Xan Brooks
Xan Brooks is a freelance writer and broadcaster specialising in cinema
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The 50 top films of 2017: No 8 Blade Runner 2049Another joint entry for the UK and US in our movie countdown – Xan Brooks hails an ambitious sci-fi sequel that took the original’s tantalising loose ends and ran with them
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Reel dilemma: are we condoning the conduct of Hollywood's tyrants by watching their films?Harvey Weinstein, Kevin Spacey … as the list of harassment cases in Hollywood grows, can we any longer separate cinema from the morality of its makers?
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Kristin Scott Thomas: ‘For me, Brexit is a disaster – talk about not knowing where you belong’After years bouncing between the UK and France – with the occasional Hollywood blockbuster for good measure – the actor’s role in Sally Potter’s film The Party was filmed in 12 days, during which the EU referendum took place. The result made her feel rootless, she says
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Pulp Fiction to Magnolia: the best films of the 90s – as chosen by criticsFive critics choose their favourite film of the decade, from Charlie Kaufman’s surreal journey into John Malkovich’s mind to Baz Lurhmann’s Shakespearean tragedy with guns and Hawaiian shirts
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Sleeping Beauties by Stephen & Owen King review – King Sr’s return to formThe master of horror collaborates with his son on this epic, colourful story of global pandemic, and shows a youthful vigour not seen in years
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Ai Weiwei: ‘Without the prison, the beatings, what would I be?'His battles with the Chinese state made him an artist. Now a rootless exile who rarely leaves his studio in Berlin, he explains why his new documentary about the global plight of migrants will haunt him for the rest of his life
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Home invasions, melting glaciers and Humpty Dumpty – is VR finally coming into its own?The Venice film festival has dedicated a section to cutting edge virtual-reality features, suggesting that the format may be about to take off as mass entertainment -
Darren Aronofsky on Mother! - ‘Jennifer Lawrence was hyperventilating because of the emotion’The director’s new film pushed Lawrence – as well as audiences – to the brink. Is the bizarre psychological horror a warped self-portrait?
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Three Billboards Outside Ebbing, Missouri review – violent carnival of small-town AmericaFrances McDormand is commanding as a woman avenging the murder of her daughter in Martin McDonagh’s modern-day western -
Foxtrot review – Samuel Maoz's fierce nightmare vision of IsraelThe Lebanon director’s unflinching family tragedy, set in a surreal Israel where loss and pain are randomly distributed, offers an urgent and witty picture of futility -
Victoria & Abdul review – Judi Dench's class act can't compensate for lazy Raj-era nonsenseDench is as dependable as ever as an aging Queen Victoria besotted with her young Indian servant in creaky, old-fashioned drama from Stephen Frears -
The Leisure Seeker review – Helen Mirren camper van yarn sticks to the middle of the roadMirren and Donald Sutherland head off along Route 1 for a well-constructed, but not especially original, study of a long-married couple in their golden years
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Wormwood review – Errol Morris's splendidly spooky doc about death, LSD and the CIAThe king of documentaries is back with a Netflix series – and he’s revisiting the supposed suicide of a biochemist in 1953. What emerges is a creepy trip indeed
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Suburbicon review – George Clooney's picket-fence creepfest grows up to be Fargo's idiot childFrom a script by the Coen brothers and starring Matt Damon, Clooney’s directorial effort takes aim at the suffocating hypocrisy of 50s white-bread America, but can’t quite land its punches -
Our Souls at Night review – Robert Redford and Jane Fonda in a moving autumn romanceThis adaptation of Kent Haruf’s novel is a graceful, easygoing, sincere film about a couple finding solace in each other and respite from their Edward Hopper lives
Chaos, conflict – and conga: Fanny and Alexander takes the stage