Catherine Trieschmann’s daughter is mis-cast as the lead in the Christmas pageant.
“‘Seminar’ is merciless in its demand for presence and requires a level of selflessness almost but not quite impossible to achieve. For all of these reasons, it may be the ultimate teaching tool.”
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Sarah Matusek interviews Actor Jocelyn Kuritsky on founding the Muse Project, an initiative that empowers women actors to create and produce original work.
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The HowlRound community is designing and building the World Theatre Map. Track the progress of this commons project and participate in its design and development.
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Peggy Wright-Cleveland on the FSU production of Seminar by Theresa Rebeck.
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Gary English, artistic associate at The Freedom Theatre on the West Bank in the Jenin refugee camp, discusses the complications of presenting work on the Palestinian/Israeli conflict in the US.
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Matthew Minnicino discusses what canonical works of theatre we can turn to in light of the current political situation in the US.
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Rachel E. Diken on Aglio e Olio, a “kitchen theatre” piece written and performed by Meg Persichetti and produced and directed by Laura Gilkey in Maplewood, New Jersey.
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Michael Lueger talks with Dr. Kyna Hamill about her research into the background of the holiday carol "Jingle Bells."
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Remarks by Laura Penn, Teresa Eyring, and Tazewell Thompson at A Celebration of Life for Zelda Fichandler hosted by Arena Stage and the Fichandler family at the Mead Center for American Theater October 24, 2016.
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Rachel Spencer Hewitt talks to members of Mothers Artists Makers, a collective of feminist mothers in Irish theatre with children.
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Rosalind Grush discusses why salaries for many arts administrators are lower than they should be, and offers some solutions.
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One Queen’s Highly Personal/Subjective Reaction to Taylor Mac’s A 24-Decade History of Popular Music
CJ Byrd on Taylor Mac’s A 24-Decade History of Popular Music, a “communal, intelligent, erotic, participatory, spectacular performance art concert; a marathon survey dedicated to destroying through exposure the racism, patriarchy, supremacy, and fascism suppressing the fabulosity of all our country’s different beleaguered Others over the years.”
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Peter Nachtrieb talks to nine other Bay Area-based playwrights about their connection to where they live.
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Donald Sanborn, III reports on the New York Musical Festival, discussing the landscape of original musicals.
Nineteen playwrights are salaried staff members in residence for three years at eighteen theatres in thirteen cities.
All the Lights On: Reimagining Theater with Ten Thousand Things by Michelle Hensley
Published by the Minnesota Historical Society Press in association with HowlRound.
All the Lights On is a history of the Twin Cities' theatre company Ten Thousand Things, which for more than twenty years has been bringing intelligent, lively theatre to nontraditional audiences—to prisons and homeless shelters, adult education centers, and rural areas—as well as the general public.
$22.95 USD
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