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YouTube Live with Kevin Durant and host sWooZie

Monday, August 21, 2017

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Five observations from my time at YouTube

Thursday, August 17, 2017

Doodle

Late to the party. I get why some in the music industry would be skeptical of their relationship with YouTube. They were late to the subscriptions party and YouTube’s focus for many years was largely just on ads. While they have been at subscriptions for a year, and the numbers are very encouraging, YouTube must prove its credibility when it comes to its ability to shepherd their funnel of users into paid subscriptions.

But since I’ve been here, I’ve been incredibly encouraged by what I’ve seen. The team is serious about subscriptions. And now with YouTube Music and Google Play Music merging, I’m confident they will build an even better subscription service. And with more deals like the one YouTube recently signed with Warner, they’re going to be able to take it global.

Twin-engine growth. The success of streaming subscriptions is one reason why I’m so optimistic about the future. Subscription revenue is still in its infancy, yet it’s already reaping billions for the music industry. It’s not just some business model on a whiteboard; it’s a real and rapidly growing source of cash for labels and artists today.

Some think ads are the death of the music industry. Ads are not death. Death is death. Irrelevance is death. Fans not being exposed to new music is death. My time at YouTube has me convinced that advertising is another powerful source of growth for the industry. YouTube’s ads hustle has already brought over a billion dollars in 12 months to the industry and it’s growing rapidly. Combined with YouTube’s growing subscription service, they’ve now got two engines taking the industry to a more lucrative place than it’s ever been before.

But that all depends on whether or not the industry chokes off these new sources of growth. I’m old enough to remember what the industry was saying about iTunes and Spotify before they started contributing billions to its bottom line. The growth that the industry is seeing today proves that ads and subscription thrive side by side.

Let’s talk dead presidents. It is important that labels, publishers and YouTube come together to make transparency a reality, as I strongly believe it will help everyone in the industry move the business forward.

Artists and songwriters need to truly understand what they’re making on different platforms. It’s not enough for YouTube to say that it’s paid over $1 billion to the industry from ads. We (the labels, publishers and YouTube) must shine a light on artist royalties, show them how much they make from ads compared to subscriptions by geography and see how high their revenue is in the U.S. and compared to other services.

For instance, critics complain YouTube isn’t paying enough money for ad-supported streams compared to Spotify or Pandora. I was one of them! Then I got here and looked at the numbers myself. At over $3 per thousand streams in the U.S., YouTube is paying out more than other ad supported services.

Why doesn’t anyone know that? Because YouTube is global and the numbers get diluted by lower contributions in developing markets. But they’re working the ads hustle like crazy so payouts can ramp up quickly all around the world. If they can do that, this industry could double in the next few years.

Fortune AND fame. Every day for the last 30 years, I’ve woken up with the same thought: maybe today’s the day I’m going to meet an artist that’s going to change pop culture. I love watching when an artist goes from obscurity to celebrity. That’s my drug.

Every artist I’ve ever worked with wanted some fame and fortune. YouTube will deliver fortune … but I think they need to be just as focused on bringing the fame. YouTube is already a great force for breaking new artists; in fact, the majority of music watchtime on YouTube is coming from its recommendations, rather than people searching for what they want to listen to. But YouTube needs to find new ways to promote and break artists and their albums so they have a chance to shine on the platform and connect with their fans. This is one of my biggest priorities and you’ll see more coming soon.

Without safe harbor, we’d all be lost at sea. I’ve spent my professional life fighting for artists to get what they deserve. I’ve worked with the RIAA and the IFPI to fight piracy since back when the main concern was bootlegged tapes. Safe harbor has become an obsession -- with many complaining it’s the cause of all of industry’s woes. I’m not parroting the company line when I say the focus on copyright safe harbors is a distraction. Safe harbor helps open platforms like YouTube, Facebook, Soundcloud and Instagram give a voice to millions of artists around the world, making the industry more competitive and vibrant.

Every artist should be concerned if their music shows up online without credit or payment. But YouTube’s team has built a system in Content ID that helps rightsholders earn money no matter who uploads their music. As of 2016, 99.5 percent of music claims on YouTube are matched automatically by Content ID and are either removed or monetized.

