Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
When two bumbling employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to rise again as zombies.
On an island off the coast of North America, local residents simultaneously fight a zombie epidemic while hoping for a cure to return their un-dead relatives back to their human state.
Director:
George A. Romero
Stars:
Alan Van Sprang,
Kenneth Welsh,
Kathleen Munroe
A dedicated student at a medical college and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue when an odd new student arrives on campus.
Director:
Stuart Gordon
Stars:
Jeffrey Combs,
Bruce Abbott,
Barbara Crampton
A nurse, a policeman, a young married couple, a salesman, and other survivors of a worldwide plague that is producing aggressive, flesh-eating zombies, take refuge in a mega Midwestern shopping mall.
The military attempts to contain a manmade combat virus that causes death and permanent insanity in those infected, as it overtakes a small Pennsylvania town.
Director:
George A. Romero
Stars:
Lane Carroll,
Will MacMillan,
Harold Wayne Jones
Zombies rule the world, except for a small group of scientists and military personnel who reside in an underground bunker in Florida. The scientists are using the undead in gruesome experiments; much to the chagrin of the military. Finally the military finds that their men have been used in the scientists' experiments, and banish the scientists to the caves that house the Living Dead. Unfortunately, the zombies from above ground have made their way into the bunker. Written by
Matt Puskas <[email protected]>
First, he brought us the most frightening film ever made. Then he took his unique version of horror one step further. Now, George Romero takes us out of the night, beyond the dawn, and into the darkest day of horror the world has ever known. See more »
When the hands punch through the wall in the dream sequence at the beginning of the movie, the hand immediately to the left of the calendar picture gets stuck and forces its way through later than the rest. See more »
Quotes
[first lines]
McDermott:
Nothing, nothing at all.
Sarah:
Send again.
McDermott:
I've been sending up and down the coast from Sarasota to the Everglades and still getting back the same dead air. There's nothing! There's nobody or at least nobody with a radio.
Sarah:
All right then let's set down, we'll use the bullhorn.
McDermott:
Set down? Wait a minute, that's not in our contract!
Sarah:
It's the biggest city within 150 miles and we're going to give it every chance.
McDermott:
Jesus, Mary and Joseph!
Sarah:
Set down, John!
John:
I'll set us down. But I won't leave my ...
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I tell you what I'd love... to fill a movie theater with a bunch of teen kids who love drizzle like "The Perfect Man" and "Step Up" and that crap, play DAY OF THE DEAD, which looks great in capital letters, and watch the reaction. They, not knowing the unrelenting glories of old horror films, who stick to new ones that come out in theaters (e.g. Underworld, Resident Evil, or not even that, who wouldn't know the difference between George A. Romero and Wes Craven), would be absolutely horrified at the intensity of the great film. Man, I'd love to show those morons that the crap they watch is nothing compared the greats...
Love to see that.
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I tell you what I'd love... to fill a movie theater with a bunch of teen kids who love drizzle like "The Perfect Man" and "Step Up" and that crap, play DAY OF THE DEAD, which looks great in capital letters, and watch the reaction. They, not knowing the unrelenting glories of old horror films, who stick to new ones that come out in theaters (e.g. Underworld, Resident Evil, or not even that, who wouldn't know the difference between George A. Romero and Wes Craven), would be absolutely horrified at the intensity of the great film. Man, I'd love to show those morons that the crap they watch is nothing compared the greats...
Love to see that.