
At the time of their endearing-but-muddy self-titled debut, “San Francisco’s Grateful Dead” were already local legends, but no one quite knew what to do with them on record.

Scandinavian house and disco producer Mr. Tophat recruits his superstar compatriot Robyn for a three-song EP.

Anything Could Happen is the first album in 24 years from Bash & Pop, Tommy Stinson’s short-lived post-Replacements outfit. It’s less an exercise in reliving the past than coming to terms with it.

The Austin-based producer Spencer Stephenson (aka Botany) builds his music, made from loosely interlocking samples and loops, like a collage artist.











Will Kraus is a young one-man band who is shouting and drumming his way to ecstatic catharsis.

Words to remember from early interviews with Lana Del Rey, James Blake, FKA twigs, Nicolas Jaar, Chvrches, Azealia Banks, Chance the Rapper, the xx, Vince Staples, and more


Miley Cyrus only appears once on the Flaming Lips’ claustrophobic new full-length, but the record wouldn’t sound the way it does without her presence in their lives.

Veteran Montreal DJ Kid Koala steps away from the turntables for an album of cosmic-themed ambient pop, assisted by Icelandic singer-songwriter Emilíana Torrini.

Former Yura Yura Teikoku guitarist continues lap steel-dappled explorations of melancholy, funky kitsch.

This ’60s-loving London band, featuring former Veronica Falls member James Hoare, craft beguilingly simple, guitar-driven psych-pop. The new LP is a warm blanket of analog guitar and woolly harmony.