PT Blog Features

Refiguring the Grid: Ann Gale at the Fralin Museum
Margaret McCann | January 1, 2017

Margaret McCann reviews an exhibition of portraits by Ann Gale at the University of Virginia's Fralin Museum.

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Just Looking at Art Basel Miami Beach
Brett Baker | December 23, 2016

Kabinett shows offered both the best work and the best opportunity to "just look” at Art Basel Miami Beach.

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Visions and Revisions: Stanley Lewis at NYSS & Betty Cuningham
Margaret McCann | November 8, 2016

Margaret McCann reviews concurrent shows of works by Stanley Lewis at New York Studio School and Betty Cunningham Gallery/Sidecar.

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Pictures in Portraiture - Jonas Wood at Anton Kern
Margaret McCann | October 3, 2016

Margaret McCann reviews Jonas Wood: Portraits at Anton Kern Gallery, New York.

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Seen in New York, September 2016
Paul Corio | October 1, 2016

Paul Corio reviews a selection of painting exhibitions, including shows of work by Carmen Herrera, Heather Guertin, Gary Petersen, Sean Scully, Robert Otto Epstein, Ivo Ringe, and others..

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On Bruegel's The Harvesters
Henry McMahon | September 22, 2016

Henry McMahon considers Bruegel's The Harvesters (1565) in the Metropolitan Museum of Art.

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A Conversation with Emil Robinson
Brett Baker | August 28, 2016

In an extended conversation, painter Emil Robinson shares how he, as an artist, thinks and feels in paint.

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Watteau's Soldiers @ the Frick Collection
Henry McMahon | July 28, 2016

Henry McMahon reviews Watteau’s Soldiers: Scenes of Military Life in Eighteenth-Century France at The Frick Collection, New York.

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On Painting & Painters' Table @ The New York Studio School
Brett Baker | March 29, 2016

I would like to invite Painters' Table readers to an artist talk at The New York Studio School on Wednesday, March 30, 2016 at 6:30pm.

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The Abstract Image: Panel Discussion
Brett Baker | March 10, 2016

[AUDIO] Tom Burckhardt, Clare Grill, and Sangram Majumdar discuss abstraction and image-making in relation to their work which is on view at Steven Harvey Fine Art Projects, New York, through March 13, 2016.

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