News:
Passed the 300,000 word mark on my work in progress. Writing every day! Please use the contact form to schedule lectures, studio visits, or seminars. I've started using Academia.edu as a message board. If you download something of mine that's posted there, send me a note: I'm always glad to answer questions. Lectures this season in Pittsburgh; Augusta, Georgia; Los Angeles; Johannesburg; Auburn University; and Santa Clara. See "Lectures" page for the schedule. (Updated January 10, 2017.)
Latest uploads:
New reviews and essays are on Goodreads and on Writing with Images. Latest texts on this site: the book Why Are Our Pictures Puzzles?; the book How to Use Your Eyes; and an essay on the complicity between torture and formal analysis. (There is also a website with reviews of contemporary piano music.)
Live Writing Projects:
I am experimenting with writing live on the internet. These texts update live, and you can contribute to them & be thanked when the book is published. (1) What is Interesting Writing in Art History?, (2) Writing with Images. Other live writing projects are finished: Visual Worlds, and The Impending Single History of Art. Thanks everyone for contributing!
Three anthologies are planned, in Russian, Spanish, and German. Links will be added here as the books appear.
Is "art history" the name of a discipline, or an area of interest, that is practiced throughout the world? Or is it a Western interest, currently spreading along with capitalism?
A book about the hypnotic attraction of oil and tempera: why painters love paint, even before the painting is half-finished.
A book on the principal theories of modernism and postmodernism, considered in terms of how they divide up the past two centuries.
A book about the kinds of images that are made and studied throughout the university, not just in the arts and humanities.
An unpublished book of commentary on a beautiful and mysterious manuscript.
Two essays on the state of art history in Ireland, with reference to the general question of how art history is taught in smaller countries.
An essay on the current state of the theory of the gaze, and a critical assessment of its recent development.