Before Content ID, when a fan shared a song with a friend through a mix tape, it was called piracy. Now it's generated over $2 billion for content owners and goes far beyond what the safe harbor provision requires.

Lyor recently watched “Brothers Gonna Work It Out”

Introducing a new way to share YouTube videos

Monday, August 7, 2017

Despacitoyou can’t help but dancethis good

Benoît de Boursetty, Product Manager, recently shared “A new way to share on YouTube.”

An update on our commitment to fight terror content online

Tuesday, August 1, 2017

four new stepsour policiesBetter detection and faster removal driven by machine learning

Speed and efficiency: Our machine learning systems are faster and more effective than ever before. Over 75 percent of the videos we've removed for violent extremism over the past month were taken down before receiving a single human flag.

Accuracy: The accuracy of our systems has improved dramatically due to our machine learning technology. While these tools aren’t perfect, and aren’t right for every setting, in many cases our systems have proven more accurate than humans at flagging videos that need to be removed.

Scale: With over 400 hours of content uploaded to YouTube every minute, finding and taking action on violent extremist content poses a significant challenge. But over the past month, our initial use of machine learning has more than doubled both the number of videos we've removed for violent extremism, as well as the rate at which we’ve taken this kind of content down.

More expertsTougher standardsEarly intervention and expanding counter-extremism workrolling out features from Jigsaw’s Redirect MethodYouTube Creators for ChangeInternet CitizenspledgedcollaborationsThe YouTube Team

Global Internet Forum to Counter Terrorism to hold first meeting in San Francisco

Monday, July 31, 2017

Formed last monthshared industry hash database

Employing and leveraging technology

Sharing knowledge, information and best practices, and

Conducting and funding research.

Secure the participation of five additional companies to the industry hash-sharing database for violent terrorist imagery; two of which have already joined: Snap Inc. and Justpaste.it

Reach 50 companies to share best practices on how to counter terrorism online through the Tech Against Terrorism project in partnership with ICT4Peace and the U.N. Counter Terrorism Executive Directorate

Conduct four knowledge-sharing workshops — starting in San Francisco Tuesday, with plans for further meetings later this year in other locations around the world

Bringing new Redirect Method features to YouTube

Thursday, July 20, 2017

four new steps Over the past years, Jigsaw partnered with Moonshot CVE to conduct extensive research to understand how extremist groups leverage technology to spread their message and recruit new members. From there, they created the Redirect Method, which uses curated video content to redirect people away from violent extremist propaganda and steer them toward video content that confronts extremist messages and debunks its mythology. Today, YouTube is rolling out a feature using the model proven by the Redirect Method: when people search for certain keywords on YouTube, we will display a playlist of videos debunking violent extremist recruiting narratives.

This early product integration of the Redirect Method on YouTube is our latest effort to provide more resources and more content that can help change minds of people at risk of being radicalized. Over the coming weeks, we hope to build on this by:

Expanding the new YouTube product functionality to a wider set of search queries in other languages beyond English.
Using machine learning to dynamically update the search query terms.
Working with expert NGOs on developing new video content designed to counter violent extremist messaging at different parts of the radicalization funnel.
Collaborating with Jigsaw to expand the “Redirect Method” in Europe.

This work is made possible by our partnerships with NGOs that are experts in this field, and we will continue to collaborate closely with them to help support their research through our technological tools. We hope our work together will also help open and broaden a dialogue about other work that can be done to counter radicalization of potential recruits.

As we develop this model of the Redirect Method on YouTube, we’ll measure success by how much this content is engaged. Stay tuned for more.

The YouTube Team

YouTube spotlight on “Country Foods”

Thursday, June 29, 2017

How did your family and friends react when you told them about your plans to quit your job and start a YouTube channel?What were your expectations?At any point did you think that this may not work?Watermelon Chicken by My GrannyWhat does Mastanamma think about having her own food channel that is now popular all over the world?

Have you thought about what you want to do next?What advice does Mastanamma have for her viewers?

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