After Board Upheaval, Bronx Museum Regroups and Affirms Plans
The director, Holly Block, and her supporters defend her global view, in the wake of criticism from trustees who resigned in August.
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The director, Holly Block, and her supporters defend her global view, in the wake of criticism from trustees who resigned in August.
By ROBIN POGREBIN
Ms. Hadid’s posthumous architectural career promises to deliver nearly 50 more structures, as many as were created in her lifetime.
By JOSEPH GIOVANNINI
A show at the museum that traces the arc of Virginia Dwan’s career coincides with the reopening of its East Building and the reinstallation of its modern art holdings.
By HOLLAND COTTER
Lawyers for the estate of Paul Leffmann say persecution by the Nazis led him to sell a painting.
By GRAHAM BOWLEY
Facing a glut, art dealers hold the line even as prices fall at auction.
By SCOTT REYBURN
Decades ago, New York lost one of its grand entryways. What if a new one were hiding in plain sight?
By MICHAEL KIMMELMAN and VISHAAN CHAKRABARTI
Jeff Koons’s “Coloring Book” sculpture outside the home of the Sacramento Kings is the latest example of the art world becoming a player in the sports world.
By DANIEL McDERMON
“Seascape at Scheveningen” and “Congregation Leaving the Reformed Church in Nuenen” were found during an inquiry into Italian organized crime, the Van Gogh Museum said.
By NINA SIEGAL and ELISABETTA POVOLEDO
Two missing paintings by the Dutch master were recovered this week, a rare event. Here are a few other stolen works that were retrieved.
By CHRISTOPHER D. SHEA
“Douglas Crimp, Before Pictures: New York City 1967-1977” and Rosemarie Castoro’s “Interference/Infinity” are among the new shows.
By MARTHA SCHWENDENER and KAREN ROSENBERG
In this exhibition at the Cooper Hewitt, everyday citizens cook up solutions to what ails their own communities.
By MICHAEL KIMMELMAN
The works of Jean Dubuffet at the Morgan Library & Museum are billed as drawings, but defy definition.
By JASON FARAGO
Gone are the traces of architectural drawings and the slashes of color. Ms. Mehretu called her works at Marian Goodman Gallery show a radical departure.
By ROBIN POGREBIN
A curated walk through the hallways of the newest Smithsonian museum before it opens next week. 13 years in the making, it attempts to depict the pain and pride of the black experience in America.
By THE NEW YORK TIMES