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  • (detail) Louise Belcourt, Lamb’s Ear #5, 2016 (photo: Rachel Sitkin)
    Louise Belcourt @ Locks Gallery
    via: The Artblog
  • William Merritt Chase, The Young Orphan (An Idle Moment), 1884, oil on canvas (National Academy Museum, New York)
    William Merritt Chase @ the Museum of Fine Arts Boston
    via: The New Criterion
  • (detail) Francis Picabia, Portrait d’un couple (Portrait of a Couple), 1942–43, oil on board, 41 5/8 × 30 1/2 inches (The Museum of Modern Art, New York. Purchase, 2000. © 2016 Artist Rights Society (ARS), New York/ADAGP, Paris. Photo courtesy The Muse
    Francis Picabia's Prescient, Painterly Promiscuousness
    via: Hyperallergic
  • (detail) Allison Miller, Bed, 2016, oil, oil stick, acrylic and collage on two canvases, 113 x 93 inches overall, 56.5 x 93 inches each (courtesy of The Pit)
    Allison Miller @ The Pit
    via: Artillery
  • (detail) Fra Bartolommeo, Study for the face of a young woman (in the Madonna della Misericordia) c. 1515 (Museum Boijmans Van Beuningen, Rotterdam)
    Fra Bartolommeo's Divine Draughtsmanship
    via: Apollo Magazine
  • (detail) Kate Liebman, Resisting Image by Repetition, 2016, ink and oil on hand-stitched canvas, 74 x 74 inches (courtesy of the artist)
    Kate Liebman: Interview
    via: Two Coats of Paint
  • (detail) Caragh Thuriung, Polaris, 2016, oil, oil stick on linen, 65 x 54 inches (courtesy of Thomas Dane Gallery)
    Caragh Thuring: Interview
    via: Studio International
  • (detail) painting by Paul DeMuro (courtesy of the artist)
    Paul DeMuro: Studio Visit
    via: Pencil in the Studio
  • (detail) Diego Rivera, Cubist Composition (Still Life With Bottle of Anis and Inkwell) (Marc Domage / FABA)
    Picasso & Rivera: Conversations Across Time
    via: LA Times

PT Blog Features

Refiguring the Grid: Ann Gale at the Fralin Museum
Margaret McCann | January 1, 2017

Margaret McCann reviews an exhibition of portraits by Ann Gale at the University of Virginia's Fralin Museum.

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Just Looking at Art Basel Miami Beach
Brett Baker | December 23, 2016

Kabinett shows offered both the best work and the best opportunity to "just look” at Art Basel Miami Beach.

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Visions and Revisions: Stanley Lewis at NYSS & Betty Cuningham
Margaret McCann | November 8, 2016

Margaret McCann reviews concurrent shows of works by Stanley Lewis at New York Studio School and Betty Cunningham Gallery/Sidecar.

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Pictures in Portraiture - Jonas Wood at Anton Kern
Margaret McCann | October 3, 2016

Margaret McCann reviews Jonas Wood: Portraits at Anton Kern Gallery, New York.

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Seen in New York, September 2016
Paul Corio | October 1, 2016

Paul Corio reviews a selection of painting exhibitions, including shows of work by Carmen Herrera, Heather Guertin, Gary Petersen, Sean Scully, Robert Otto Epstein, Ivo Ringe, and others..

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On Bruegel's The Harvesters
Henry McMahon | September 22, 2016

Henry McMahon considers Bruegel's The Harvesters (1565) in the Metropolitan Museum of Art.

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A Conversation with Emil Robinson
Brett Baker | August 28, 2016

In an extended conversation, painter Emil Robinson shares how he, as an artist, thinks and feels in paint.

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Watteau's Soldiers @ the Frick Collection
Henry McMahon | July 28, 2016

Henry McMahon reviews Watteau’s Soldiers: Scenes of Military Life in Eighteenth-Century France at The Frick Collection, New York.

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On Painting & Painters' Table @ The New York Studio School
Brett Baker | March 29, 2016

I would like to invite Painters' Table readers to an artist talk at The New York Studio School on Wednesday, March 30, 2016 at 6:30pm.

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The Abstract Image: Panel Discussion
Brett Baker | March 10, 2016

[AUDIO] Tom Burckhardt, Clare Grill, and Sangram Majumdar discuss abstraction and image-making in relation to their work which is on view at Steven Harvey Fine Art Projects, New York, through March 13, 2016.

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More Recent Posts

  • Derek Buckner, View of Gowanus, gouache, acrylic and oil on panel, 11 x 14 inches (courtesy of George Billis Gallery)
    Derek Buckner: Interview
    via: Painting Perceptions
  • Diana Copperwhite, Predilection for fiction, 2016, 170 x 230 cm (courtesy of 532 Gallery Thomas Jaeckel)
    Diana Copperwhite: Signal to Noise
    via: Hyperallergic
  • Alexi Worth, Microphone with Post-its, 2013, acrylic on nylon mesh, 27 x 36 inches (courtesy of the artist and DC Moore Gallery)
    Dennis Kardon & Alexi Worth in Conversation
    via: artcritical
  • Carmen Herrera: Untitled, 1948 (Collection of Yolanda Santos)
    Carmen Herrera: Art Without Lies
    via: New York Review of Books
  • (detail) Guido Cagnacci, The Repentant Magdalene, ca. 1660−63, iil on canvas, 90 1/4 x 104 3/4 inches (Norton Simon Art Foundation, Pasadena, California)
    Guido Cagnacci @ the Frick
    via: The New Criterion
  • (detail) Pat Steir, Middle Lhamo Waterfall, 1992 (image courtesy of Locks Gallery)
    Pat Steir @ Dominique Lévy
    via: Art Observed
  • Agnes Martin, Untitled #2, 1992, acrylic on canvas, 60 x 60 inches (courtesy the Solomon R. Guggenheim Museum/© 2015 Agnes Martin.Artists Rights Society (ARS), New York)
    Agnes Martin @ the Guggenheim Museum
    via: Too Much Art
  • (detail) Winifred Nicholson, First Prismatic, 1976 (© The Trustees of the Estate of Winifred Nicholson)
    Winifred Nicholson & the Pleasures of Colour
    via: Apollo Magazine

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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