Field of Vision is a filmmaker-driven visual journalism film unit co-created by Laura Poitras, AJ Schnack and Charlotte Cook that pairs filmmakers with developing and ongoing stories around the globe.
A timely look at voting rights in Alabama’s Black Belt after the closure of 31 DMVs across the state.
Five years of an American crisis: Speaking is Difficult tells a cumulative history that is both unbearable and inevitable.
Former intelligence analyst Stephen Kim reflects on life after prison, in this follow up to the award-winning The Surrender.
Stephen Kim, a former state department analyst, struggles to understand events prior to his prosecution and his last days of freedom.
Through access inside the “click-farms” of Bangladesh, Like explores the industry that grows social media followings for celebrities and brands alike.
A series of racist acts prompts three Mizzou students to pick up cameras and take us inside the student movement that brought down their college president.
Peace in the Valley follows the inhabitants of Eureka Springs, Arkansas as conflict unravels around a vote for LGBT rights.
A message from the Arabian Street Artists, the graffiti artists who made global headlines by hacking the HOMELAND set.
Despite a historic Twitter protest, an austerity deal is signed. In an exclusive interview, Alexis Tsipras explains how it went so wrong.
The crunch is here. Another bank run is draining funds, while the state is almost out of cash. What will Alexis Tsipras do next?
As the Greek people take to the streets, Greece defaults on its debt to the IMF and the “rupture” begins.
With extraordinary access to key politicians, journalist Paul Mason presents the story of Greece’s 2015 confrontation with the EU.
A story of youth, dissent, love and betrayal in post 9/11 America, ERIC & “ANNA” is told primarily through FBI surveillance recordings.
Karollyne, a woman who lives in Rio de Janeiro in an abandoned mansion with 12 dogs, is the subject of Heloisa Passos’ new film.
In Heloisa Passos’ film, Birdie, a homeless man in Rio de Janeiro who sells vegetables and naps in trees, gets into the minds of the street dogs he loves.
In Kirsten Johnson’s The Above, a U.S. military surveillance balloon floats on a tether high above Kabul.
The refugee crisis on the borders of Europe during the summer of 2015 is documented in Iva Radivojevic’s Notes from the Border.
In God is an Artist, Dustin Guy Defa explores contemporary Detroit through its growing street art and the recent headline-grabbing Satanic temple.