A still from ‘Made in China’
Movies

‘Made In China’ review: Suffers from an identity crisis

Namrata Joshi
‘The Irishman’: A distinct, overwhelming autumnal air, all its very own, hovers over the film

‘The Irishman’ review: Martin Scorsese delivers a melancholic ode to inevitable mortality and loss

Namrata Joshi
‘Maleficent: Mistress of Evil’: What it lacks in cohesiveness, the director more than makes up with visual spectacle
Movies

‘Maleficent: Mistress of Evil’ review: Any witch way

Deborah Cornelious
A still from ‘Zombieland: Double Tap’.

‘Zombieland: Double tap’ review - This franchise should have never come back

Deborah Cornelious
‘Jallikattu’: A spectacular and unnerving primal experience

‘Jallikattu’ review: An immersive, primal experience that words cannot replicate

S.R. Praveen
Armie Hammer in ‘Wounds’
Movies

‘Wounds’ review: A great Armie Hammer, but otherwise a horror misfire

Aparna Narrain
 

'Undone' and 'Game Over': what if life gives you a second chance?

Karthik Keramalu
 

‘Downton Abbey’ film review: trashy but addictive

Kennith Rosario
 

'Vrithra' movie review: Starts well, but ends up as a damp squib

K.V. Aditya Bharadwaj
 

Between activity and reflection

DEEPA GANESH
Kunkuma Dhivya and some works

Kunkuma Dhivya's art soaked in nature

Lalithaa Krishnan
Off the beaten track Sukanya Prabhakar and Akkarai sisters (below) Photos: V Sreenivasa Murthy and Sudhakara Jain

Quiet acts of heroism

DEEPA GANESH
Almost there: Danish Ali

Well begun is half done

Manjari Sinha
Of mood and melody: Bir Singh in performance at Jaswant Thada Special Arrangement

Sound of the dawn

Murtaza Ali Khan
Engrossing play: A scene from “A Few Good Men”

“A Few Good Men”: Murder of a marine

Diwan Singh Bajeli
 

Some impressions...

Kirtana Kumar
Indira Kadambi performing at the Ekam festival at Kalashetra in Chennai

Ekam: An insight into the dancer’s mind

V.V. Ramani
Charming performance: Ameera Patankar

Expressive face, gliding moves

Ranee Kumar