hancock. Chicago Sinfonietta’s industry - t</span><span style="background-color: transparent; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">he TV, Film, &amp; Music industry, is just one of the many connective tissues that </span><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">supports, protects, and gives structure to this word-class city. </span></div></span><div style="text-align: justify;"><br /></div> <span style="background-color: white; color: black; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><div style="text-align: justify;"><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">The arts offer so much to the communities in which we live, and connect through collaborations across the genres. We invite you to see collaborative arts in action - join us, the Chicago Sinfonietta, this Saturday, July 16 at Millennium Park for the third installment of our new SINFONIETTA IN YOUR NEIGHBORHOOD series with&nbsp; </span><a href="https://chicagosinfonietta.us3.list-manage.com/track/click?u=30f7810011aad24fda3fbb33e&amp;id=a3594468a8&amp;e=1775cedd21" style="background-color: transparent; color: #007c89; text-decoration-line: none; text-size-adjust: 100%;"><u style="color: #1155cc; font-variant-east-asian: normal; font-variant-numeric: normal; text-decoration-skip-ink: none; vertical-align: baseline;">MORE LIFE</u></a><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;">,&nbsp; an all-day event from 3 - 7 pm. Free and open to the public celebrating Chicago’s legacy and influence in art, design, and entertainment, this unique program allows you to experience the best of&nbsp; “Summer Chi”&nbsp; while highlighting homegrown talent with an all-star fashion design panel, and performances by DJs and musicians supporting Chicago’s cultural ecology of regional entrepreneurs in art, design, and music! We look forward to seeing&nbsp; you ther<span style="font-size: medium;">e!&nbsp;</span></span></div></span></span><p></p><p dir="ltr" style="color: #202020; line-height: 1.38; margin: 10px 0px; padding: 0px; text-size-adjust: 100%;"><span style="background-color: white; color: black; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: verdana;">Happy Summer,</span></span></p><p dir="ltr" style="color: #202020; line-height: 1.38; margin: 10px 0px; padding: 0px; text-size-adjust: 100%;"><span style="font-family: verdana;"><span style="background-color: white; color: black; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Blake-Anthony Johnson</span></span></p><p dir="ltr" style="color: #202020; font-size: 16px; line-height: 1.38; margin: 10px 0px; padding: 0px; text-size-adjust: 100%;">   </p><p dir="ltr" style="color: #202020; font-size: 16px; line-height: 1.38; margin: 10px 0px; padding: 0px; text-size-adjust: 100%;"><span style="font-family: verdana;">President &amp; CEO, Chicago Sinfonietta<br />2022 Chicago Community Trust Daniel Burnham Fellow<br />Voting Member, Recording Academy<br />Cultural Advisory Council, City of Chicago (DCASE)</span></p>]]></description>
                <pubDate>Tue, 12 Jul 2022 02:31:32 +0200</pubDate>
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